Panic attack

mooi

Concentration

París

classic

A compilation of classical music composed by Samuel Barber

[Includes Adagio for Strings, which featured in the movie soundtrack of Platoon]

Samuel Barber

Gymnopedie No 1

It's a real pleasure to sing this song. It's such a nice hopeful song and I dedicate it for everyone in my school. Keep holding on and Merry Christmas !

Noa Moon Paradise (Mon Chemin) Cover

The Beau Soir Ensemble is a flute, viola, and harp trio dedicated to the performance of standard and contemporary repertoire spanning a variety of genres.

Forlane from "Le Tombeau de Couperin" by Maurice Ravel

Once Lunas - Marcial Rodriguez & Noemi Escudero - Produced by Eric Nagel & Dj Pippi

I didn't win the remix contest, but the remix is now up for free download. :)

Matt Lange feat. Jeza - I Can't Forgive (Direct Remix)

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▼ Follow Shane Robinson:
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▼ Release Tracklist:
01 Shane Robinson - Never Let Go
02 Shane Robinson - Nothing's Changed
03 Shane Robinson - Between Us

Dublin-based producer Shane Robinson is not a newcomer to the Silk label family. However, he has never appeared on Silk Sofa, so we're extremely proud to welcome his "Never Let Go" EP, featuring three tremendous chillout cuts. 

The title track starts out with a blissful atmosphere, including intriguing sound effects in the background. Mesmerizing percussion elements build up the main rhythm, which is supported beautifully by subtle piano strokes and intermittent vocal stems. "Nothing's Changed" begins with a tranquil rhodes melody, which is surrounded by fascinating pad lines and a hypnotizing breakbeat. Later, the main lead turns to a rather melancholy theme, rounding out the song perfectly. Lastly, "Between Us" finalizes this EP with its mellifluous and breath-taking piano lines, soothing percussion sounds, and sweeping pad elements.
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▼ Photography:
Photographer: Sorin B.
Website: http://www.flickr.com/photos/sorin-bogdan

Shane Robinson - Never Let Go [Silk Sofa]

deathwithyou

Seattle's @kidsimpledubs caught our ears in the application process for the 2013 Red Bull Music Academy with his intricate, free-flowing layering of melancholic sound textures. With a sonic vision already fully formed early on in his career, the producer continues to add to his template on his new release for @hush-hush-records.

The <i>Silo Tear</i> EP is arguably Kid Smpl's most palpable effort yet. Apparent on the title track, which we are happy to premiere, the producer weaves in more abrasive rhythmical and textural elements than what we've heard from him thus far. Washes of noise add to the dramatic feel introduced by somber synths and sorrowful vocal samples, drawing connections to the work of Burial just as they to do that of fellow NYC Academy grad Evian Christ. Do yourself a favour and listen to this now.

<i>Silo Tear</i> is out on May 5th via Hush Hush.

http://hushhushseattle.com
http://redbullmusicacademy.com

Kid Smpl - Silo Tear

Erik Satie - Gymnopedie 1

From a recent concert; strings and harp only.

Gustav Mahler: Adagietto from Symphony #5

Produced/recorded in NYC with TransSiberian Orchestra music director

"Ave Maria" (Caccini)

Samuel Barber's Adagio For Strings. This is from 1936, earlier than the 60's but so much more modern, isn't it? The ultimate ambient trance-ish piece... Tried to make it sound like metallic yet organic strings, mixing Clavia's string orchestra samples with synthesizers.

Live video: http://youtu.be/NdXiKehJCrI

If this is too ambient for you (sometimes it is for me), Tiësto used the first notes ad nauseam in an upbeat trance track.

Video

Barber - Adagio For Strings

Johan Pachelbel - Canon in D
Uploaded by Athir Aldefaie

Pachelbel Canon in D - Solo Piano

Hugh Wolff conducts the New England Conservatory Philharmonia in a performance of Barber's Adagio for Strings. Recorded live April 2010 at Symphony Hall, Boston.
For more information: http://necmusic.edu/concerts

Barber: Adagio for Strings, Op. 11

Goldmund and I made a track for an Erik Satie compilation last year (*released on French label Arbouse) at his studio in Portland. Keith (aka Goldmund) played the piano and I did the electronic arrangements and produce the track. My intent was to give the track a "ghost-like" quality, as if the spirit of Erik Satie was playing the melody in a very paced manner at an abandoned, old Château. Enjoy!
Note: This composition was first published in 1893 as part of the "Trois Gnossiennes." More info here: http://en.wikipedia.org/wiki/Gnossienne



Rafael Anton Irisarri + Goldmund - Gnossienne No. 1

Creative Commons Volume. 5
Contemporary Classical soundtrack music.

Download at dexterbritain.bandcamp.com

www.dexterbritain.co.uk

Like me on Facebook: www.facebook.com/thedexterbritain
Follow me on Twitter: www.twitter.com/dexterbritain

Download / License

The Time To Run (Finale)

Edinburgh University Chamber Choir - Agnus Dei (Adagio for Strings)

Award-winning jazz singer, songwriter, and guitarist Madeleine Peyroux releases her inspired new album from Decca, THE BLUE ROOM on March 5, 2013. Featuring Madeleine’s reinterpretations of songs from Ray Charles’ seminal album Modern Sounds in Country & Western Music as well as others from legendary artists such as Randy Newman and Leonard Cohen, THE BLUE ROOM brings the listener through a soulful musical journey with Peyroux’s lush voice and magnificent storytelling.

The Blue Room

I Can't Stop Loving You

You Don't Know Me

Desperadoes Under The Eaves

I Love You So Much It Hurts

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.