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Somepling - BlueKasheef

Juicy's upcoming compilation "Sunrise Blend" out for free on 08/01/11
80's groovy sounds - tracks by Somepling, Ohbliv, Prof.Logik, Sir Froderick, KVZE, Haz Solo, Kanoba + many more...

For more information on Juicy, be sure to check out:

http://juicytunes.tumblr.com

BlueKasheef

went to a Baths show. This is what i pooped out after. fun stuff. 

Nao - Sunrise

Nao - 春風 (haru kaze)

SkyLik

It's been months since I've made anything! So here you go, full blast!

This was inspired by a series of pictures of a powwow festival that took place in the beginning of summer. 

I HIGHLY recommend bumping up the bass or putting on earphones with awesome bass. =)

Nao - Brave

AutumnSketches#1

Devendra Banhart performs "Mi Negrita," from "Mala," his eighth studio album and his Nonesuch debut, due out March 12, 2013. The album took shape in Los Angeles, where he and longtime cohort Noah Georgeson produced the album together, playing most of the instruments themselves, using borrowed equipment and a recorder they’d found in a pawn shop.

Pre-order "Mala" now at www.nonesuch.com/albums/mala

Mala

Devendra Banhart: "Mi Negrita"

• Follow me here -
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LAKIM x Mr. Carmack - Kahala

Denovali Records is proud to announce the release of John Lemke's debut album in July 2013. As an appetizer we offer the song "Traveller" and a remix by Emperor Echo as a free download at [www.denovali.com/mp3shop]
        

01 Traveller
02 Traveller (Emperor Echo's Dub Europe Express Mix)

Track 1 written, recorded & produced by John Lemke (2013)
Track 2 mixed and dubbed by Emperor Echo

Artwork by Lukasz Bernacki
Frequencies lifted by LXC at WATTA SOUND

---

John Lemke is a Glasgow based artist, originally from Berlin.

Working across a great variety of media he has spent the last years exploring music and all things sonic through collaborations, live performance, film sound design and especially his work as a documentary film composer.

Motivated by fusing elements of his more emotive film composition approach with rhythm and space, John has created a distinctive sound world on his forthcoming debut solo album, where abstracted guitar landscapes collide with percussive, prepared piano and disembodied vocal textures to form a danceable, electro-acoustic whole.

Traveller

John Lemke - Traveller

With the worldwide success of our Soulection Compilation Volume One which featured some of the most promising producers of our generation two years ago in January 2011, it was essential to create volume two. It's amazing to reflect on our progression and how far we've come. Here we are 27 releases later with our first official record! It has almost been a year since we started to compile this project. Since day one we've known that we would get to this very point.

The Time in Between captures genre-bending compositions from creative an entire year, this compilation delivers a timeless journey through future bass, boom bap, glitchy uptempo soulful melodies and then some. Soulection releases the Time in Between putting a time stamp on the unique musical epoch that is 2013. By serving up genre-vague and undefinable sounds to the people first, the label maintains and reinforces the relevance and need for this timeless sound.

These specific artists are all Soulection affiliated and we feel that every track on here has a "timeless' feel to it. In fact, we feel that this record is one that you can play years and years down the line and still get that original feeling of when you first heard it. There tracks have no expiration date; styles that have no flow. This record was created and compiled to change your perspective on music and the future of where we are headed.

Press Reviews:

“The Time In Between album sets out to showcase the abundant talents and efforts of the Soulection label young guns - this album undoubtedly showcases maestro [Joe] Kay’s ability to pick up on similarities in sound and presence seeking that soulful genre which is so welcomed in today’s micro studio music.” -Jay Scarlett (Ampsoul/Beat Dimensions)

“Mind blowing compilation from one of my most favorite labels out there. One of the few where you can’t find a single boring song, just straight timeless masterpieces. Big Up!” -Paul Pre (Vast)

“Time In Between is a perfect example why Soulection is the sound of the future!” -Sean Osborn/DJ SEANO (Sound Waves Radio, KPFK)

“Time in Between strips away the need for genres and buzzwords and simply brings a special feeling throughout the whole release, something you’ve now come to expect from every Soulection release and radio show.” -Tim Parker (You’ll Soon Know/NTS Radio)

“Produced by Manchester’s Sivey, “Cause & Effect” is synth-riddled, with rolling drums, and a chopped and screwed jazzy vocal to give it that futuristic edge. If this is what the rest of the [Time In Between] compilation is going to sound like, bring it on!” -Joseph Patterson (MTV IGGY)

“Soulection’s selections are those which clearly need no corrections.” -Moses Wiener (Live For The Funk)

Compiled by Joe Kay
Mastered by Haruto

Artwork by 96
9uillaume6onte.com
society6.com/9uillaume6onte

Discover:
https://soundcloud.com/evilneedleprod

http://soulection.com


Download Compilation

Evil Needle - Summertime (Time In Between compilation - Out Now)

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

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