Untitled Playlist from 2025 yeaaarrrray

Fav.34 xD

Timmy Stewart + Vendetta Suite - The Man Behind the Counter EP

Best New Deep House: January 2025

🎵 Dr. Apollo & Pesa One - La Pared
✈️ Download/Stream » https://pilot.ffm.to/la-pared
✈️ Genre » Drum & Bass

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@drapollo
https://instagram.com/drapollo
https://twitter.com/DrApollomusic

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Pesa One
https://instagram.com/pesaone_oficial/
https://soundcloud.com/smoke-family-lp

La Pared

💿 Download/Stream 💿

Dr. Apollo & Pesa One -  La Pared

my last ep Mostly records
release date 31/12

Bandcamp

Seduction (Original Mix)

BUY LINK: https://promnightmp3.bandcamp.com/track/planet-romantica
Label: Prom Night Records (https://soundcloud.com/promnightrecordscph)
https://www.instagram.com/promnightrecords
Prom Night > (https://soundcloud.com/promnightcph)
https://www.instagram.com/promnight.mp3/

Prom Night returns to the imprint with his year-end, melancholic track "Planet Romantica," expect radiant synths, rolling basslines and gleaming arpeggios!

Written by: Shaquille Mcgosh
Mastering: Joel Krozer (Six Bit Deep)
Artwork: Jonas Majidi

BUY LINK

PREMIERE : Prom Night - Planet Romantica

out now 
https://neinrecords.bandcamp.com/album/the-man-behind-the-counter-ep
David Anderson had a great knack for bringing people together. His Hairy Bear records store on Hope Street in 90s Belfast introduced a whole generation of DJs and record collectors in Northern Ireland to great music from around the world. His diverse sets at Shake Ya Brain & Tora Tora Tora in the Conor Hall on York Street and the Exploding Plastic Inevitable series across the city, created brilliant soundtracks for people looking an escape from the norm and the political tribalism of the time. The after parties in Toronto Street at Davey & Diane’s were known to go on for days, fuelled by the best chat and music.
Davey also devised a brilliant way of getting people stuck isolating during lockdowns together by creating a Sunday music service dedicated to getting cutting edge sounds to a weekly online congregation. This earned him the moniker Pastor Anderson and helped kick start the now legendary Plan B events series with Aidy McLaughlin. Davey sadly passed away after a relatively short illness in early 2022 and is sorely missed by family, friends & all who knew him.
Gary Irwin (The Vendetta Suite) & Timmy Stewart were two next generation artists lucky enough to benefit from Davey’s knowledge, influence & wicked sense of humour. They wanted to create a musical tribute in the vein of what Davey played or promoted in his record store and so ‘The Man Behind The Counter’ EP was born. To get these tracks released with Davey’s favourite label Nein Records is something both feel would have brought a wry smile to Mr Anderson’s face.


The Vendetta Suite - The Man Behind The Counter

Miles Ellis - Under Surveillance
BUY LINK: https://limitlessunrecs.bandcamp.com/album/lsr012-under-surveillance
Label: Limitlessun Recordings (https://soundcloud.com/limitlessunrecordings)
Instagram - https://www.instagram.com/limitlessun_recordings
> Miles Ellis: https://www.Instagram.com/milesellismusic

Limitlessun recordings is ready to set sail once again amongst the crashing waves of the dance floor, with founder Miles Ellis serving up his forte of four cuts of razor sharp, rhythmically hypnotic techno.

Inspired by the pioneering electronic sounds of 90s Chicago, Detroit and NYC, Ellis has carved out a pulsating sound that tantalises the senses and enriches the rhythms found in all of us. With memorable releases on labels such as Rhythm Control, Sense Traxx, Prozpektiva and Integrity, in 2019 Ellis founded Limitlessun, which has become his primary vessel for serving up expertly conceived dance music.

‘Under Surveillance’ is his latest offering, and from the word go the deft blend of groove and subtle melodies do much to get the night going. The title track unravels first, with deep set bass tones and thick drumming patterns providing space for a series of soft yet emphatic chords to shift up above. ‘There is no try, only do’ is characterised by more densely layered melodic and bass sequences, with the two converging at all the right moments in order to shift perspectives - and keep the groove going on.

‘Work on this Saturday’ provides a rich bounty of flavours, with the chiming melodic tones capturing the attention whilst the drums underneath pulsate with energy - the hi hats really given a work out on this one. Wrapping things up is ‘Beats me, gotta light?’, which draws focus to the intense drumming patterns, celebrating their richness and intricacies. The melodic hums from the deep craft an atmosphere that ensnares, as the reveler gives themselves over to the dance.

This EP provides the perfect soundtrack to the time where energies are released, built up to the edge then allowed to spill over into pure euphoria. It's a motif which Miles Ellis has made his own, and this new record of his packs a mighty punch. Perhaps this will be playing at a packed dance floor near you in the future….

PREMIERE : Miles Ellis - Under Surveillance

STUPID MONEY

@arnaudrebotini - December in G 
Label - @hardrockstriker

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Instagram: https://www.instagram.com/sinchicollective
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

♫ Info + Buy ♫

PREMIERE – Arnaud Rebotini – December in G (Skylax Records)

The history of electronic music has been defined by a handful of key synth manufacturers. Iconic brands, like Roland, Yamaha, Sequential Circuits and others, have pushed boundaries and blazed trails. But what gives each synthesizer its own unique sound? What makes one synthesizer sound distinctly different from another? And, what would happen if you only used one synthesizer to create a track? The major players of electronics are the building blocks for this music machine homage. Rack Sessions takes one synth and gives it the spotlight, the instrument is the star. The style pursued corresponds to the unique sound of the chosen piece of equipment. Looming silver screen grandeur for “The D (Roland D-550)”, stargazing elegance with “Bell Hope (Yamaha TX81Z) or gentle rolling nostalgia for “MiR (Korg M1R)”, each work is the product of the tool selected. Beats take a backseat on the flip. Open highways and burgeoning dawns are conjured in “802 Nights (Yamaha TX802)” as the listener is transported to the expertly crafted tones of the 1980s. Koolhaas chooses his elements with subtlety, adding colour to his palette to create deeply evocative works. Attack ships cruise in the spatial “SOB (Oberheim Matrix-6)” before the stalker hunts the sodden streets of “MC202’s Act Like They Don’t Know (Roland MC-202)”. The result is an album that is utterly distinctive. An immersive audio journey that guides the listener deep into the sounds of these very special synthsizers and the broad influences of this new talent.

FEINSTOFF PREMIERE: Jesse Koolhaas - 802 Nights (Yamaha TX802) [BORDELLO A PARIGI]

White Sand

www.linktr.ee/subleasemusic

Sublease is back with three tracks from three relatively new talents, each with their own take on deep, groove-laden house music. 

TERANA kicks things off with Connection, a vibrant deep house track that reflects TERANA’s mission to spread love through music. Rooted in her identity as a producer and vocalist, the track features her own vocals intertwined with driving grooves, hypnotic harmonies and bouncy progressions. 

TERANA was a part of the mixmasters retreat with label boss Steve Bug, along with the Swiss beatmaker Marco Weber who takes up the third track on this release - Stubborn Trip. Created in Ibiza, this track brings a deep, groovy low end and bright, flickering synth stabs, before developing into an expansive and electrifying vibe. 

Wrapping it up is Doomar with a sparkling low slung roller with squelchy synths and an engaging vocal sample.

Sublease Music - Fragments

Connection

TERANA - Connection

Beatport

Come on back with your love (Sunrise Mix)

akee

Thirst Day

Thirst Day (Extended Mix) [feat. Dillon Kelly]

VILLA INFILTRATION - VICEMAX (1994) CD-ROM

out on nein
https://neinrecords.bandcamp.com/album/the-man-behind-the-counter-ep

The Vendetta Suite - The Man Behind The Counter (Timmy Stewart's York Street Collision)

Timmy Stewart - Toronto Street

Timmy Stewart - Toronto Street (The Vendetta Suite's Hope Street Diversion)

https://soundcloud.com/mikeysibson
https://soundcloud.com/comandantediscos
🛒 https://comandantediscos.bandcamp.com/album/com001-p-t-pot
🔊 https://youtu.be/HvFgRImmpOs

Representing the sound of decadent Lisbon dance party Comandante, [COM001] PÔT-POT is three deconstructions by Sibson that channel 5-piece motorik group pôt-pot’s circular kraut mentality into thumping techno, prog and chugging dancefloor numbers.

COM001 is 20 copies only, double sided 12” hand-stamped white label featuring ‘NO FRIENDS‘ and ‘WARSAW 480KM‘, pressed in Lisbon. 'A4' is a digi-only track /// all three are available for digital download + vinyl SOLD OUT.

“No Friends mixes the band’s psychedelic guitar gymnastics with pumping progressive house. Buzzing, fizzing electronics cutting a rug with drones and chopped up fuzzboxed riffs. Warsaw turns into something harder and darker. Jacking, but more techno-edged. Grounded by a growling bass-line, the “rock” now reduced to percussive ringing and serrated siren-like effects. A4 is slower, sinister, sort of industrial, powered by a steam-punk piston pulse. The singer is shredded. The 6-string noise shaken, phased and filtered. Collaged beats get a Balearic indie-rock / dance crossover go-go-not-go-go groove thing going.”
- Ban Ban Ton Ton

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The 5-piece motorik machine that is PÔT-POT first came into my orbit one night at Arroz Estúdios, where we throw the all-nite pleasure machine outings. Bass player Joe, a fellow Leodisian, introduced me to Mark aka mr. pôt-pot, and we spoke lucidly about Can, kraut, and the EP his band had just finished recording, 'Ode to A' - four tracks centered around 'A' single note.

That conversation ended with a firm handshake and a solid commitment that Mark would send over some stems. Some weeks later, I got the parts for 'A4', which became the first remix in a year-long odyssey that fulfilled the basic criteria of what was to become Comandante: an unsteady union between the thrashing tones of rough, ready garage + the dizzying heights of the discotek.

Four raging warehouse parties and three remixes later, COM001 appears; a harmonium drone runs through on stuck keys, spiritual and mourning, rotating synthetic b-line, garage chug, sunglasses at night, bleary-eyed repetition for oscillating dancefloors.

Three deep / hypnotic club burners, calling techno, kraut, prog + motorik sleaze, for when your usual stuff don’t hit the s<pôt>.

A special thanks to Mark, Elaine, Joe, Ollie and Sara of pôt-pot for their swirling take on experimental guitar music, for their late-nite show at Comandante back in September, and for giving free reign to deconstruct their stems into sweet, decadent submission.

-SIBSON

Tracklist:

1. NO FRIENDS 
2. WARSAW 480KM 
3. A4 (digital only)

PREMIERE: SIBSON / PÔT-POT - NO FRIENDS [COMANDANTE DISCOS]

UK based Label run by Tronik Youth 
to send demos/promos email tronikyouth@gmail.com
For Tronik Youth DJ bookings contact 
tronikyouth@gmail.com

The Vendetta Suite - The Man Behind The Counter

NEIN RECORDS