Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Edging

Once in a meadow lived a community
Hidden from greed and insanity

A place made of the most simple magic
Where the breath of everyday life becomes music

The one that takes time to look will see
Among the grass, a microcosm of possibilities

After the sun comes the moon
After the rain comes the sprout

When the time curve draws a circle
Nothing is lost, everything is transformed

Welcome to Ostara, our land of plenty.

Another Day In The Meadow

Laenip - Ant Memory

Side B (in no particular order) of 'Deaccession Forms' vol 1, a formforum V/A compilation. All tracks were submitted by the artist, along with the prescribed documents and associated materials.
'Deaccession Forms' bandcamp: https://formforum.bandcamp.com/album/deaccession-forms

Side B tracklist:
ceffyl dwr- no muse [00:00]      
Scim - Lifted [03:22]
v3. - travesía, miles de reminiscencias en constante colisión [05:51]
Kat Nzingha - Dysphoric( ) [09:19]
a200xeaf - iMi x alive (fuck you elle edit) [12:16]
Jenn - FERAL, LOVE [14:02]
cenaceae - swampbody [16:39]
Griigg & Lukann - Mfckhm [19:27] 
spoke2god - Blue Shield [21:59]
ZƎR03N-A - lithosfera [25:27]
Mi Croevkhas - Air [29:33]
instar - the final sweep [33:53]
Saw Black - America's Past time [37:09]
Mark Allen Soul & deskulling - Company [41:33]
300ofu - 300ofu - Study On Losing Sense Of Objecthood And The Dispute On Posterity [46:48]
Tomer Naftali - Karkait [50:27]
id6 - DJ Tomand Ren [53:21]
Yoko Xama - she was six, they killed her [58:52]
Umbra Abra - Letting Go [01:00:45]
DoorHead - U8Cv [01:04:49]

Deaccession Forms: Side B

haunting on the musicverse

Taken from sorbitol drops's debut album 'Remízek Music' (G&P027), out August 2024

sorbitol drops alias Antonín Závodný is Chrudim (Czech rep.) born, Prague based multidisciplinary artist, curator and a steampower of the establishing Trať festival. With an ear for crispy refined sound design as well as a sense for substantial and dynamic sonic world-building, he proves to be a newfound talent within the Czech experimental music scene – the kind that doesn’t appear every year. After being aware of each other long before he'd start making music, Gin&Platonic are now tickled to introduce sorbitol drops with his ambitious premiere project 'Remízek Music'.

Produced with the spatiality of a six-channel audio instalation in mind, Závodný guides us on an excursion into the haven of his resourceful sound palette, portraying a vibrant place existing almost comically on it’s own. The term 'remízek' is used to describe a special type of grove – an unnaturally planted assemblage of a so-called forest, almost ironically dragged-and-dropped to exist surrounded by any kind of agricultural landscape. When entering such a grove from an open field, there is no gradual transformation from one biocenosis to another, creating a situation where a radical switch between two completely different worlds is just a few footsteps away.
While traversing this cute but absurd tableau of the audible forrest oasis, stripped down of it’s original sprawl, we promptly find ourselves under a pressure of a constant neurotic crackle, harrowing creaky moaning, all participating in recurrent ambiguous breakdowns. Naive melodies buzz out from echoes of the interactions of temporary inhabitants of the environment, revealing their habits and territorial contradictions. At times, these melodies merge into a playful conversation of camaraderie; at other times, they spiral into wordless-but-loud dramas and overall tensions of sharing a limited space in which they must coexist. Utilizing sounds of materials found in this harbor combined with highly processed samples, the result is a convincing fusion of narrative composition shaping up in a expressive bricolage full of harmless tension and lively contrast. 


Written & produced by https://soundcloud.com/antonin-zavodny
Mastered by https://soundcloud.com/fausto_mercier

Bandcamp

sorbitol drops - Edgy Ecotone

Music and Artwork by @flowerboydemii

[NEOC003]

TIDAL POSERS

Tidal Disk 1

FlowerBoyDeMii - Tidal Disk 1

TOYOTATHON

HERE'S ANOTHER LESSON

PURCHASE

My remix for Kratzwerk x Tagmata
Inspired by the remix of Signal (Golden Living Room Remix) from World Class by Luxury Elite

If you enjoyed the remix, pick up the rest of the album here https://tagmata.bandcamp.com/album/--2

Kratzwerk x Tagmata - 大きくて強い 2.0 (Room 208 Remix)

past//PRESENT, out now on Ultratech Records.

Buy link: https://hellomiso.bandcamp.com/album/past-present

Release title: past//PRESENT
Original artist: Miso (@miso-soup)
Label: Ultratech Records (@ultratechrec)
Format: digital
Genre: electronica
Release date: 29/10/25
Mastering: Nil Hartman
Artwork: Nao now & Melody Morana

past//PRESENT

Miso - Oxalys

collab album w/ coach
https://soundcloud.com/coach2598

trinamics (prod. coach)

DIS:SOLVE

FUCK ESPI

WE SWEAR WE ARE SO NORMAL ABOUT @iglooghost LORE

PFP AND BANNER BY https://www.instagram.com/shevvys_pictures/

WRITING BY @fe-n AND @bazzabazzabaz

DIRECTED BY @razmiel

FlowerBoyDeMii - Tidal Disk 1

Neo Clowns