Pecan

This was made by putting Brian Eno's Bloom (Version 2) through TC Electronic's Hall of Fame 2 and Flashback triple delay.

loop 100000

Senmove & Senglar - LeC

Sarah Nemtsov
[love] (2018) - piano trio

Boulanger Trio:
Birgit Erz, violin
Ilona Kindt, cello
Karla Haltenwanger, piano
[live recording from Berlin, January 2022]
*
The piano trio [love] is the first movement of the cycle "PHONEME" (2018) for five voices and six instruments  - 7 movements with following titles [love] - [your] - [neighbour] - [as] - [you] - [love II] - [yourself]
*
picture: excerpt of a painting from 1999 by Elisabeth Naomi Reuter

Nemtsov - [love] - Trio Boulanger

Rane Moore, Matt Gold, and Steven Gosling from Talea Ensemble performing OK Fantastic! March 2022

OK Fantastic!

SenSen : Senglar & Senmove
https://soundcloud.com/senmove

SenSen - Otoño

Headphones or nice loudspeakers recommended for best listening experience

L'Infinie puissance des vagues - Mvmt. II

Le titre et le concept sonore de cette pièce sont tirés d'un poème en prose de mon père. La phrase entière est : "À chaque assaut de la mer, il rit, il joue à avoir peur, car il ne connaît pas encore l'infinie puissance des vagues.” Ce mouvement se déroule en vagues successives. Parfois timides, parfois menaçantes. Petit à petit, une masse humaine se révèle dans le va et vient du bruit blanc et des clapotis de la masse aquatique. 

The title and sound concept for this piece are drawn from a prose poem by my father. The translation of the full sentence is : “They laugh at each assault from the sea, playing at being scared, for they don't yet know the infinite power of the waves.” This movement is animated by a progression of waves. Sometimes timid, other times menacing. Little by little, a human crowd is revealed in the come and go of the white noise and wavelets of the watery mass. 

composé juin-septembre 2022, la haye

...il joue à avoir peur

Bandcamp link: https://mariamg.bandcamp.com/track/lotsva 

In March 2021, after two silent years of pandemic, I began collecting chants from around the world for my new acousmatic work. Exhausted by the long period of isolation and lack of contact, my artistic goal with this project was to bring together the voices of people from different countries, cultures and religions and unite them in my musical composition. In the promotional video I posted on my social media channels, I asked for audio recordings with a smartphone and received 26 songs that I used as source material for the piece. The audio files ranged from intimate solo recordings made in a bedroom, to polyphonic folk songs and chants professionally recorded in a studio, to songs accompanied by various instruments. As I listened to the recordings, I realized that my task as a composer was to find ways to connect the voices that were recorded in different acoustic environments, with different keys, tempos, and languages, and to create a sound world in which they could all coexist. Considering the time in which the recordings were made and the work was composed, I consider this piece a collective prayer, hence the title ლოცვა (Lotsva).
The first version of the piece premiered in Oslo on September 9 and subsequently toured other Norwegian cities and international festivals. In the meantime, I kept receiving new recordings, so I added a new contribution from a different country at almost every performance. The final version of the piece was presented at Kulturkirken Jakob as an 8-channel sound installation as part of VoxLAB VårFEST.

Contributors:
Annie Björkman, Sweden
Aine Eva Nakamura, Japan
Heidi Skjerve, Norway
Line Souza, Brazil
Gyrid Nordal Kaldestad, Norway
Nigar Gahramanova, Azerbaijan
Åshild Hagen, Norway
Katy Pinke, Israel
Supriya Nagarajan, India
Zosha Warpeha, USA
Silva de Waard, Netherlands
Zoe Perret, France
Verena Merstallinger, Austria
Diego (surname anonymous), Argentina
Tamo Nasidze, Georgia
Falk Rößler, Germany
Ensemble IALONI, Nino Naneishvili, Georgia
Elvic Kongolo Birkebein, Congo
Małgorzata Olejniczak, Poland
David Zurabiani, Georgia
Sajidah Ahmed, Bangladesh
Andrea Silvia Giordano, Italy
Balint Laczko, Hungary
Marija Astromskaitė, Lithuania
Diana Serrao, Portugal
Christopher Manning, US 


Mastering: Balint Laczko
Cover: Midjourney AI
Video: Manuel Madsen (Norsk Komponistforeningen)
Commissioned by: Ny Musikks Komponistgruppe
Produced at Notam

LOTSVA / ლოცვა (excerpt)

Gordon Way : synthesizers
Wilfried Hanrath : synthesizers
Marco Lucchi : piano

for the "Three way dance" project curated by Neal D Retke
https://threewaydance.bandcamp.com/album/three-way-dance

gennaio 2023

Three Way Dance

Bandcamp

Gordon Way, Wilfried Hanrath & Marco Lucchi - wonky+++

Cello : Eric-Maria Couturier
ONL conducted by Peter Rundel
12/13/2016 - World Premiere - Lille / Nouveau Siècle

Quarks, concerto for cello and large orchestra

Deepstaria (2019) for 2 analogue synths and e.guitar
commissioned by Ensemble L'arsenale / MAtera INtermedia Festival
supported by SIAE Classici d'Oggi
----------------------------------------------
Instrumentation: Doepfer Dark Energy II, Korg MS10, E.guitar + pedals, sampler, midi step sequencer.
performed, recorded and mixed at Bass Studio (American Academy in Rome)
+  Verona (at home), during quarantine 2020

Deepstaria (2019)

Sarah Nemtsov - composer (*1980) - Germany, Berlin

Nemtsov - [love] - Trio Boulanger

Sarah Nemtsov

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