I don't spend time thinking about what I create, no formulas, no recipes, no planning, no genre in mind, I just go wherever the first few notes take me, pretty much improvised; I tend to go with the first idea that pops into my head, judge for yourself how that pans out!

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a little musical gift for my dear friend Francesco
@francescocartocci

la favola della buonanotte

This is an old traditional Malagasy song,
we did for you 

Kitana on vocals 
Rina on piano

Mifankatiava ihany
Raha mbola velona aina
Tsy misy toy izany ny mampifaly saina

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina re

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina

Koa raha tsy fotoana ela
No hipetrahana eto
Andeha re
Andeha re mba hifamela
Andeha hifamela mba tsy harahin-tsento
Mba tsy harahin-tsento
Andeha re(Andeha re)
Mba hifamela
Mba tsy arahin-tsento

tranlation:
Let’s love one another
While we are still alive
There’s nothing more joyful than that for the soul

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

So if our time here
Is not for long
Let us go
Let us go and forgive each other
Let us forgive, so no sorrow remains
So no sorrow remains
Let us go (Let us go)
To forgive
So sorrow won’t follow

Cover Solika - Mifankatiava ihany | by Kitana and Rina

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

https://open.spotify.com/intl-fr/album/10sxiy3Ds20LZwmXCscjae
https://music.apple.com/us/album/funny-days-ep/1822802207
https://www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York   
Steve Rust on Bass, Harvey Sorgen on Drums, Olivia Siegel Keyboards     Barbara Browning Vocals & Cello   Imre L. Vocals, Guitars, Hammond organ

"FUNNY DAYS" EP MEDLEY TEASER (see description for links)

All instruments by Peter Hofland
Fender Stratocaster over NI Guitar Rig
Fodera Fretless Bass
Various Plugins

Artwork: Sebastião Salgado (8 February 1944 – 23 May 2025)

Work

Tenor saxophones and clarinets hard at it attempting a work/life balance......

Pic c/o Pinterest.

Factory Line Blues

This track inspired by a Hike with friends of time to the the summit of Rondetslottet in Rondane Nationalpark in Norway. It was October 2022 and we were surprised by snowfall. No losses on the way up and down fortunately. Why post a winter song in the summer? Don't ask me, I am nuts... ;-) 
PS: so nuts that I forgot about our friends down under! Happy winter season, Steve and al. 🥶😎

Published on Soundcloud 12.07.2025

Winter Snow

A dark psychedelic rock track fused with industrial beats and hypnotic mantra-like vocals. Heavy, relentless, and immersive. Thank you for the listening.

Psy Rock Invocation

ChinaTown

I'm not gonna lie to you guys, this one's gonna assault your ears.  It's rough and nasty.  This is actually a live version of a track we released years ago, originally called "Who Were Fanny And Phaggot?"  This is also the only song to feature our occasional bassist, Dick Wartz, who plays bass on both versions.  Gremescer plays guitar and vocals, and Mick Mack is on drums.  This track was recorded on a Tascam 4 track tape machine, and believe me, it shows.  There's some mighty fine tape rasp and hiss in there for some of the real audiophiles out there.  Don't say you weren't warned.  

Recorded on August 12, 2025

Dark Slide of the Moon - Live

GOTHIC FUNK & AUDIOBAKE collaborations.
Negative Fluency Effect isn’t looking to win any popularity contest, we’re all about RUBBING SOCIETY’S NOSE IN ITS OWN FILTH!

Musicians who don't give a crap about public or music industry approval write lyrics like these! I've been anti-establishment all my life, unlike the phoney, pretentious, preachy, I’m your saviour, Bono types out there with their MORAL POSTURING and STRATEGIC SURVIVAL tactics! No fame, no fortune, no recognition, but we’ll leave this world with our truth to power authenticity and integrity intact!

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NEGATIVE FLUENCY EFFECT