Felix Mendelssohn composed his fourth string quartet in 1837 while on his honeymoon in the Black Forest -- a hugely talented 28-year-old with a new wife and a burgeoning international career as a composer, conductor, pianist, and man of letters. Yet by his nature Mendelssohn was a conservative soul, more given to celebrations of Classical beauty and proportion than the passionate flights of Romanticism that contemporaries like Beethoven were beginning to exhibit. Still, the Quartet No. 4 in E Minor displays all the passion, verve, and virtuosity that anyone could hope for, and it has remained one of the most popular of Mendelssohn's quartets amongst string players and audiences alike.

Acclaimed for its bold interpretive strength and electrifying performances, the Verona Quartet -- Jonathan Ong &  Dorothy Ro, violin, Abigail Rojansky, viola, and Jonathan Dormand, cello -- is the 2020 recipient of Chamber Music America’s prestigious Cleveland Quartet Award. The Quartet’s members represent four different nations, but their singular approach and unanimity of purpose in both musical and cultural cooperation have quickly earned the group a reputation as an “outstanding ensemble...cohesive yet full of temperament.” (The New York Times)

Formed at Indiana University under the tutelage of the Pacifica Quartet and Atar Arad, the Verona Quartet went on to complete residencies at The Juilliard School with the Juilliard String Quartet, and the New England Conservatory with Paul Katz. The group also counts among its principal mentors Alex Kerr, David Finckel, Donald Weilerstein, Martha Katz, Merry Peckham, Miriam Fried, Kim Kashkashian and Nicholas Kitchen. The ensemble’s “thoughtful, impressive” performances (Cleveland Classical) emanate from the spirit of storytelling; the Quartet believes that the essence of storytelling transcends genre and therefore the name "Verona" pays tribute to William Shakespeare, one of the greatest storytellers of all time.

Mendelssohn: String Quartet No. 4 in E Minor, Op. 44 No. 2 – Verona Quartet

class

Werke der klassischen Epoche und romantische Orchesterstücke.

Klassisch

ear food

CALM

🎈Watching the passerby (following the sources)

New England Conservatory

Schubert: The Symphonies

Symphony No. 1 in D Major D. 82: III. Menuetto (Allegro - Trio)

Symphony No. 1 in D Major D. 82: II. Andante

Symphony No. 1 in D Major D. 82: I. Adagio - Allegro vivace

Symphony No. 1 in D Major D. 82: IV. Allegro vivace

Esta obra pertenece al segundo movimiento para piano n21 de Mozart,sin embargo ,Casi un siglo más tarde, Elvira Madigan (1867-1889), joven acróbata danesa, estando de gira en Suecia, conoce al conde Sixten Sparre, oficial de la armada sueca, y se enamoran. Es un amor complicado, imposible para la época, ella es una artista y él un oficial casado y con dos hijos. Tras tres años escondiendo su amor huyen a Dinamarca, pero sólo dos semanas después se quedan sin recursos y no ven otra salida que la muerte. Se les encontró muertos en el claro de un bosque; tras almorzar Sixten sacó su arma reglamentaria y mató a Elvira, luego se suicidó. 
En 1967 se rodó una película sobre esta historia:  Elvira Madigan,  y se utilizó
el segundo movimiento del concierto nº 21 de Mozart como banda sonora; desde entonces la melodía es  conocida con el nombre de Elvira Madigan.


Elvira Madigan Mozart

#1 Billboard Classical
#1 iTunes Classical Album (US)
#1 Amazon Classical

License this piece at - 
https://www.musicbed.com/songs/nocturneinfminore28093op552cno128variation29/12742

Steinway artist, Chad Lawson, decided Chopin needed a new introduction.  Along with violinist Judy Kang (Lady Gaga, Ryuichi Sakamoto) and cellist Rubin Kodheli (Kanye West, Norah Jones), Lawson has arranged ten Chopin works into a minimalist landscape.

It's a risk editing the "poet of the piano" but one that Chopin would be proud of.  

Taking 10 Chopin works, Lawson decided to scale the works down to a minimalist setting.  "I knew even if bare-bones, Chopin's works could still be as spellbinding as the original compositions we are so familiar with." says the pianist.  

Produced by Chad Lawson & Alejandro Clavijo. Mixed by Stephen Lee Price.  Mastered by Michael Graves of Osiris Studios (Atlanta, GA).

Chopin Nocturne in F Minor-Op. 55, No 1 (Variation) Piano, Violin, Cello - Chad Lawson

Chopin, as always, making pain beautiful.
IMO the most perfect of his 21 nocturnes.

Chopin Nocturne In C Minor Opus 48/1

Three piano compositions entitled "Gymnopédies" written by French composer and pianist Erik Satie (1866 – 1925). 
These short, gentle and atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as an important precursor to modern ambient music. 
Performer - Ilya Shipilov
If you want to use this music for your project, do not forget to buy a license! Just click on Buy-link, choose the right license and enjoy good music and creativity!
If You have any questions, write us, we'll try to answer everyone.

Three Gymnopedies by Erik Satie - Performance by Ilia Shipilov

QUARTETTO d'ARCHI - The Arrival of the Queen of Sheba, F. Handel

NEC's Chamber Orchestra performs Handel's Concerto Grosso in F Major. Recorded live in Jordan Hall on October 13, 2004. This piece was featured on the 2005 NEC Feast of Music CD sampler.
For more information: http://necmusic.edu

Handel-  Concerto Grosso in F Major - Adante Larghetto

Handel - Concerto Grosso in F Major -Allegro

1stpiano's most popular solo piano music, including Beethoven's Moonlight Sonata, Debussy's Clair de Lune, Bach, Liszt, Mozart and more.

02-Arabesque-Debussy

The Piccinini, Kashkashian, Magen Trio perform Rameau's Pièces de clavecin en concerts. Recorded live March 11,2012 at NEC's Jordan Hall.
For more information: http://necmusic.edu/concerts

Rameau: Pièces de clavecin en concerts: Concert no 5-  La Forqueray  Fugue

Rameau: Pièces de clavecin en concerts: Concert no 5-  La Cupis  Rondement

Rameau: Pièces de clavecin en concerts: Concert no 5-  La Marias  Rondement

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

More on YouTube: http://www.youtube.com/watch?v=9lKofYUaDTk

Chopin – Nocturne Op. 9 No. 2

J.S.Bach "Air"

Hugh Wolff conducts the New England Conservatory Philharmonia in a performance of Brahms' Symphony no 4 in E minor, Op. 98. Recorded live October 3, 2012 in Jordan Hall, Boston, MA. 

Brahms: Symphony no 4 in E minor, Op. 98 -  Allegro non troppo

Nocturne 19 chopin op.72

Guest conductor Andrew Litton leads the New England Conservatory Philharmonia in a performance of Prokofiev's Symphony no 4 in C major. Recorded live in NEC's Jordan Hall December 12, 2012.

Prokofiev: Symphony no 4 in C major - Andante   Allegro eroico

Prokofiev: Symphony no 4 in C major -  Andante tranquillo

Prokofiev: Symphony no 4 in C major -   Moderato  quasi allegretto

Prokofiev: Symphony no 4 in C major -   Allegro risoluto

Mendelssohn - String Quartet No. 4 -- IV. Presto Agitato

Mendelssohn - String Quartet No. 4 -- III. Andante

Mendelssohn - String Quartet No. 4 -- II. Scherzo- Allegro Di Molto

Mendelssohn - String Quartet No. 4 -- I. Allegro Assai Appassionato

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.