Fasinating theme and well concived//great lyric, vocal and music!

Wonderful melodics sound and nice vocals. I like this 🎶😊

Love this, super dreamy again - I think you’ve nailed your style from all I’ve heard so far 👏🏼

I am panning ,flying high listening to this .....

Followers 'n Friends 2

The "Sad story" originally comes from the "Miniatures" album. You can find this piece below.

Sad Story

An old piece on classical guitar

#stevanshawn #rap #hiphop #music #newmusic #producer #artist #soundcloud #spotify #freestyle #real #fire #love #truelove #facts #insightthepeace #banger #solid #incineratethehate #tiktok #lovehurts #notmanenough #bethechange

Sirens

“I was unsure about my next song to create and so my wife suggested writing something in the style of The Mamas & The Papas, which I thought was a fantastic idea. A further suggestion by my wife was added; to include the words “Give Love, Get Love”, which was written on my tea bag string (pictured). This was an even better idea and now a fun challenge. With that, this song was written. 

This is a song about giving yourself to life - that we are simply salt floating in the sea; stardust in the universe - to not resist and to embrace every moment. 

I really love the 60’s Woodstock camp fire feel to this song and I enjoyed trying to emulate the sounds/panning of the incredible “California Dreamin’”. I think the electro/synth-pop inspired vocal processing adds a nice modern twist. I hope you enjoy this one”

A song about the universe - “The Salt And The Sea”.

We are the salt and the sea
I drift with you and you carry me
So happy? 
In love? 
Everyone has a story 
Yes, we are the salt and the sea

You’ve got to give love to get love
You’ve got to lose yourself to win it all and be free
This bubble of ours is like living on Mars
We can see the twilight and stars from the sea

© Heart House Records 2023

Written, recorded, performed, produced and mixed by Heart House Records
Song structure editing by Queen Van WifeanMamma
Mastered by DOLBY

The Salt And The Sea

Rencontre entre deux "moments" pour n'en former qu'un. De l'harmonie et de la dissonance, la musique est un reflet fugace de la vie comme un passage furieux ou apaisé, cette force irrépressible qui renverse, qui bouscule nos merveilleuses existences comme un éternel recommencement.
Merci infiniment à Rosmarino de m'avoir permis d'emprunter un "moment", ce chemin là.
Rosmarino Baia : https://soundcloud.com/rosmarinobaia/un-momento-2-free-download-to-reworkremix

Un Momento - Rosmarino Baia - Jacques Lemaire

Hexfarm is 

Phil Bywater - Saxophones/Flutes
Dane Renshaw - Drums
Mat Ward - Bass Guitar/Vox

The first new track from Hexfarm - who  have managed to jam once a year in 2022 then 2023 for the first time in many many many years. 2 of us now live in Australia with our Japanese residing Drummer flying in once a year for some fun. This was recorded remotely and hot mixed in my home studio - rough garage sounds : ) Lots of improv stuff on tape to see the light of day too in the vault

Momma Don't Like You No More - Hexfarm

Here is my latest song mastered by my wonderful Sander. @wane-of-summer

Hope you enjoy! 😊💕🎵🎹🎶🎤🎼🎧🌷

TEAR MYSELF AWAY…

Written, performed and recorded by Neli CoKo, 2023, all rights reserved. 
This song was inspired by a conversation with https://soundcloud.com/roger-b-train 
He had taken an amazing picture of a giant flock of crows in the sky. We were sharing thoughts of the symbolism of the crows at the end of summer. Parts of the lyrics are taken from the original chat. 
Thank you for listening :)

Lyrics:
"The crows will be coming again soon
Crops getting closer to be taken down 
Crazy sight to see day after day until solstice" (Rogers words)
"I hear, i can hear them coming
In my garden the harvest is done
Morning dew don´t vanish anymore
Mother nature ist tired
Light gets more pale and soon the dark days are there" (my words)
I´m still excited about the circle of the year from solstice to solstice
Crows will be coming soon
Foggy days, deep sun, long shadows
Old summer is like the last hug of a beloved grandma, 
We don´t want to let go. But we know she´ll be gone soon.

The Crows

Neli CoKo - The Crows

Soulvacation

Music & Lyrics: Jan Schonander

More synthrock, but this time with a somewhat dirtier sound. All instruments except the drums are created on the Nord Stage 3. Played a little with feedback, as well as changed the attack on the main rhythmic synth live as I was playing. The lyrics are once again a mix of science and emotion using a black hole as a metaphor for a toxic relationship - seems to be a style that works for me.

INFINITE ATTRACTION

I can’t, I can’t break free
Oh no
I can’t, I can’t break free

A fine line pulling on my soul
As close as I could ever get
An unseen stronger than steel
At the point of no return

Light up all of your rockets
Switch on the burners, oh yeah
Let go of all of your emotions
You can spiral to the infinite
The infinite attraction

I can’t, I can't, I can't, I can't break free
I can’t, I can't, I can't, I can't break free

Bounce off a satellite to Houston
Switch on the radio, oh yeah
There’s no time for thinking
You could spiral to the infinite
The infinite attraction

I can’t, I can’t break free
Oh no
I can’t, I can’t break free

The cosmos is dragging me down
Once in there’s no getting out

It’s an infinite attraction
It’s an infinite attraction

Infinite Attraction

Spotify

Did this piano session  for you recently, and I hope you enjoy. Love, Rina  

Live Reflexion#007

Janine: voice, words, vocal melody https://soundcloud.com/janinelevinson

Jonathan: initial music, instruments, mix

----------------------------------------------------------------------


on a frozen berm
in a carriage house
with a veil of gauze
on a frosted hearth
 
on a ledge of iron
in a blinding storm
on the peat and earth
of the winded moor
   
in the ink and lead
in the skin of men
in the final beats
of a trembling heart
 
it is quiet, shhh
oh but it is quiet 
 
it is quiet
oh it is quiet
 
on the rolling sea
in the folds of sails
in between the planks
on the salty rail
 
in the thorny vines
in the rumpled flowers
in a nest of crows
on a crumbling tower
 
in the swirl of smoke
from a dying fire
it is grey and green
and it is quiet
shhh

--------------------------------------------------------------------
image: Boudewijn Huysmans via Unslpash

It Is Quiet (with Janine Levinson)

Some notes loosely devoted to the idea of eternal recurrence and return. Jazz rock fusion instrumental.

Cosmic Deja Vu

Written and performed by BBright (Wolfgang Schwarz)

Weißes Kleid

Hollow

Thank you so much for listening, all you wonderful people world wide! 

Experimental low budget music.  
Headphones welcome  :)

Composer, singer, percussionist and drummer. Minimalist.
Here on SC I always release my rough mixes. The mastered versions of my songs are available on Bandcamp.

*  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *
All the copyrights are mine except of collaborations and interpretations. 
Commercial spreading of my music is not permitted.

I want to be and stay myself.
That includes further development.
I was born on January 16, 1976 in Hanau.
I had home organ lessons at the age of 9, then another 2 1/2 years at the piano at the age of 11.
Made his first attempts at composition with his own tracks in 1989.
Started recording more seriously in 1996. During this time I also met Christoph Seipel.
Initially worked with a Quadra 800 and Logic Pro. Then took a few years off for health reasons.
And in 2009 I started the first technoid productions with Reason 5...
Then switched to Ableton; Reaper and Cubase. Later also Fruity Loops. At the moment I mainly use Ableton as my DAW. I mainly only use software synths. As a master keyboard I use a Yamaha P60, a Korg Concert E120, am Arturia Polybrute, an Arturia Keylab 61 MKII, a Maschine Sudio from Native Instruments, a Roland MC-505,
Audio interfaces: a Behringer U-Phoria 204hd, a Phonic Helix Board 12 Plus and a Creative X-Fi Fatility Champion, UAD Apollo Twin USB
I now use an Austrian Audio OC818 Black Studio Set as a microphone. As a monitor I have a JBL LSR-305/aktiv and Yamahas, a Teufel Cinebase and a Logitech Z5500. and a Gameboy Advanced with Nanoloop 2.7. I've also made tracks with the Roland MC-909 and the Gameboy Advanced with Nanoloop 2.7.

Equipment:
Windows 10 Pro on an AMD Ryzen 7 5800X 8-Core Processor 3.80 GHz 32 Gb DDR4
Dual monitor operation possible

Audio interfaces: Behringer U-Phoria 204hd, Phonic Helix Board 12 Plus, Creative Soundblaster X-Fi Fatility Champion, UAD Apollo Twin usb
Controller: Maschinen Studio from Native Instruments
Master keyboard: Yamaha P-60, Korg Concert EC120 and Arturia Keylab MKII
Korg Kaossilator Pro3, Korg Kaospad 3, Gameboy Advanced Nanoloop 2.7.2
Microphones: T-Bone SC-1100, Austrian Audio OC818 Black Studio Set
Monitors: JBL LSR-305/active
                Yamahas on a Logitech Z-5500 sound system with subwoofer.
                Teufel Cinebase

I mostly work with software synths, and at times also integrated hardware like the Roland MC-909, Casio SK-1, Kawai K1/m, Korg Z1, Roland JD-800, Korg Kaossilator, Gameboy Advanced with Nanoloop 2.7.2

Neli CoKo - The Crows

Neli CoKo

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