Study music

BCL052223

Birds sing and the valley cries
A vaguely blurry peach dream
Grasses get wet after the spring rain

鳥が囀り谷が鳴く
ぼんやりとした桃の夢
雨立ち上り草濡れる

Congrats to the 10th Anniversary of Naviar ! 
Thanks for the inspirations from the Naviar Haiku Fest.. and now come to this place again for naviarhaiku530 

An another experimental hypnotic track inspired from the poem of spring rain by kobayashi issa - mixed with the humbled profound Taiko drums from the liveset at Naviar Haiku Fest in Tokyo 2024- a kind of tribute track for the 10th anniversary of Naviar's long journey :) 

taking it easy
the mouse sleeps too...
spring rain

Haiku : Kobayashi Issa
Music : Nukumori Eugene / Nx  https://a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

Spring Rain - 春雨  [naviarhaiku530]

Marco Lucchi : synthesizers

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for the current Naviar Haiku challenge
https://naviarlab.tumblr.com/post/765126405610749952/naviarhaiku564-fog-clears-away

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Fog clears away:
the waterfall shows up
bit by bit.

Natsume Soseki

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28 ottobre 2024

Marco Lucchi - The waterfall [Naviar Haiku # 564]

Musique originale de la fiction radio “J’ai tant rêvé de toi”, écrite et réalisée par Roxane Ca’Zorzi et produite par De Capes et de Mots avec le soutien du FACR et de l’ACSR, à découvrir sur https://www.radiola.be/productions/jai-tant-reve-de-toi/ (ou sur votre plateforme préférée)
Et pour écouter la B.O. dans son intégralité: https://antonindebemels.bandcamp.com/album/jai-tant-r-v-de-toi-b-o

Image: Juliette Pons

Grotte enchantée

The Crystal Cabinet (after Blake)

Really close wolf howl - January 2025. SASS. 

Wolf Recording 13th Jan 2025. 18:39

For piano (4 hands)
Composed in 1990-1991
Live performance by Darius Paymai and Reuben Esterhuizen
Goodenough College, London
25 June 2024

Piano Duets

minor planet

Midori Hirano - Haiyuki

TOMOKO SAUVAGE 'Clepsydra' from Musique Hydromantique (SP087)

→ http://shelter-press.org/tomoko-sauvage-musique-hydromantique-sp087/

Musique Hydromantique is the second solo album by Tomoko Sauvage archiving many years of her performance-based practice on the waterbowls - the natural synthesizer of her invention, composed with porcelain bowls filled with water and amplified via hydrophones (underwater microphones). While her first album Ombrophilia (released on and/OAR in 2009) was studio-recorded /composed work, «Musique Hydromantique» is about experimentation and improvisation with the environment - acoustics affected by the architecture, temperature, humidity and the human presence.

For more than ten years, Sauvage has been investigating the sound and visual properties of water in different states, as well as those of ceramics, combined with electronics. Water drops, waves and bubbles are some of the elements she has been playing with to generate the fluid timbre. Since around 2010, hydrophonic feedback has been an obsession for the musician - an acoustic phenomenon that requires fine tuning depending on the amount of water, a subtle volume control and interaction with the acoustic space.

Calligraphy was recorded in a genuine echo chamber, with about 10 second reverbs, situated in a former textile factory. Like an endless exercise to draw perfect curves and forms floating in the air, the subaquatic feedback frequencies are pitch-bended with the mass of water sculpted by a hand changing its quantity. Fortune Biscuit is about the singing bubbles emitted from the pieces of ‘biscuit’ (porous terra-cotta). Depending on the texture of the surface, each biscuit makes different sound : insect and animal voices in a forest, motors, crying babies changing pitches and rhythms while absorbing the water… Clepsydra (meaning water clock) features Sauvage’s classical technique, a random percussion with dripping water. She tunes the waterbowls by adding and removing water, making flowing glissando, to find the balance point in ever-changing tonalities.

Just as the flow of water is subject to a number of variables such as temperature and pressure, water clocks mark a time that is shifting and relative. However, slowness dominates throughout the album as a result of favoring the full resonance of the instrument, leading to a path to experiencing timelessness.

Hydromancy is a method of divination by means of water. Unpredictable bubbles and water ripples become oracles. Evaporation and acoustic space constantly play a chance operation. Through primordial materials and ritualistic yet playful gestures, Musique Hydromantique questions contemporary divination.

All the tracks are live-recorded without electronic effects or editing. They were recorded during the night or very early in the morning and the whole album is to be listened to during that period of a day.

—
LP edition of 500 copies with reverse board-printed inner and outer sleeve. Digipack CD edition of 1000 copies. Mastered by Rashad Becker at Dubplates and Mastering.

Musique Hydromantique

Clepsydra

TOMOKO SAUVAGE 'Clepsydra' (SP087)

New England Conservatory's Chamber Orchestra (coached by Donald Palma,) performs Handel: Concerto grosso in F major featuring members of the orchestra Audrey Wright, Robyn Bollinger, violin, and 
Tony Rymer, cello.
Recorded live April 25, 2012 at NEC's Jordan Hall.

Handel: Concerto grosso in F major, Op. 6 No. 2- Andante larghetto

This is a college orchestra. I provided an improvised accompaniment on the harpsichord

Op. 6 Concerto in D Major - Handel

Self-explanatory. Also contains some arrangements of Pokémon music for the harpsichord.

Arrangement of the Telemann Viola Concerto in G Major, Movements I and II

The seventh Notebook Soundtrack Mix is a musical celebration of the films of Andrei Tarkovsky, including music by Vyacheslav Ovchinnikov, Eduard Artemyev, and Bach. For an introduction by mixer Florence Scott - Anderton (https://soundcloud.com/ecnerolf-1), as well as the full tracklist, https://mubi.com/notebook/posts/notebook-soundtrack-mix-7-poetic-refrain-the-music-and-sounds-of-tarkovsky.

Notebook Soundtrack Mix #7: Poetic Refrain — The Music and Sounds of Tarkovsky

"Allegro" from Guitar Concerto in D Major - by A. Vivaldi

After the success of his two previous discs, devoted to Scarlatti and Clementi, pianist Olivier Cavé pursues his companionship with a Bach project. Throughout his extraordinary career, Bach never tired of copying by hand the music of others, and the sense of eclecticism that would drive him to reproduce and adapt works, namely Italian music, was his way of achieving a very personal synthesis and creation, where abstract speculation and poetry would find their place. These beautiful transcriptions were precisely at the origin of one of his master pieces, the Italian Concerto.

More info here: http://www.outhere-music.com/en/albums/concerti-capriccio-aria-nel-gusto-italiano-aecd-1111

J.S. BACH - Concerto in D minor - Adagio by Olivier Cavé

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.

Handel: Concerto grosso in F major, Op. 6 No. 2- Andante larghetto

necmusic

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