Well done guys this is great from Kezo perfect stomping music :-)

iisii

forthcoming on Nein
http://www.junodownload.com/products/duncan-gray-i-cant-stand-lorraine/2680561-02/

Duncan Gray - I Can't Stand Lorraine - Kezokichi Remix

Artist: Ben la Desh & Norm De Plume
Title: Give To Receive EP
Cat No: PLUMAGE03
Release Date: 23.03.15
Format: 12” Vinyl EP (Ltd press)

Norm De Plume enrols Rotterdam based Ben La Desh for a joint 4-track EP (vinyl-only).
There’s an original track from each of them with both producers swapping remixes to round
off this uniquely collaborative release.

A1 Roll On sees Norm De Plume move into deeper territory – gone is the cut & loop
sampling in favour of his own musical composition comprising simple synth melodies &
chugging synth chords layered over organic, dusty drum patterns & a rolling bass line. The
track then breaks to introduce a transposed extended bridge which builds and grooves along
to the same 3 note melody, before dropping back to the original key & groove and the final
outro section. Simple but effective we’re sure you’ll agree!

AA1 Lotion is a return to the deep, slo-mo sounds of Ben La Desh at his finest. Tight,
grooving drums support layer upon layer of lush pads and syncopated synth & guitar lines -
all underpinned by a rumbling bassline with a beautiful jazz vocal on top that’s both pretty and
sad at the same time.

A2 Lotion (Norm De Plume Remix) Norm’s take on Ben’s original is sparse and deep, an
extended intro featuring his signature hard-hitting & swinging drums supporting a lovely
running guitar line from the original, present throughout. Things take a slightly dark turn with
the introduction a heavily effected organ, before the bass drops and the track reveals itself in
full.

AA2 Roll On (Ben La Desh Remix) Ben’s mix has his typical deep & tropical vibe. He’s
managed to retain the swinging and rolling feel of the original perfectly with his drums & synth
parts but also introduced a melodic breakdown and running synth parts which both add a
special & extra dimension.

Limited to 300 copies, vinyl-only. For more information:
lou@freerangerecords.co.uk / norm@delusionsofgrandeur.com

AA1 - Ben La Desh - Lotion 96kbps

The Sound of Z

Wearing Chainmail

Treasure Island - Tolerance Break
BUY LINK: https://ifendif.bandcamp.com/album/treasure-island-tolerance-break
Label: end if; (https://soundcloud.com/end-if)
https://www.instagram.com/begin_if_endif
> Treasure Island (https://soundcloud.com/treasure_island_music)
https://www.instagram.com/treasure.island.music
> kalocain (https://soundcloud.com/kalocain)
https://www.instagram.com/kalocain/

BUY LINK

PREMIERE : Treasure Island - Bepsy Conk (Kalocain Remix)

Our summer 2025 addition to the Edit Series comes from @arashandquasar

In his own words, The song “Otdavali Molodu” (“They Gave the Young Bride Away”) is one of the first and most striking hits by the Soviet VIA (Vocal-Instrumental Ensemble) “Ariel,” arranged by Valery Yarushin based on a traditional Russian folk tune. The foundation of the piece is a traditional folk melody, but Yarushin infused it with rock intonations, which gave the ensemble its distinctive and recognizable style. Thanks to this song, Yarushin earned the respect of rock musicians, folk enthusiasts, and even academic audiences.

Why is the song important?

It’s a perfect example of the synthesis between folk motifs and modern musical forms: folklore + rock, an unconventional genre for a VIA. The song captures the spirit of its time, the 1970s, the heyday of Soviet folk rock and a period of musical boldness.

Thanks to this track, “Ariel” transcended the borders of Chelyabinsk and even the USSR, becoming recognized both across Eastern Europe and within the Soviet Union.

“Otdavali Molodu” is not just a hit by “Ariel” — it’s a symbol of an entire era: the beginning of the ensemble’s musical evolution, a successful example of folk-rock fusion, and a song that truly influenced listeners and the development of the Soviet music scene.

FREE DOWNLOAD

SINCHI EDITS 27 - Arash & Quasar - Otdavali Molodu (Ariel Edit)

@radondo - Leather
Label - @volition_london

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective

♫ Info + Buy ♫

PREMIERE - Radondo - Leather (Volition)

https://soundcloud.com/y2kati https://soundcloud.com/gars-records
🛒 https://garsrecords.bandcamp.com/album/gars-of-gars-lp

Gars Records proudly presents the first release in our "Gars of Gars" series, celebrating classic Detroit and modern techno with a fresh, boundary-pushing approach. This dynamic compilation features breakthrough artists BENZA, Mython and James Harbrecht, alongside rising talents Deranged and Phase Line. Local Lithuanian producer y2kati join forces with international heavyweights like Bondarük, delivering a truly global sound. From the deep, organic grooves of James Harbrecht’s "Talk is Cheap" to the chaotic energy of “Steve in A Carusel”, this release is designed to ignite dancefloors and inspire DJs worldwide. A bold yet respectful nod to techno’s roots, "Gars of Gars" is set to make waves and stand the test of time. And last but not least, the entire release was mastered by the almighty Joe Farr, bringing over 25 years of industry expertise to the sound.

Tracklist:

A1. y2kati - Steve In A Happy Carusel (05:55)
A2. BENZA - Grumpy Grandpa (05:48)
A3. Bondarük - Febrero Del 93 (05:54)
B1. Mython - Matched (05:22)
B2. James Harbrecht - Talk Is Cheap (05:29)
B3. Phase Line - Stuck In A Fever Dream (05:17)
B4. Deranged - Terror (05:24)

PREMIERE: y2kati - Steve In A Happy Carusel [Gars Records]

Hayes Bradley is a composer, producer, and DJ who works across dance music, ambient, and film scoring as well as curating sound for key fashion brands. He has DJed at major events, including Insomniac’s Forever Midnight NYE Festival, as well as in Tokyo, Berlin, and New York. He formerly toured with Kaytranada as part of his American Dance Ghosts group and released his debut EP, ‘These Things Take Time’, back in 2017.

He has since released three albums, including the critically acclaimed ambient debut ‘1-9’ via Secular Sabbath Records, and two ethereal follow-ups, ‘Anywhere For Now’ & ‘Recommence (I/VII)’. Now he joins L.A. label Stratasonic for his latest musical adventure. This first single is a taster of an eclectic and adventurous forthcoming album, which pairs widescreen progressive, melodic broken beats with introspective songwriting and peak-time club euphoria.

Says the artist, "'Total Call' is personal chaos. Chaos, most people try to mask by acting normal. If you're crying or fucked up or panicking in public, you try and cover it up. I think everyone should just lean into whatever they are feeling and care less about the people staring back. The drums and synth pulls are masked by a common guitar riﬀ. But in the end, the guitar sound vanishes and you're just left with who you truly are. Whatever that may be, so probably just be that."

'Total Call' bursts open with gritty, raw guitar riﬀs that drive straight into thunderous breakbeats built for peak-time intensity. This visceral release of inner tension features sinewy synth lines twisting through the chaos, with a potent bassline that keeps the pressure high. It's honest, unfiltered, and sure to electrify any set.

https://www.instagram.com/hayes_bradley
https://soundcloud.com/thesethingstaketime

PREMIERE : Hayes Bradley - Total Call

We are pleased to welcome emerging French producer Jo Kazan, now based in Barcelona, for his debut release on the label. An artist on the rise, he unveils with the "Right Or Wrong" EP a resolutely retrofuturistic aesthetic, where Trance, Italo, and Dance intertwine with a distinctly contemporary sensibility.

The two original tracks form a luminous and emotionally charged diptych, driven by captivating melodies and grounded in a positively charged harmonic language. Anchored by an indie groove with clear Dance undertones, the pieces evoke a subtle nostalgia while channeling an energy tailor-made for end-of-night moments — those suspended instants where music becomes pure surrender.

German producer Panthera Krause, a key figure in the Leipzig scene and head of the renowned Riotvan label, elevates "Wrong 4 Me" with a radiantly uplifting House remix. Spanning over seven minutes of organic development, it stands as a sensual and generous ode, deliberately distancing itself from the formulaic constraints imposed by current platform-oriented formats.

Closing the release, Avi Sakorka offers a reinterpretation tinged with darker, acid-inflected hues, true to his introspective sonic identity. His remix deepens the club dimension of the EP, weaving in a subtle tension that resonates as a nocturnal counterpoint to the originals' luminosity.

BUY on BANDCAMP

PREMIERE : Jo Kazan - Wrong 4 Me (Avi Sakorka Remix)

BUY LINK: https://fauverecords.bandcamp.com/track/ah-si-si
Label : Fauve Records (https://soundcloud.com/fauverecords)
https://www.instagram.com/fauverecords/
> Camiliani (https://soundcloud.com/swaanparadise)

"Ah si si" is a blend of EBM and italo disco, where taut grooves flirt with a bittersweet melancholy tinged with 80s hues. At once an invitation to dance and an introspective dive, the track plays with contrasts — between rhythmic tension and nostalgia.

The voice, sensual and slightly enigmatic, acts as a guiding thread: it ties the influences together, blurs the lines, and gives the whole piece a cohesion that makes it effortlessly ready for the dancefloor.
The italo disco elements are a deliberate nod to Camilliani’s Italian roots and his deep attachment to that musical culture.


Camilliani is no newcomer. In 2007, he made his debut with Pervert Teen, an electro EP released under the name Chairs on Backs, a duo with Yan Wagner on the Missive label. Two years later, he went solo with Fucking Day, a more radical techno EP under the alias Swaan, on Estrella Rec.

After a long hiatus, he returns under a new identity, Camilliani, and unveils Ah si si, his third project.

PREMIERE : Camiliani - Ah Si Si

For its third digital release GNC Records presents Desordenador, a powerful EP charged with bold samples and analog sequences. This time, Techno and New Beat take center stage, blending with rhythmic and mental disruptions born from the impulsive and authentic energy that define Ciberfobia’s personality.

Ciberfobia is the project of Pedro Aguirre, an Ecuadorian DJ with over two decades of experience behind the decks. Under this alias, Pedro dives into the subconscious, confronting the deepest fears surrounding the evolution of surveillance technologies, emotional manipulation and thought control - exposing the chaos of this so-called progress and reminding us that we’re already trapped inside this error we built.

https://soundcloud.com/pedro-aguirre
https://soundcloud.com/gnc-records

Ciberfobia - Teknofobia [GNC Records]

https://soundcloud.com/tamtenmat https://soundcloud.com/fasrat
🛒 https://fasrat.bandcamp.com/album/fasrat-sampler

Here’s „FASRATⓍ Sampler”, an 8-track mini-album preceding „FASRATⓍ”, a compilation rounding up 10 years of Father And Son Record And Tapes, Polish label led by Maciek Sienkiewicz. Note: all tracks are exclusive for this sampler, and will not appear on the main compilation (but all the artists will).
Verlake, with releases for Laral Tapes, Diffuse Reality and K-Hole Trax (and on FASRAT in 2020) starts the record with a pulse-driven deep house cut, complete with dreamy voice sample. This is followed by spiritual meditation in the form of „Wdowczyk”, by BreakJanek 60 and Bebun, known for their work with both electronic (666VOLVO) and hip-hop (OSIR) projects (and two EPs on FASRAT). Trippy broken beats, catchy bass and loads of fine-tuned details are delivered by none other than Richu M, last heard under this name about 5 years ago – but super active under his Solo Gemini alias (5 albums to date, including 3 on FASRAT, with another coming late this year). Then, a newcomer on the label, renowned and positively super-hyped Gary Gwadera, forward-thinking jazz and folk drummer, praised for his combination of footwork and Polish folk rhythms appears with a bass-heavy tune, followed by Teielte – true legend of Polish beat-making, with several albums in the past 15 years, mostly on super-prolific and top quality U Know Me label (although Teielte’s release on FASRAT in 2017 at one point topped the Juno bass music chart). „Breaking Stars” packs an EP worth of ideas in under 3 minutes-long whirlwind of beats, bass, strings and kaleidoscopic synth melodies. „Pieczara” is a dramatic techno-electro hybrid by Universo, also known under his Kixnare alias, with staccato metallic beats, vintage Electro strings and menacing atmosphere, perfect for late night dancefloors. Also club-ready is a new tune by Das Komplex, top Polish disco/house/Balearic producer with releases on Internasjonal, Is It Balearic?, Step, Love On The Rocks and many more, his tunes championed by, among others, DJ Harvey. Multi-layered, open wide arrangement invites with uplifting pianos, acid bass lines, hard-working hi-hats and moderate in tempo, but quite heavy broken beat. Rounding off this release is producer and engineer @ys, known for his work with African musicians and singers, including production on the latest album by Ugandan maverick mwami. His tune is a short, dreamy, crystalline glimpse into some other world in gold and blue – a teaser for @ys first proper album, due on FASRAT in October.
FASRATⓍ is out on 5 September 2025 

Tracklist:

01. Patryk Cannon - Hello
02. Tropiki feat. Alan Racz - Nocny kurs
03. Overvision - Symbiosis
04. Off Pop - Safe But Dependent
05. Begu - Off Yo Feel
06. Freux - Kyuout
07. Verlake - Big Black Cloud
08. TAMTEN - Le French Motor
09. Wiktoria Poniatowska - Mało
10. OSIR - Crash Test
11. Gary Gwadera - Zza dyszla
12. Teielte - Halcyon
13. Arszyn - Rzeżucha
14. Paszka - dobre pytanie
15. BreakJanek 60, Dygnitarz 808 & Bebun - Mazurek
16. POŁOZ - So che so che so
17. Yfelian - Pustostany
18. IFS - Blah Blah
19. Elektroakustyk - Środek danger
20. Niemoc - Antypody
21. Das Komplex - Nie ma
22. CAWX - Bubblegum Dub
23. Richu M - Cwaniak z klasą
24. Universo - Tunani
25. @ys - untitled
26. Mahjong - The Day Has Not Come Yet
27. @ys & nyah bear - the world is perpetual, and i've never been so still
28. Botanica - Garden of Absence
29. Maja Miro feat. Oskar Tomala & Dariusz Mazurowski - Abyss revisited
30. Celis - Mosh
31. Lowhitey - Iskiereczka mruga

PREMIERE: TAMTEN - Le French Motor [FASRAT]

as heard on LaGaSta Late Summer Compilation Vol 5
http://www.lagasta.com/la-ga-sta-late-summer-compilation-vol-5/

from "(I Know) What You Want" EP,  released digitally via Chapter Music (Aus/NZ) Friday August 14, 2015.

http://chaptermusic.com/store/andras-and-oscar/i-know-what-you-want/
https://chaptermusic.bandcamp.com/album/i-know-what-you-want

Released in the rest of the world via Dopeness Galore
http://www.dopenessgalore.com/recordstore/andras_oscar_what_you_want

Andras & Oscar - Looking Back (Tornado Wallace Dub)

Free download of Canção para Laia (JKriv Remix)
The package containing the original and the In Flagrant remix is out now on Tito Records.
https://open.spotify.com/track/6PcAP8w19Xt2zOdV9Ev0qf
https://soundcloud.com/jkriv
https://soundcloud.com/fatnotronic
https://soundcloud.com/inflagranti

Turbotito, Phillipi & Rodrigo - Cancao Para Laia (JKriv Remix)

128kbit mp3 for you hifi lovers out there

BEPU N´GALI - I Travel To You (Todd Terje mix)

UK based Label run by Tronik Youth 
to send demos/promos email tronikyouth@gmail.com
For Tronik Youth DJ bookings contact 
tronikyouth@gmail.com

Duncan Gray - I Can't Stand Lorraine - Kezokichi Remix

NEIN RECORDS

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