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Command Code

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NADA  / NOTHING

He pensado en la muerte  /  I've thought about death
y en lo que habrá detrás.  /  and what will be behind.
Puede que no haya nada,  /  It may be nothing,
¿te has parado a pensar?  /  have you stopped to think?

Nada, nada... nada.  /  Nothing, nothing... nothing.

Nada, nada, nada ni siquiera aire,  /  Nothing, nothing, nothing not even air,
nada, nada, nada que pueda tocarse,  /  nothing, nothing, nothing you can touch.
Nada, nada, nada que tocar ni respirar.  /  Nothing, nothing, nothing to touch nor breathe.

Nada, nada, ni una idea ni un deseo,  /  Nothing, nothing, neither an idea nor a desire,
nada, nada, ningún miedo ni silencio,  /  nothing, nothing, no fear or silence,
nada, nada, nada nada se puede escuchar.  /  nothing, nothing, nothing nothing can be heard.
...
Nada, nada, no esperes encontrarte  /  Nothing, nothing, don't expect finding
nada, nada, no puedes imaginarte  /  nothing, nothing, you cannot imagine
nada, nada, nada, no te entra en la razón.  /  nothing, nothing, it doesn't fit your mind.

ER18PB06 - ©1995 E-RUIZZO – ®2014 FRANCÉS RECORDS ;)

Nada (He pensado en la muerte)

Lyrics and music: Michele Ansani (1998).
Inspired by a Robert Musil's short story ("The Perfecting of a Love", 1911).
Cover photo is from Pietro Corrao.

Like some others I have already posted, this is a song from the late 1990s, recorded then with a Korg D8. I remixed the surviving file, working on volume and equalisation after separating the tracks, and adding some stuff. 

LYRICS (ENG / ITA)

nervously looked at the stranger
at that moment his beard lit up for a moment
she guessed there solidity, naturalness
and everything reconnected, she was there...

It flashed in her mind that already other times
The thing had begun in the same way, it was so...
And at the thought for an instant a voluptuous horror touched her
A voluptuous abulic horror
as before a sin yet unnamed

she wondered if he could have noticed
that she was looking at him
and her body filled with a slight sensuality
she seemed to be swimming in darkness before him
dissolved and impalpable like pale foam

so they travelled close
and little by little crept back into her thoughts
that restlessness
she tried to tell herself
that it was only the disturbance
of that sudden solitary journey
among strangers
soon afterwards instead she believed
that it was the wind that enveloped her
in a rigid frost

there was suddenly
a light high and clear on her past
as on an indescribable landscape of mysterious order
was a strange sense of the future
as if everything
that seemed long past
still lived on

furtively she sought the stranger
at that moment his hand for a moment
caressed her
she sensed in it a natural solidity
and everything reconnected
they were there ...

and thought of days
strangely distinct
from all the others
open before them
like a fugue of remote rooms
and joined with a hasty laugh
to the conversation

----

nervosamente guardò lo sconosciuto
in quel momento la sua barba per un attimo s’illuminò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò, lei era lì…

le balenò in mente che già altre volte
la cosa nello stesso modo incominciò, era così...
ed al pensiero per un istante la sfiorò
un orrore voluttuoso abulico
come davanti a un peccato ancora senza nome

si chiese se potesse essersi accorto
che lei lo guardava
e il suo corpo si colmò di una leggera sensualità
le sembrava di nuotare nelle tenebre davanti a lui
dissolta e impalpabile come pallida schiuma

così viaggiarono vicini
e poco a poco ritornò ad insinuarsi nei suoi pensieri
quell’inquietudine
cercò di dirsi
che era solo il turbamento
di quell'improvviso viaggio solitario
fra gente estranea
subito dopo invece poi credeva
che fosse il vento che l’avvolgeva
in un gelo rigido

vi fu improvvisamente
una luce alta e chiara sul suo passato
come su un paesaggio indescrivibile dall’ordine misterioso
era uno strano senso di futuro
come se tutto ciò
che pareva da lungo tempo passato
vivesse ancora

furtivamente cercò lo sconosciuto
in quel momento la sua mano per un attimo
l’accarezzò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò
erano lì ...

e pensavano a giorni
stranamente distinti
da tutti gli altri
aperti davanti a loro
come una fuga di stanze remote
e si unirono con un riso precipitoso
alla conversazione

La Conversazione *

Cast of Characters:

J.J. Terrell–@j-j-terrell – drums, bass, organ, triangle, and composition

TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar

This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He even added some real triange, if you listen for it, you'll be delighted. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked Josh if he would like to add a guitar part. Josh jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded more than 20 takes of it. He finally landed on the one you hear in here now. 

  They asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.

  This was a fun, exciting collaboration, featuring just JJ and Josh, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (Eclectic Collective)

For Mr. Harris...Remembering the moment we first met. 😊

The First Moment

not competitive

Hello again Listeners,

Here's our re-post of another of my chilled living-room improv sessions with fellow Saturna Islander illio as we sought to 'catch the flow'.
(And even if you think you've heard it before, this is a New version, friends. Please have another Listen.

Several moods and feels opened up as we 'winged it'!

I'm so happy to have him come Jam n Flow with me here (as we capture it all on our one H2n ZOOM microphone).

We hope it'll help you to relax in the midst of all the craziness n tension in this 'ol world these days.

May you enJoy! We certainly did, and it's a pleasure to share it. :))


Gary Courtland-Miles- Electric Piano & illio bertolami on acoustic Classical Guitar

Just Jammin' with illio' *


The third eye sees beyond, unveiling truths hidden in plain sight.
Download the piano sheets of my music here:
https://www.sheetmusicdirect.com/Search.aspx?query=victor%20birkan&u=1


The Third Eye

Technophobie, Neophobie,
Urbanophobie, Lalophobie,
Glossophobie, Apiphobie,
Worte, Bienen, Neues, Stadt.

Coulrophobie, Katagelophobie,
Ochlophobie, Dysmorphophobie,
Agoraphobie, Trypophobie,
Clowns, Blicke, Masse, Löcher.

Tout le monde a peur, peur de tout tout le temps
Tout le monde a peur, peur de tout tout le temps


Bibliophobie, Elektrophobie,
Lykanophobie, Xenophobie,
Ablutophobie, Pyrophobie,
Kein Feuer, kein Buch, kein Bad.

Ithyphallophobie, Ophiophobie,
Chaetophobie, Entomophobie,
Olfactophobie, Stomatophobie,
Geruch, Schlangen, Haare, Mund.

Tout le monde a peur, peur de tout tout le temps
Tout le monde a peur, peur de tout tout le temps

Angst vor Wind – Ancraophobie.
Angst vor Verantwortung – Hypegiaphobie.
Angst vor dem Tod – Thanatophobie.
Angst vor der Angst – Phobophobie?

Tout le monde a peur, peur de tout tout le temps
Tout le monde a peur, peur de tout tout le temps
Tout le monde a peur, peur de tout tout le temps
Tout le monde a peur, peur de tout tout le temps

Phobien

A chapter inspired by the retro-futurist synth soundtracks of the 80s and modern darkwave textures. A cinematic night drive through neon-lit streets 

Arcade Paradise - Skip Skip

2025 Whirlwind v1.0

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

Command Code

Negative Headphone