1984

Italy 🏴‍☠️
creator of 
⚙️GOMMADURA rec• 
Part of :
🔪Blame Society Rec

Jetro Russo, a young promise of the Italian tekno scene, has been producing since he was 11 years old with digital performers (Renoize Reg) and analog trackers/synths, having joined Blame Society rec. at the age of 17, creator together with Emanuele Russo of GOMMADURA techno family, label Rec. , visual show and Events.
The sets stand out for the rubbery and jumpy happiness of minimal electronics with acid and distorted cybernetic sound developed in a hybrid set between sample DJ sets and live performances with Nintendo DS.

E come un ricamo su una tela plasmo il suono nei suoi attributi , minuziosamente invento i particolari di questa tribalità cybernetika , c’è chi pensa che i particolari non contano quando si ha talento.
La verità è che un onda che veicola un messaggio non può essere ne casuale ne senza significato , c’è bisogno di un nuovo linguaggio e deve essere fatto bene.
#lowerthegoraisethetechno

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.