Name: Strauss: Prelude from Capriccio, op. 85 by necmusic in classical list
Duration: 10 min 45 s
Description: The New England Conservatory Chamber Orchestra, coached by Dinald Palma, performs Strauss' Prelude from Capriccio, op. 85. Recorded live in NEC's Jordan hall, Boston, February 24, 2016.

classical list

New England Conservatory President Emeritus and Walter W. Naumburg Chair in Music, Laurence Lesser Bach: Suite for Cello solo no 1 in G major, BWV 1007. Recorded live in Jordan Hall, Boston, by Alex Hug

Bach: Suite for Cello solo no 1 in G major-Prelude

- Nr. 14 (Andante) from "Introduction à l'Étude de la Guitare" op 60 -
music: Fernando Sor
guitar: F.Hiemenz
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part of a recording session, mostly in "prima vista" playing, to produce background music for a spoken therapeutic CD. 
recorded in puzzlepie studio Munich/Türkenfeld
('93)
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Find more Études from Fernando Sor at :
http://soundcloud.com/fhgitarre/sets/fernando-sor-estudios-easy-to-medium/
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restored from a CompactCassette Copy with WaveLab 7

Étude in E-minor (Andante, op.60 Nr.14) by Fernando Sor

Hugh Wolff leads the New England Conservatory Philharmonia and Concert Choir and the Tufts Chamber Singers in a performance of Beethoven's Symphony no 9 in D minor "Ode to Joy". Recorded live in Jordan Hall, Boston February 12, 2014/ 

Beethoven Ninth Symphony: iv. Presto – Allegro assai

George Frideric Handel - Ariodante, HWV.33, Act II: Scherza Infida In Grembo Al Drudo

Sonata XII - "La Follia" - Antonio Vivaldi (1678-1741)

live performance with Julie Andrijeski and Danny Mallon - September 25, 2010

La Follia - Vivaldi

Noite de Saudade

Noite de Saudade is a melancholic and poignant contemporary classical composition by The Lumina Orchestra, blending the delicate sounds of piano and violin to create a deeply emotional, reflective atmosphere. This piece evokes a sense of longing and nostalgia, weaving together the expressive qualities of both instruments to capture the sorrowful beauty of memories that endure through the night.

The piano’s tender, flowing melodies provide a steady foundation, while the violin’s rich tones rise with emotion, creating a dialogue between the two instruments that speaks to the heart’s deepest yearnings. The subtle, intimate orchestration enhances the emotional weight of the piece, drawing the listener into a world of wistful contemplation and quiet solitude.

Noite de Saudade is a powerful journey through the shadows of memory, offering a moment of stillness and reflection, where the music becomes a vessel for the emotions that linger long after the night has passed.

Noite De Saudade

TEASER track. 

More to come if we see some love. 

Ray Chen & Luca D'Alberto "Bach-Teaser"

The New England Conservatory Chamber Orchestra, coached by Dinald Palma, performs Strauss' Prelude from Capriccio, op. 85. Recorded live in NEC's Jordan hall, Boston, February 24, 2016.

NEC Chamber Orchestra / Britten, Honegger, Strauss

Strauss: Prelude from Capriccio, op. 85

Johann Sebastian Bach: Fugue from Prelude, Fugue, and Allegro BWV998

J. S. Bach - Prelude And Fugue In E Flat Minor No.8 BWV 853 - Sviatoslav Richter

After two earlier Dvořák releases, the Trios nos.3 and 4 (Dumky) and the two Piano Quartets, Omri Epstein, Mathieu van Bellen and Ori Epstein are joined by one of their teachers at the Queen Elisabeth Music Chapel, the violist Miguel da Silva (founder member of the famous Quatuor Ysaÿe) and the violinist Maria Milstein, who was also an artist in residence at the Music Chapel from 2011 to 2014. Together they continue this recording of the Czech composer’s complete chamber music with keyboard, this time in the two Piano Quintets and the Bagatelles. There is an obvious close rapport between these musicians, who share with us their passion for this repertory and their enjoyment of playing together. A gap of fifteen years separates Dvořák’s two Piano Quintets, which have few features in common except a shared home key: the First marks the debut of a youthful composer, while the Second shows him at the peak of his art. The Bagatelles, originally scored for two violins, cello and harmonium, are among his bestknown short pieces. A recording scheduled for release in autumn 2018 will complete this quadriptych of Dvořák’s piano trios, quartets and quintets.

DVORAK // Bagatelles, Op. 47 : I. Allegretto scherzando

Johann Sebastian Bach - Air

Johann Sebastian Bach - Fuga from Sonata in G minor BWV 1001

guitar: Frank Hiemenz -  (http://soundcloud.com/fhgitarre)
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This recording  was part of my very first studio production. I labeled it "affettuoso assai" and made copies on CompactCassettes, each one by hand !  During the following years I managed to sell 500 pieces during my first gigs and concerts and was enormously proud of it.
;-) 
Listen to all tracks of this production at http://soundcloud.com/fhgitarre/sets/affettuoso-assai-old-archive

recorded in puzzlepie studio Munich/Türkenfeld ('85)
(restored from an analog tape)
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same piece in a much faster concert recording: 
http://soundcloud.com/fhgitarre/sevilla-by-isaac-albeniz
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photo source: http://commons.wikimedia.org/wiki/File%3AIsaac_Alb%C3%A9niz_%26_Enrique_Fern%C3%A1ndez_Arb%C3%B3s.jpg

"Sevilla" by Isaac Albéniz [studio version/old archive]

Philippe Jaroussky 
Australian Brandenburg Orchestra
Conductor: Paul Dyer

This recording is taken from a broadcast on 23 March 2013. No infringement of copyright is intended. We believe the purpose of publication fulfils the conditions for fair use - discussion and study.

*Alto Giove*
Nicola Porpora, Polifemo, Acis's aria:

ACIS 
Alto Giove è tua grazia 
E tuo vanto il gran dono 
Di vita immortale 
Che il tuo cenno 
Sovrano mi fa.

Ma, il rendermi poi quella 
Già sospirata tanto Diva 
Amorosa e bella 
È un dono senza uguale 
Come la tua beltà.

Alto Giove - Porpora - Philippe Jaroussky, ABO, Paul Dyer

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.

Strauss: Prelude from Capriccio, op. 85

necmusic

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