The Detroit Grand Pubahs launch their new techno label Engineroom with a re-recorded update of their classic track ‘Sandwiches’. ‘Club Sandwiches’ comes as a trilogy of 3 heavyweight remixes packages, which officially launches with a label launch party at this year’s ADE.

This time, gone is the masks, multiple personas and gimmicks. The Pubahs return to a more earnest mode as Mack Goudy Jr and Oliver Way step away from their funk caricature’s of Paris the Black Fu and Mr. O and embrace the dark and atmospheric techno that will give Engineroom its unique stamp. Whilst their other label Det.ele.funk will continue to keep the funk, Engineroom will showcase the no frills electronic dance music that has always been prevalent in their DJ sets.

“In my opinion you can only tell a joke for so long,” declares Paris. “Besides that it seems that people in this genre of music don't really have a sense of humour (the producers anyway). They tend to take things way too seriously and then ask ‘does humour belong in music?’ which is laughable in itself.  I got into music by chance and that happened because of my humour. People would laugh and tell me how crazy the track was and they'd always smile while doing so. Mad Mike told me ‘we have to laugh sometimes’. I took that to heart and kept trying. Now as of late I feel it's time for us to show our serious side.”




Melanie Martinez's creative drive and talents have always distinguished her from other musicians. After releasing her platinum-certified 2015 debut album, Cry Baby—which reached No. 1 on Billboard's alternative albums chart and has amassed over two billion streams worldwide —she conceived and directed a video for each song on the album. These mini-movies traced the traumas and insecurities experienced by the album's character, Cry Baby.
 
Melanie’s sophomore album and film, K-12, is another ambitious triumph. K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong—including within friendships, the physical world and romantically—even when fitting into society feels like an uphill battle.
 
To accompany the album, Martinez wrote and directed a 90-minute movie (also called K-12) that incorporates the album's music and mirrors the themes and characters introduced. Filmed on location in Budapest, Hungary, the movie focuses on Cry Baby (portrayed by Martinez) and a class of students who find themselves trapped in a horror house-like residential school. As they experience the usual grade school rites of passage—a lunch room food fight, the embarrassment of gym class, a romance with nefarious intentions, courses taught by checked-out teachers— they have to figure out a way to escape.

Comunidad web dedicada exclusivamente al mejor grupo de música de Corea del Sur. Disfruta en nuestra cuenta de SoundCloud de versiones en ocho bits, tonos para móvil y alguna que otra rareza. Fighting!

I'm just a High School-er looking for good tunes!

Gravy (Compromise FBI) KANYE WEST WATCHES

Welcome to my solo work! I may call myself a rock songwriter. But, besides the rock/pop singles, here it's possible to listen to some instrumental music with "viola caipira" (a brazilian 10 strings guitar) too. I'm also a member of Splippleman ( @splippleman ) and Supertônica ( @supertonicaoficial ).

Além de singles de rock/pop, este também é um espaço para demos e experimentações em qualquer estilo e  instrumento. 
Faço parte do Splippleman ( @splippleman ), que lançou em abril de 2015 seu primeiro álbum, "Welcome to the Magic Room - Splippleman at Abbey Road". Paralelamente, sou membro da Supertônica  (@supertonicaoficial )(guitarra/viola caipira/voz). 

fabioserpe@gmail.com
http://soundcloud.com/fabioserpe 
http://soundcloud.com/splippleman
http://soundcloud.com/supertonicaoficial


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