Act III

A lysergic and abstract journey blending decomposed structures and textural sound design.
Catch A Strange Wedding every 1st Friday of the month, from 22h to 23h [CET] on rinse.fr

Rinse France Podcast

A Strange Wedding presente Further Inward with Formant Value - 03 Mars 2023

Own productions only 

Harald Uunk is a multifaceted artist whose sonic landscapes transcend boundaries and captivate the imagination. With a background as a sound designer, Harald's work pushes the boundaries of traditional music, immersing listeners in a world of audio innovation and creative storytelling.

SC : @haralduunk
IG : https://www.instagram.com/harald.uunk/

#44 - Harald Uunk

About this mix (few words from F-ON): 
"About the storytelling, well,  i can explain how the process of the recording was:
Friday night, It has been a hard and stressful day.
Everyone at home is sleeping, so I take a RedBull can from the fridge and I go to my dinner room.
I close the door, and start to record. The healing vibes start in my technics turntables and my Genelec monitors that sound very low.
I don't want to wake anyone up.
The next two hours are just for me.

His progressive sessions, profound and with long mixes, are real voyages that sail through experimental music, ambient and horizontal and dubby techno.

His productions are 4x4 experiments of low tempo with field recordings and marked spaces, where he explores timbres, textures and cinematographic structures. He is resident at the Alpenglühen and Taiga sessions and owner of the label Antimatter together with Bule.

He is also the owner of Alpenglühen (the label) focused in deep and ambient techno which explores the thin line between light and darkness.

SC : @f-ondj
IG : https://www.instagram.com/apomeda/

#45 - F-On - The Healing

Liminality

The sun had been gone for 181 days.

That was the nature of the world they had chosen. Gliese-7d, a rogue planet captured in an elliptical orbit around a dying red star, was a place of extremes. Half the year bathed in an anemic, ember-like glow; half the year swallowed by a night so absolute that it numbed the senses. The colonists called it The Verge—the razor-thin band that lay between those two realms, a twilight belt that drifted across the surface with the slow inevitability of a glacier.

The first hints of light were now visible at the horizon, a soft cerulean glow teasing the return of the star. The darkness had its own kind of peace, stretching across the sky like a cathedral vault. In the absence of the sun, the cosmos itself seemed closer, the band of the Milky Way a frozen river of light. There had been something strangely pure about it, as if existence had been reduced to its simplest terms—heat, breath, motion. And now, with the return of the light, that purity would be lost.

There was always a moment—this moment—when the threshold was crossed between the long night and the long day, a sliver of time where the world was neither one thing nor the other. The darkness receded, the light approached. For 181 days, there had been longing for warmth. Now, there was reluctance to surrender the cold.

The vapor of breath drifted into the first true light of the new cycle. Then, the darkness was behind.

Marja Ahti - Nox
James Rushford - Swansing
Charles Cohen - Middle Distance
Anthony Linell - Everything is Temporary
Urals Vector Plant - Waving Fluids
Mark Vernon - Ill Fitting Rooms
Dot Product - Ice Patches
Adiel - Blu
Merkaba Macabre - Gaslight and the Dark
DYL & DB1 - ECOU 5
Merkaba Macabre - Trilateral Descent
Katatonic Silentio - Les Chemins De L'Inconnu
Azu Tiwaline & Forest Drive West - The Pitch
Kosei Fukuda - Hakkou
Cosey Fanni Tutti - Delia Tones
Jane Deasy - to become
Javier Marimon - General Noise II (Winter In June Rework)
Slolek - Visage
General Magic & Pita  - Ding Fridge
Merkaba Macabre - Iridescent
βᾰθῠ́ς - Cavāre of the Earth
Chris Carter - Beat
Vanity Productions - This is The Sea
DAAT - Apache
Isqh - Helius Ascension
BIAS + RNX - A.D. 2021 - SP#078 | The future of this now

SC : @sciamamusic
IG : https://www.instagram.com/sciamamusic/

#46 - Sciama - Liminality

a liquidity soup of emotions, soft, sensitive and simmering, bubbling quickly before letting go. A moment of reflection, healing, closure. Healing isn't linear. 

Tangela’s style of aural storytelling is as distinct as it is varied. She guides the listener through deep, subby, subterranean worlds, encouraging listeners to float up through spacious, textural soundscapes full of unexpected turns, all with a nimble and playful touch. You’ll find yourself wondering how it is you got here from where you began.

Tangela’s meteoric rise through the underground scene finds its origins in her late night radio show ‘citrus’ on Eora / Sydney’s iconic FBi radio 94.5FM, currently in its fourth year of broadcasting all things “squelchy, wobbly, gooey, twisty”. Her signature style has translated from the airwaves to dance floors across many of Australia’s cult clubs, DIY warehouses and bush raves, including her own as founder of both dstreet and Minutiae Festival. A name impossible to ignore in Australia, Tangela’s sound has been shared internationally via Boiler Room, Future Intel, Lyl Radio, Refuge Worldwide and more.

Versatility is her strength. Equally in her element slowly building though chuggy downtempo, wiggy tek, and dubby breaks as she is whirling through percussive techno, minimal psy and floaty trance. Her sound is undeniably psychedelic, & one with deep connection to the Australian bush she soundtracks so regularly. Organic textures transport you to moments stomping in leafy clearings, hazy morning rays poking through the gumtrees, alongside thumping kicks drenched in subby, dubby, gurgling undertones.

SC : @tangeladj
IG : https://www.instagram.com/tangela__t

#47 - Tangela - Venus Retrograde

Tenzia is a Munich-based audiovisual artist exploring the boundaries between sound, structure, and perception. Their work thrives on contrasts, merging the organic with the synthetic, the delicate with the abrasive. As a producer, Tenzia crafts intricate sound design, immersive grooves, and psychedelic sonic environments, drawing inspiration from techno, psychedelic, house, experimental, drum and bass, dub, hip-hop, tek, breakcore, IDM, and beyond.

Productions and performances blur genres and challenge conventions, creating deeply textured and emotive soundscapes. Both visually and sonically, Tenzia’s work defies traditional structures, shifting and evolving with each project.

As part of the Munich-based label and collective IO Records, Tenzia continues to push toward immersive experiences that blur the lines between sound, image, and emotion.

Tracklist : 
Sentient – Void Treader
Vardae – Thoughts
Carmen Villain – Nutrition
A Strange Wedding – Wormhole Breaker (Nadia Struiwigh Remix)
Kaspiann – Tuiskussa Langennut
Jurango – An Amorphous Mass
Easy Changes – Sviat Gepard
Tenzia – unreleased
Albert van Abbe – Yerevan. Afterwards
Tenzia – unreleased
Cafe de la Jungle – Sumu
Sorcery – Temporal Shards
Quelza – Nuage D’Encres
Tenzia – unreleased
Polygonia – Akkala

SC : @tenziasounds
IG : https://www.instagram.com/_tenzia_/
https://mastodon.social/@tenzia


#48 - Tenzia - Dew Point

A Strange Wedding
@a_strange_wedding
instagram.com/astrangewedding

Smoke Machine Podcast 154 A Strange Wedding

"This is a file full of unspeakable moments."

SC : 
Emika Elena : @emikaelena
Human Lessons : @emikaelenahml

IG : 
Emika Elena : https://www.instagram.com/emika_elena
Human Lessons : https://www.instagram.com/_humanlessons_/ 

#51 - Emika Elena - [voice.dat]

BTB Radio 005 - gi

Operating at the frontiers of electronic music, Spekki Webu stands apart as a true architect of his own sonic universe. The visionary behind the Mirror Zone label and a highly prolific producer, his work - including an excellent debut album last year - is a testament to a relentless pursuit of the new, sculpting a sound that is both boundary pushing and universally mind-altering.

Offering some insight into the deeply personal and experimental nature of this deep trip, the Dutch maestro explains:

“This mix is mainly music by myself, upcoming music on the label and some unreleased tunes by friends. I have been exploring lots of different tempo's the last few months and also been reprocessing a lot of field recordings which have been layered a lot in this mix. You can almost say that this is a hybrid mix where I am live layering field recordings and processing them in real time. But the main focus is of course the DJ part. Slowly unfolding and blending from chapter to chapter, I don't engage my mixes as mixes anymore, more like this feeling of reading a few pages from my personal book.

Minimalistic movements drowned in wider atmospheric arrangements within this story. A lot of this music in this mix has been made in the last months and dives into introspective moments. Blurring textures which have felt like clouded moments in my consciousness, like living in some sort of dream and moving on to the next stage. Preparing for changes. Waiting for new movements.”

Follow:

https://soundcloud.com/spekkiwebu
https://www.instagram.com/spekkiwebu.mirrorzone
https://spekkiwebu.bandcamp.com/
https://soundcloud.com/mirrorzone
https://mirrorzone.bandcamp.com/
https://www.instagram.com/mirrorzone.records/


MNMT 480 : Spekki Webu

Episode 50: Owl

LEVL performed on the third day of #Mostra25 at the Vall d'Hebron Olympic Pavilion. 

+ + + + + + + + + + + + + + + + + + + + +

Forest Drive West, Felix K and DB1 are LEVL. Together, they explore the murky territory between drum & bass, techno and experimental electronics, crafting a distinctive sound that defies the boundaries of genre. The trio's collaboration began with DB1 and Forest Drive West putting out music through Berlin-based Felix K’s label Hidden Hawaii, which led to the formation of LEVL: a combination of each artist’s unique production approach that creates a cohesive and innovative sound. 

LEVL's debut release, “LEVL#1”, was issued in 2019 on Arcola, a sub-label of Warp Records, a bass- and breaks-heavy record showcasing their ability to blend ambient textures with complex rhythms. “LEVL#2”, on Felix K's Nullpunkt label, further explores the intersection of ambient, drum & bass and techno.

Beyond their recorded output, LEVL brings a strong energy to live performances, delivering an immersive and genre-bending musical experience. With meticulous attention to detail, the group pushes the boundaries of electronic music through soundscapes that challenge and captivate listeners.

@dee-bee-one
@flxk1
@forest-drive-west

LEVL (DB1, Felix K & Forest Drive West) @ Mostra 2025 🖤

@shoall

Today’s Deep Mind Music entry is a trip through the depths of the earth from Shoal 🌘🌙

Listening to this set I was transported into another realm of being, taken by the hand through the mists of time, into the molten core of the earth. A transmission from the collective unconsciousness of mankind, sinking into the faded memories of our ancestors. Megalithic drones contrast with intricate moments of delicate celestial harmony, as iridescent shimmers of light glint into a shadowed cave. As the mix concludes, we softly re-emerge, floating on a blanket of rainbow-hued clouds ✨🤍

This mix is a live set made entirely of music composed by Shoal, formed from a series of recordings. It features field recordings captured in Japan, as well as a jam session with flute (Urosh), contrabass (Julian Tjon Sack Kie), and sound exploring a tam-tam gong, all collaged together. Thank you Shoal for this moving and evocative journey taking listeners through the primordial beyond 🌌💠🌀

~~  
Downloads Enabled ~

Shoal ~ Deep Mind Music Vol.35

Title:
Earth

1: "Earth", 05:02 (00:00)
2: "Parting", 06:22, (05:02)
3: "Trees", 05:28, (11:24)
4, "Insects", 1:35, (16:52)
5, "Visitor", 04:23, (18:27)
End (22.50)

Dates:
01-Nov-2025 (inception), 01-Nov-2025 (finalised), 04-Nov-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund
Music Video by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/earth

Description:
After recording "Granie Demo3 - Lyra Dreams The Halloween Edition" (Ref. [1]), I had to have a wind down session just jamming out, or was it going more hyper -- you be the judge.

Tracks 1, 2, 3 and 4 were recorded DAWless on the Granie, feeding it the Soma Lyra 8. Granie is my granular synthesiser Ref. [2].

Track 1 used a definite tuning library, whereas for tracks 2, 3 and 4, it was all modified and improvised. The tuning is listed below, negative frequencies meant play backwards, these were the grain play-back frequencies, which may differ to the human perceived frequency.

Grain Bank 1 frequencies [Hz]:
1: -1.635
2: 0.265
3: 0.985
4: 1.465
5: 2.165
6: 2.865
7: 4.165
8: 12.465

Grain Bank 2 frequencies [Hz]:
1:14.
2: 3.
3: 13.
4: 20.
5: 25.
6: 32
7: 28.
8: -2.4

Grain Bank 3 frequencies [Hz]:
1: 3
2: 14
3: 17
4: 22
5: 23
6: 25
7: 41
8: 47

Grain Bank 4 frequencies [Hz]:
1: 117
2: 122
3: 125
4: 129
5: 131
6: 136
7: 141
8: 40

The tuning was determined one grain bank at a time, all by ear, ensuring each new bank's ith note worked well with the next bank's ith note.

For track 5, I was curious what the tuning of track 1 would sound like with a fixed discrete tuning instrument, so took the raw track 1 tuning and put it into Ableton Live, an exact replica of tuning but with no granular synthesis human perceived tuning corrections. Some selective octave reduction was also used, this tuning is shown below:

ID, Bank, Local, FreqRatio, Cents
0, 0, 0, 1.000, 0c
1, 0, 1, 0.162, -3150c
2, 0, 2, 0.602, -877c
3, 0, 3, 0.896, -190c
4, 0, 4, 1.324, 486c
5, 0, 5, 1.752, 971c
6, 0, 6, 2.547, 1619c
7, 0, 7, 7.624, 3517c
8, 1, 0, 1.070, 118c
9, 1, 1, 0.229, -2549c
10, 1, 2, 0.994, -11c
11, 1, 3, 1.529, 735c
12, 1, 4, 1.911, 1121c
13, 1, 5, 2.446, 1549c
14, 1, 6, 2.141, 1318c
15, 1, 7, 0.183, -2936c
16, 2, 0, 1.835, 1051c
17, 2, 1, 8.563, 3718c
18, 2, 2, 10.398, 4054c
19, 2, 3, 13.456, 4500c
20, 2, 4, 14.067, 4577c
21, 2, 5, 15.291, 4721c
22, 2, 6, 25.076, 5578c
23, 2, 7, 28.746, 5814c
24, 3, 0, 1.118, 193c
25, 3, 1, 1.166, 266c
26, 3, 2, 1.195, 308c
27, 3, 3, 1.233, 362c
28, 3, 4, 1.252, 389c
29, 3, 5, 1.300, 454c
30, 3, 6, 1.347, 516c
31, 3, 7, 0.382, -1665c

I used a bell instrument, ok, this is weird, the tuning, not the instrument, but it worked, 8 notes for each of the Granie banks, strung together into 32 notes and just stuck with only using those 32 notes. I realised I needed a timing track, so picked a drum set and set the Push2 midi controller into 1/16th repeat note mode and improvised some drums into a 21 bar section. Improvised on the Bells track into 18 bars. Put the percussion and bells into looped playback and improvised on the Lyra 8 -- one take, improvised tuning oh ya.

This was all done in the session view of Live, then bounced into the arrangement view ready to play back and do the mastering by putting in volume swells for interest.

You can hear the whole album on my YouTube channel at:
https://youtu.be/Dd1BKzmb1hU

References:
[1]	Granie Demo3 - Lyra Dreams The Halloween Edition, Link: https://youtu.be/5HTL0VaQpvI
[2]	Granie, Granular synthesiser by Norman Freund, purchase at: https://normanfreund.gumroad.com/l/granie


Insects

"Diatomaceous Earth Filters Suck", 2024
Final audio composition for CINE 363 Electronic Soundscapes.
All sounds in this piece were recorded by me.
Sounds:
- Hydrophone mic in my hot tub
- Parabolic mic recording the water fountain in the Lecture Hall basement at Binghamton University 
- Parabolic mic recording of someone parking their bike on the Binghamton University Spine
- Parabolic mic recording of me walking down the stairs to the Lecture Hall basement at Binghamton University
- iphone voice memo recording of my dad on the skid steer on a jobsite
- ELF mic recording at a Cornell women's soccer game
- Modular synthesis sample
- "Light to sound" synthesizer picking up on the lights of my TV, LED lights, and iPad
- Modular synthesis sample

Diatomaceous Earth Filters Suck

12 Heckleib

Genre-fluid mental mix/events series exploring consciousness through sounds.

By @andy_pi and @orsu_trippy

#51 - Emika Elena - [voice.dat]

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