A one-off recording made while preparing the covers for the special edition 
CD "Zombi Traditions (37 Years)", in August of 2021.

Enjoy Your Beverage

Sarah Nemtsov
"à deux" (2009)
for prepared harp solo

live recording of the world premiere (July 2009)
Gunnhildur Einarsdóttir, harp solo

excerpt: multi tasking moment for harpist (harp and gongs)
the whole piece has a duration of abou 17 minutes

**
Thanks to Gunnhildur Einarsdóttir!
photo: Rut Sigurdardottir

"à deux" (2009) - EXCERPT - harp solo - Gunnhildur Einarsdóttir

Sarah Nemtsov
[love] (2018) - piano trio

Boulanger Trio:
Birgit Erz, violin
Ilona Kindt, cello
Karla Haltenwanger, piano
[live recording from Berlin, January 2022]
*
The piano trio [love] is the first movement of the cycle "PHONEME" (2018) for five voices and six instruments  - 7 movements with following titles [love] - [your] - [neighbour] - [as] - [you] - [love II] - [yourself]
*
picture: excerpt of a painting from 1999 by Elisabeth Naomi Reuter

Nemtsov - [love] - Trio Boulanger

SenSen -  Forma y Función

Paul Beaudoin
Antoine Beuger
Joep Dorren
Kevin Leomo
Angie Rojas
Sabine Schall
Emmanuelle Waeckerlé
Levin Eric Zimmerman

Composers Meet Composers 2022
Haan, Germany
August 24, 2022

the surface of the night [2020] Composers Meet Composers 2022

Vertical lights on lost bodies [excerpt] | for string quartet

Written for and performed by Quartetto Maurice | www.quartettomaurice.com/it

Co-commission Festival Milano Musica and Festival Musica in prossimità

Live recording @ Fabbrica del Vapore, Mllan | May 26th 2023 | Festival Milano Musica

𝐕𝐞𝐫𝐭𝐢𝐜𝐚𝐥 𝐥𝐢𝐠𝐡𝐭𝐬 𝐨𝐧 𝐥𝐨𝐬𝐭 𝐛𝐨𝐝𝐢𝐞𝐬 [Excerpt]

Balade sonore le long du fleuve Rhône depuis sa source dans le glacier éponyme, jusqu'à son delta. Cette œuvre est une commande de l'association IC-EAU/ ID-EAU pour la Foire du Valais 2023 en Suisse, sur la thématique de l'eau.

Portrait sonore de l'entité vivante du fleuve Rhône. Toutes les prises de son ont été effectués dans et autour du fleuve.

UNE VOIX PARCOURT LE RHÔNE

LES MÉTAMORPHOSES DE RHÔNE

Mixlr üzerinden 27 Mart Cuma gecesi 23-01 sularında yayınlanan, yaklaşık 2 saatlik set in 2.bölümüdür.

TRACKLIST

1.Alphadub - DR DARKK
2.Undenied - Portishead (Dub Renaissance remix)
3.Mütenahi Reverbsta - Bitmesin Sabahımız (Remastered)
4.Black Atlass - Paris
5.El Mahdy Jr & Gantz - Black Sun
6.Nejva - Bilecik Psychedelic (LimitedSC)
7.Panda DUB - Dub Fusion (Antilogy)
8.Trap Sounds - One Minute - Epic Mother
9.Dub Engine - Sahara
10.Full Dub - Alien
11.Oğuzhan Arslan - Hala Çocuklaşabilen Kaldı Mı?
12.Kahn feat Rider Shafique - Prophet
13.Komadub - Kül
14.ElektroHafız - Destur 2

set second section: mixlr.com/bagcilarsoundsystem/bagcilarsoundsystem-on-mixlr-4 


geceyi ilk yayından biraz daha az, ama laklakı biraz daha tatlı bir yayınla kapattık. dubsahara'yla başlayan yayın @alienhand in "madafaka"sıyla sona erdi. dinleyen, yayın esnasında sosyal medyanın kamuya açık kollarından paylaşan arkadaşların hakkını gözetir, çokca teşekkür ederiz. 

@alienhand / @nazerant

BağcılarSoundSystem Podcast #3 (27.03.15')

for string quartet and electronics

Paris, Centre Pompidou June 7th 2017
Quatuor Diotima

**********************

As a kid we had a television set with an antenna that rotated (you could rotate it from inside of your house). When the major channels would go off-air you could rotate it and pick up strange other channels from smaller cities around - from across the border, Buffalo and so on - and you would see strange things, that were kind of hard to see (there was a lot of static) and it was very intriguing to watch that kind of things. That was really the core, the crystal at the centre of this movie: my experience with that thinking “what if the images that you pulled up were really quite extreme, disturbing, possibly illegal, and what would you think then, would you keep seeking out those channels or would you call the police or what would you do, how would you respond to them?”

David Cronenberg on his movie Videodrome (commentary track of the Criterion Collection BlueRay)

The Max Headroom broadcast signal intrusion was a television signal hijacking (probably the most famous and certainly the longest signal hijacking ever) that occurred in Chicago, Illinois, United States on the evening of November 22, 1987. The signal pirates, whose identities were never found, succeeded in getting their broadcast intruded onto WTTW (a local Public Broadcasting Service television station).
The pirate broadcast, which lasted 90 endless seconds, featured an individual disguised as Max Headroom (a sci-fi computer-generated television character quite popular in the 80s, coming from dystopian near-future dominated by television and large corporations).
Around 11:15 p.m. an episode of the British TV-Series Doctor Who was suddenly interrupted by television static, after which an unidentified man wearing a Max Headroom mask and sunglasses appeared. The man started to moan, scream and laugh, uttering various random phrases (the audio was distorted and crackling), including New Coke's advertising slogan "Catch the Wave" while holding a Pepsi can (Max Headroom was a Coca-Cola spokesperson at the time). He then tossed the can out of sight, presented his middle finger wearing a rubber extension, sang an excerpt of “I’m losing you” (a 1966 Motown hit recorded by the Temptations), hummed the theme song of Clutch Cargo (a clumsily-animated television series of the 60s), moaned painfully complaining about his piles, farted, put on and off a giant glove (similar to the one worn by Michael Jackson at the time). He then partially exposed his buttocks, howling: "They're coming to get me!”, while an unidentified female accomplice wearing a French maid outfit started to spank him with a flyswatter. The transmission then blacked out for a few seconds before resuming the Doctor Who episode in progress.

“The 1987 Max Headroom Broadcast Incident” features a string quartet “enhanced” with transducers and preparations. 
The digital processing of the instruments is largely inspired by the same modulation techniques that were - and still are - commonly used for radio and television transmission. 
The piece, an hommage to obsolete or soon-to-be deprecated technologies and to the media-dominated, dark future that the “cyberpunk” sci-fi of 80s foretold, is dedicated to the memory of Fausto Romitelli.

Mauro Lanza - "The 1987 Max Headroom broadcast incident" (2017)

Wander Steps for two microtonals accordions played by the duo XAMP Fanny Vicens and Jean-Etienne Sotty (festival Messiaen au Pays de la Meije, commission 2018)

Wander Steps (2018)for two microtonals accordions

Sarah Nemtsov
"weggeschliffen" (2018)
for amplified string quartet (with some effects)

live recording from January 18th, 2020 - Ultraschall Festival Berlin
Minguet Quartet

***

Schwerer werden.
Leichter sein.

(Paul Celan)

***

painting from 2016 (excerpt) by Elisabeth Naomi Reuter

WEGGESCHLIFFEN (2018) string quartet

Sarah Nemtsov - composer (*1980) - Germany, Berlin

"à deux" (2009) - EXCERPT - harp solo - Gunnhildur Einarsdóttir

Sarah Nemtsov

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