Composed and played by We Free Kings (Christian Asplund, Erik Larson, Timm Tippetts), 2 March 2022, The Avant GaRAWge, Provo.

Jack

From the album, Nature Fancies for Children's Choir.

Dallas Grade School Choir

Stars

Snakeskin Demo

For pianos, muted and unmuted.  Performed by Peter Henderson and David Nalesnik for the 2023 Music at Maryville series.

Cusp

Text: D&C 50:43 And the Father and I are one. I am in the Father and the Father in me; and inasmuch as ye have received me, ye are in me and I in you.

7-81(3) Are One

Variations on an original hymn, the third movement of Curio Cabinet.

Curio Cabinet: 3 - Hymn with Variations

Études d'exécution imminent (as it stands)

Recent Solo Piano Compositions by Keith Eisenbrey
March 24, 2018, 8pm
Chapel Performance Space, Good Shepherd Center, Seattle



10. Corollaries (Up's Up)

1.
2.
3.
4.
5.
6.
7.
8.

11. Ghosting Doubles (first sighting) (after Amy Denio)

10. Corollaries (Down's Down)

9. Second Thoughts
	               Aa
	            Ba Bb
	         Ca Cb Cc
	      Da Db Dc Dd
	   Ea Eb Ec Ed Ee
	Fa Fb Fc Fd Fe Ff

11. Ghosting Doubles (second sighting) (after Amy Denio)

10. Corollaries (Down's Up)

9. Second Thoughts
	Gb Gc Gd Ge Gf
	Hc Hd He Hf
	Id Ie If
	Je Jf
	Kf

11. Ghosting Doubles (third sighting) (after Amy Denio)

10. Corollaries (Up's Down)

"Ghosting" is composed by Amy Denio, © Spoot Music, ASCAP, and is used by the kind permission of the composer.

Etudes Recital 180324

An augmented sonification of Kyle Gann's Anatomy of an Octave (the extant condensed version with 580 pitches) in the form of a catalog piece. All 580 ratios are played against a 240Hz base pitch, one at a time from low to high with a duration of 7 seconds each, with additional chord tones derived from the frequencies (combination tones, Pythagorean means, etc.) using my Implication Organ instrument in Csound. I recommend downloading before listening to get the highest quality sound.

This piece is also on YouTube: https://www.youtube.com/watch?v=697lo5twu5A

Thanks to Kyle for his work, and for giving me the go-ahead to publish this piece and approving the title.

For more information about the list of ratios, see Kyle's excellent book The Arithmetic of Listening (https://www.amazon.com/Arithmetic-Listening-History-Impractical-Musician/dp/0252084411). Also, listen to his music!

More on the Implication Organ: https://github.com/DaveSeidel/music-src/tree/master/implication-organ

I had intended to publish this on Bandcamp, but the file exceeds their upload limits. But you can consider supporting me by buying one of my other releases at https://mysterybear.bandcamp.com/

Image: The Dove, No. 14 by Hilma af Klint, retrieved from https://commons.wikimedia.org/wiki/File:5_hilma_af_klint,_the_dove_no_14,_1915.jpg

Gann's Anatomy

Physically modelled performance (NotePerformer) 
Orchestral music in 13-limit just intonation
(3.3.3.3/4.3.3.1/bd.timp.harp/strings)

N.B. The very last chord is to be played "as long and accurate as possible", with multiple asynchronous reattacks in the brass and strings (in this version, there is a simple fade out due to the limitations of physical modelling etc.)

Curio Cabinet: 3 - Hymn with Variations

neilthornock