Nelly Debussy

Classical

Hugh Wolff conducts the New England Conservatory Philharmonia in a performance of Debussy's La mer. Recorded live April 13, 2011 at NEC's Jordan Hall.
For more information: http://necmusic.edu 

Debussy: La mer

Debussy

Debussy: La mer - Dialogue of the wind and the sea

let's hear Debussy

New England Conservatory President Emeritus and Walter W. Naumburg Chair in Music, Laurence Lesser Bach: Suite for Cello solo no 1 in G major, BWV 1007. Recorded live in Jordan Hall, Boston, by Alex Hug

Bach: Suite for Cello solo no 1 in G major-Prelude

This seldom heard work by Claude Debussy is from my new CD album:
 'Debussy-Nature Myth Legend'

YouTube link:
http://youtu.be/fX1fqb3bJLA


Debussy-Nature Myth Legend

Nocturne, L. 82

'Nocturne' by Claude Debussy

Hugh Wolff conducts the New England Conservatory Symphony in a performance of Wagner's Tristan und Isolde: Prelude and Liebestod. Recorded live in Jordan Hall, Boston March 12, 2014

Wagner: Tristan und Isolde: Prelude and Liebestod

Civic Orchestra of Chicago in Concert with principal conductor Cliff Colnot - Orchestra Hall, Setpember 20, 2010

Daphnis et Chloe Suite No.2

Svyatoslav Levin - F.Chopin: Variations, B flat Major, Op. 2, on La ci darem la mano

Thomas Yu - F. Chopin:  Andante spianato and The Great Polonaise E flat major

Victoria Bragin - F. Chopin: Polonaise E flat minor op. 26 no. 2

'Angel Eyes' is all about 'colour'. The changes in this 32 bar AABA Jazz Standard are so melodious and pleasing to the ear, and so colourful that you'll have years of fun improvising to this Jazz Backing Track version of the song.

In the style of, and based on the Matt Dennis original, this (1 Minute Sample of the) 20 Minute Long Jazz Backing Track version (Found on http://JazzBackingTracks.com) of 'Angel Eyes' was penned  in 1946, Dennis was a prolific writer and this song has been interpreted by an array of artists including Frank Sinatra, Ella Fitzgerald, Pat Metheny, Duke Ellington, Dave Brubeck and many more...

Read more here: http://JazzBackingTracks.com

Thanks, Johnny

Angel-Eyes-Style-Jazz-Backing-Track-In-Cm-70bpm-1-Minute-Sample

1stpiano's most popular solo piano music, including Beethoven's Moonlight Sonata, Debussy's Clair de Lune, Bach, Liszt, Mozart and more.

02-Arabesque-Debussy

Hugh Wolff conducts the NEC Philharmonia in a performance of Beethoven's Symphony No. 4. Recorded live September 30, 2010 at NEC's Jordan Hall.
For more information: http://necmusic.edu/concerts

Beethoven: Symphony no 4 in B flat major-  Adagio

Prélude à l'après-midi d'un faune by Claude Debussy

Debussy: La mer -  From dawn to midday on the sea

Debussy: La mer -   Play of the waves

Debussy: La mer -  Dialogue of the wind and the sea

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Claude Debussy (1862-1918) - Arabesque No.1 in E major (c.1891)

Piano - Ryo Fukaura

Listen to more from UCL's Chamber Music Club here: 
https://soundcloud.com/uclsound/sets/ucl-chamber-music-club

UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at www.ucl.ac.uk.

Debussy: Arabesque No.1 in E major (Ryo Fukaura, University College London)

Kanakana Shigure

Claude Debussy - Arabesque I

Famous sentimental piano piece written by Claude Debussy (1862 - 1918) 

Clair de lune (Moonlight) is the third movement from the work "Suite bergamasque".

Recorded in 2001 by Fiona Bechmann

Debussy - Clair De Lune

Debussy  - Clair De Lune

Youtube Video link:  http://youtu.be/hG9cI4bhiio

One of the twenty-four Preludes for Piano by Claude Debussy

The Girl with the Flaxen Hair

The Girl with the Flaxen Hair by Claude Debussy (Video)

From the first Tim Richards TRIO CD 'The Other Side' (1998, 33Jazz037), featuring Tim Richards (Fender Rhodes), Pete Kubryk Townsend (bass), Kenrick Rowe (drums). Composed by Eddie Harris.

Freedom Jazz Dance (trio)

Dedico esta grabación con gran cariño a mis padres.

https://itunes.apple.com/us/album/debussy-deux-arabesques-single/id1109105473

Debussy: Deux Arabesques

Arabesque No. 1 in E Major, L. 66: Andante con moto

Claude Debussy: Première Arabesque

New England Conservatory piano major Wesley Chu performs Beethoven's Sonata for Piano no 21 in C major Op. 53 during the annual The Marion Rubin Berman ’31 Piano Honors Concert. Recorded live in Jordan Hall, Boston April 25, 2013.

Beethoven: Sonata for Piano no 21 in C major -  Allegro con brio

Beethoven: Sonata for Piano no 21 in C major - Introduzione  Adagio molto

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.