this is ridiculous epic, love that mad piano, deep hypnotic vibes, awesome work :D 

that shit is smooth man! Too bad your timeline is all used up! ;) 


Study

The third episode of our series 'Afternoon Beats' with Vince Nav & Divine in Los Angeles are here. We are so honored and happy to present you with a new journey with some of the smoothest beats. We had to go through some camera difficulties during episode 2 but we're finally back with some new equipment to make the show even better. 

Thank you all for spreading the word about the Afternoon Beats it truly helps and we can are continuesly working on setting up new shows for you! Make sure to hit like & press the subscribe for more episodes! 

Tracklist:
1. Tyluv. & UKDD - Onda 
2. Maple Syrup & Zmeyev - Quiet Times
3. Moderator - Smoke
4. KiLaMDaPro - poinsettia
5. Ian Ewing & RawFlakes - Coastal 
6. Ill Fokusz Raw - Nine Oh Nine
7. Maoen - 004
8. tympanik - stellar 
9. Ultramane - Lmk
10. Dooku - Amnesia Haze
11. Devaloop - holzige-suse-instrumental
12. Jazzinuf - MoonStone
13. Conehead - YELLOW - 羊皮先生 Mr Sheepskin (Conehead 錐頭 Remix)
14. Mon.jarpenter - running til its broke
15. Bugaloop - Da Bush Babees - Remember We (Elton Joint Remix)
16. Dude26 - buthwo
17. Flame - Come On (w_kid charlemagne) 
18. Negroove - Funky Soul
19. Beatmaschine - Keep On
20. Flux the cynic - tha art of storytelling
21. Shaolin Drunk Monk - Jeru The Damaja - Ya Playing Yaself (Shaolin Drunk Remix)

Camera: Divine
DJ Set by Vince Nav
Recorded in California, Los Angeles US. 
© NINETOFIVE - 2021

☀️ SUBSCRIBE

Afternoon Beats | 3

https://coryayo.bandcamp.com/album/lotus-dream

Water Ripple

44444444

We are very proud to present the 6th of 10 Singles taken from the upcoming "2nd Order" Compilation by @flawless-delivery

Responsible for the next delivery , is the producer, long-time friend and very known and respected @bess-one straight from Cordoba (Argentina).
4.50 AM is a strictly banger for the real hip hop headz, @bess-one bring us a genuine beat and unique sound as usual.

You can download and stream the Single on all digital stream platforms and listen on Soundcloud:
https://lnk.dmsmusic.co/_450am

Make sure to follow and check @bess-one & @flawless-delivery on Spotify, Soundcloud, Bandcamp and Instagram.

@flawless-delivery
@bess-one

2nd Order

4 50 AM

Kaizen 92 - 4 50 AM[

Here is the 1st Single taken from the upcoming Ep "Summer Madness by @mad-vision released via @flawless-delivery
"Horizons" by @mad-vision is genuine and amazing track, 
specially,  i like the way he flipped the sample and the atmosphere, 
the precise chops mixed with voices and some futuristic sounds.
The perfect track to lay back, relax and fly away.

You can stream "Horizons" on all digital stream platforms:
https://lnk.dmsmusic.co/flawlessdeliverymdvsn_horizons

Follow @mad-vision and flawless- delivery on Spotify, Instagram, bandcamp..

Summer Madness

Horizons

mdvsn - Horizons

all love

JaZz In December

Bc : https://mannyc.bandcamp.com/track/lluvia

lluvia .

cl mood

went to a Baths show. This is what i pooped out after. fun stuff. 

Nao - Sunrise

Nao - 春風 (haru kaze)

show some luv and support by purchasing the full beattape here: https://lovata.bandcamp.com/album/beat-tape-2-2

0014

SkyLik

It's been months since I've made anything! So here you go, full blast!

This was inspired by a series of pictures of a powwow festival that took place in the beginning of summer. 

I HIGHLY recommend bumping up the bass or putting on earphones with awesome bass. =)

Nao - Brave

Denovali Records is proud to announce the release of John Lemke's debut album in July 2013. As an appetizer we offer the song "Traveller" and a remix by Emperor Echo as a free download at [www.denovali.com/mp3shop]
        

01 Traveller
02 Traveller (Emperor Echo's Dub Europe Express Mix)

Track 1 written, recorded & produced by John Lemke (2013)
Track 2 mixed and dubbed by Emperor Echo

Artwork by Lukasz Bernacki
Frequencies lifted by LXC at WATTA SOUND

---

John Lemke is a Glasgow based artist, originally from Berlin.

Working across a great variety of media he has spent the last years exploring music and all things sonic through collaborations, live performance, film sound design and especially his work as a documentary film composer.

Motivated by fusing elements of his more emotive film composition approach with rhythm and space, John has created a distinctive sound world on his forthcoming debut solo album, where abstracted guitar landscapes collide with percussive, prepared piano and disembodied vocal textures to form a danceable, electro-acoustic whole.

Traveller

John Lemke - Traveller

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Where We Were

Greg Haines - The Whole

Producer & graphic designer.
MPC2000 XL + Records.

SkyLik

Somepling

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AlexanderJ100

∆∆ågiç ƒin∂

THEWIZ aka Fibeonax

ROMAINNN

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