Related tracks: Out there, somewhere . . I'm Still With You - ŞöļäçėŠțřëęț (+ltp)

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Such a great buzz to reconnect with my good friend, ŞöļäçėŠțřëęț, and receive this newly inspired lyrical / vocal flow, to a piece of improv guitar I posted a while back. Dedicated to a very special person.

Check out his consistently amazing music here: https://soundcloud.com/solacestreet

Lyrics, vocals, atmospheric flow ~ ŞöļäçėŠțřëęț
Guitar ~ learningtoplay

Out there, somewhere . . I'm Still With You - ŞöļäçėŠțřëęț (+ltp)

@belialpelegrim production and artwork
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TRY feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/16701/t-r-y-by-patriciaedwards-80bpm-reggae-acapella
Paploviante:
E Bass, Composing, Arrangement, Picture, Mix and Mastering

TRY feat. Patricia Edwards

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more. In defiance of the usual 10 piece band approach of this project this track is just Johnny Python providing the historically accurate   text and voice with myself making  unneeded backing noise : )

Then She Reaches For The Gun - Their Stage Set Up At That Time Was Amazing

16 By 9

Collaboration with SDPI
<< SDPI's music >>
https://soundcloud.com/not-4


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SDPI

It comes with the fall(Negative Headphone & SDPI)

Espíritos

Refugiandonos_del_caos

Dream the World Away

Une sorte d'hymne à Blaise Cendrars, aux artistes en général, au rêves de voyage, à l'Ukraine libérée. Bien sûr c'est trop long, mais c'est un rêve, et dans un rêve, on ne commande rien, ni les images, ni la musique, ni la durée.
PAROLES
Aux aventuriers du rêve,
À ceux qui arpentent sans trêve
 Les territoires de la beauté
Avec Cendrars
Résonne toujours la voix de la petite Jeanne : 
« Blaise, dis-moi, sommes-nous loin de Montmartre ? »
 Et la statue aux yeux d’albâtre 
 Comment fait-elle ? comment fait-elle ?
Sa vie vibrante sous le plâtre,
 Sa main glissant sous l’oreiller
 Dans l’ombre bleue de l’atelier ? 
 Dis-moi Cendrars,
 Comment fait l’art ? 
 Et l’Or du Rhin ? et l’anneau d’or ?
 - Je n’en sais rien.
Au creux de tes reins je m’endors
Je m’endors.
Aux aventuriers du rêve,
A tous ceux qui arpentent sans trêve
Les territoires de la beauté,
 Qui y travaillent sans compter,
Tu leur envoies tes baisers,
Tes 400 coups, ton Pierrot le Fou.
Tout ce qui compte ne compte pas
Aux yeux des marchandes de sable ;
 Mais nous on garde vos trésors,
 L’enfance aux yeux d’or,
L’enfance aux yeux d’or.
Billes d’agathe, pêcheurs de perles,
Os de seiche, plumes de merle,
 Les 400 coups, Pierrot le Fou.
Dans le wagon Méliès,
 Il y a Narciso Yepes, 
Il joue à nos « Jeux Interdits » ;
 Moi je reste au pied du lit ;
Nous on s’en fout, dans le train, nous,
 On s’endort,
Le Transsibérien s’arrête à Kiev,
On le donne à l’Ukraine libérée,
 A tous nos rêves éveillés,
 A tous ceux qui arpentent sans trêve
 Les territoires de la beauté
Avec la voix de Jeanne !
 « Blaise, dis-moi, on est loin de Montmartre ? »
 Blaise, dis-moi, et la statue d’albâtre,
 Comment fait-elle ? comment fait-elle ?
La vie vibrante sous le plâtre,
 La main glissant sous l’oreiller,
 Dans l’ombre bleue de l’atelier ? 
 Comment fait-elle ?- Je n’en sais rien.
 Et dans le Transsibérien
 Au creux de tes reins,
 On s’endort.
 On rêve à l’oiseau rare
 À Blaise Cendrars 
‘Dis Blaise, sommes-nous loin de Montmartre ? » 
_____________________________________________________________________

à Blaise

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Society (Slowed + Extended) - Pathetic

My new Album 'Fractal Worlds' by Spirit project.

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Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

It comes with the fall(Negative Headphone & SDPI)

Negative Headphone

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