For the work in this movie I had to program a lot of sheppard-tone generators using puredata, supercollider, reaktor, and chunk. Each code had its own quality and grain, like an old recipe that subtly changes with little variations. Years later I learned to programin music5 and done also the original Risset's code to sound. Although the same quality that he've got is almost impossible to reproduce if the render is not done on tape.

Sheppard tone for Zama final scene (2017) collab. with Lucrecia Martel

Sarah Nemtsov
"à deux" (2009)
for prepared harp solo

live recording of the world premiere (July 2009)
Gunnhildur Einarsdóttir, harp solo

excerpt: multi tasking moment for harpist (harp and gongs)
the whole piece has a duration of abou 17 minutes

**
Thanks to Gunnhildur Einarsdóttir!
photo: Rut Sigurdardottir

"à deux" (2009) - EXCERPT - harp solo - Gunnhildur Einarsdóttir

"I Wanna Be A Superstar Vol. 1" is a compilation featuring 11 tracks by members and friends of the CRTTR collective. 
>> Side A focuses on sonic exploration throughout various types of ambient, drone and spoken word. Different types of instruments including distorted guitars, synthesizers, voice and lots more are used to create new worlds. 
>> Side B features more rhythmical and club-oriented tracks. Starting from glitchy beats and lovely chords and ending in bass-heavy bangers created for the dance floor. Always with an ear for sounds and rhythms that go beyond standard party mechanisms.
credits
released April 8, 2022 

>> Mastering by Benoit Piccand & Tobias Lanz 
>> Artwork by Jost Zeindler (jostzeindler.ch) 

<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3

Dimitri Grünig - Who Switched Off The EF?

hopepunk is the opposite of dark and dystopian fiction. hopepunk says that kindness and softness doesn’t equal weakness, and that in this world of brutal cynicism and nihilism, being kind is a political act. an act of rebellion. 
- Alexandra Rowland


~ ~ ~

vox: angela häuserfrau
hopepunk reference: https://mithilareview.com/
https://alidada.bandcamp.com

A1 abolish the police (teaser)

wow

why is fusion so different?
i'm curious to hear your answers.

❦
thank you mishy misch, daniel imhof, anais, sk.mize, karla & the whole artistcare & dubstation crew, orlando, michi, malauke, dr. schlaufe, beatrixe, sofia, tom, nathalie, stephanie, chris, julia, marie, luca, steffi, ueli, tim, jan, sander, kim, nuria, aline, viet and the other 85000

❦
sounds from and with: tom foerderer, sofia sturm, perila, daniel imhof, orlando ludens, omar, vukasin, nu, kara-lis coverdale, marie, noemi büchi, jan jelinek, anne chris bakker, gidge, visible cloaks, ulla, wolzyn, mosley jr, oneohtrix point never, musique infinie, k-lone, piezo, matthew halsall, jon hassell, masayoshi fujita, overshift, yoofee, 

❦
the gig we played with ali dada will be online soon. hopefully

mfj rulla @ fusion 2023

Creux: Ombragé - Ashkan Behzadi (2014) 
for Soprano, ConterTenor, Tenor, Bass
Composed for collaborative project with
choreographer: Loïc Touzé 
Part of In Vivo Danse, Manifest Festival 2014, IRCAM, Paris

Performance: Exaudi Ensemble
Conductor: James Weeks

Creux: Ombragé - Ashkan Behzadi (2014)

Performed by Donatienne Michel-Dansac, Ensemble Contrechamps conducted by Pierre-André Valade
Recorded live at Studio Ernest Ansermet, RSR

Epigram (2009) for voice and ensemble

Dear girls & boys and everybody in between,

before the year is over again, I’d like to wish you a healthy and happy new year! May sun shine upon you when you need the light and may it rain on you, when you need the water. 
I am happy to choose the first option for now, leaving foggy Berlin for a little vitamin D refill. But before leaving to South America for our Acid Case tour, I uploaded one of my favourite sets of the past year:  

„KC Grad“, Belgrade, September 23rd 2017

Just a few words about it:
I remember that I listened to music of Nicola (Cruz) on the plane and that I missed to take this amazing picture of Danube river when we flew over it, before landing at Nicola (Tesla) airport, where I had only been once (twice to be correct) before and after I played a short set not before, but after a 
Nicola(s Jaar) concert in 2012.
So this was only my second trip to Belgrade and because neither I want to bore you, nor have I intentions to write a city guide, I will skip the part where we took a very nice walk through the city, and jump right to the last half hour before my gig when I discovered this amazing Serbian synth pop band „Beograd“. No question, I HAD to play one of their songs! Choosing one was not quite easy, but as always when you happen to go with the flow, you don’t need to make decisions, simply because the moment makes them for you...I ended up playing a song called "Opasne Igre“ whatever that means….haha, now that I am writing this, I had to look it up and what can I say? I do see a slight dissent in the context here. I would say, it’s rather a "dangerous game" if you’re not going with the flow, but obviously the song’s topic is somewhat different, so let’s leave it like that for the moment and continue the journey. My personal flow-master led me to Georgia later that night. Stay tuned and you’ll hear - for the first time online - one of my favourite edits of the past 433 days: Ana Malazonia & Fiqria Daiauris’ „Magnolia“ with Andhim’s "Holger Der Polka“. This one is in fact not even an edit, it’s just two songs mixed together, with the slight difference of 28 bars, meaning that one of them starts 28 bars later then the other one. I once heard someone say: "Simple but oh how beautiful“. Yes that's true!
Of course I also had to play a track of my friend Satori, whose father makes the best Sarma (famous Serbian dish) I ever tried. It's prepared with cabbage that has to be pickled for almost half a year, to get the right taste. Yummy…but let's continue with music:
I played Djordje's remix of my track „Jorge“, which - amongst three other gems - will be released very soon on our label Ouïe. 
Although you can hear a couple other new (at least back in September they were new) tracks, the general vibe of the set rather reminds me of this: 
"Some of my favourite tracks and edits from here, there and then, stirred with a little bit of - don’t forget we’re in Belgrade! - Techno, slowly cooked on (DJ) Hell’s car fire, served with deep-fried shaman punk and sprinkled with a streak of humour.“ Drink menu suggests: Gem&Bolt
Bon appetit!


But don’t forget to eat and drink with appreciation, so one, two, three, four more things:

One: Thanks to Oguz and Dejan for their invitation and of course to everybody who has been there floating and dancing through this very special night with Sertac aka "As Smooth As" and my humble self.

Two: In case you like this set you should thank Ilker Çatak by watching his films and future films.
You may think: „ Why should I thank someone I don’t even know?“ 
This is why: If Ilker hadn’t encouraged me to put this set online, you would not be able to listen to it now. Very simple 😏.

Three: To whom it may concern: Happy Birthday!

Four: To whom it may concern and to all others, but especially to you
Take care and be kind


Yours Acid Pauli

Spank the shaman

Trans Belgrad Express

Rolling Into Alvin's Silver Streetcar
For three percussionists, two timpani and objects

WP: Trio Abstruckt, Cafe Oto, London
Commissioned by KammerKlang, UK.
Elsa Bradley, Emma Arden, Angela Wai-Nok Hu

from 17' on: Silver Streetcar by Alvin Lucier
Triangle: Joe Richards

Recording: Dan Ehrlich & Ragnar Arni Olafsson

Rolling Into Alvin's Silver Streetcar

Together with two long time friends and collaborators - composer/improviser Stefan Prins & drummer Brian Archinal - we worked under the name - Ministry of Bad Decisions (mObd). A homage to "licks", copy pasting in modern art and Arnold Schwarzenegger, this capturing is from a show we played in Tel Aviv, 2017.

mObd - I Think I Will (Live in Tel Aviv, 2017)

http://zztt.org/es/gallery-category/vocal/#jacquard

Jacquard is the second interlude for solo tenor voice of "El Universo en un hilo", the microopera commissioned by TACEC-Teatro Argentino de La Plata (2017). Text by Marina de Caro.

Rolling Into Alvin's Silver Streetcar

Nemanja Radivojevic

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