Mu only

مزيج miX~

صوفي

مَتَى يا كرامَ الحَيِّ عَيْنِي تَراكُمُ 
 وَأسْمَــــعُ مِن تلكَ الدِّيارِ نِدَاكُمُ

سَقَاني الغرام سَقَاني الهوى 
كَأسًـــــا مِن الحُـــبِّ صَافِيًا 
يَا لَيْتَه لَمَّا سَقَاني سَـقَاكُمُ

أَمُرُّ عَلَى الأبْــواب مِن غَيْرِ حاجَةٍ
 لَعَلِّي أَرَاكُــمُ أوْ أَرَى مَن يَرَاكُمُ

لا تدفِنوني تحتَ كرماً يُظلني 
إلا على جبلٍ وَعَيني تراكُمُ

فَيَــا لَيتَ قَاضِيَ الحبِّ يَحْكُمْ بَينَنَا
 وَدَاعيَ الهوَى لَمَّا دَعانِي دَعاكُمُ

ويَجْمَعنــا الدَّهرُ الذي حَالَ بَيْنَنَا 
وَيُحْظَى بِكُم قَلْبي وَعَيْنِي تَرَاكُمُ

!! متى يا كـرام الحيِّ

Poetry and vo: Sargon boulos
music: khaled mouzanar

جئت إليك من هناك 
نهايةُ العام:
عام النهايات
الطقسُ والغربان،
 ضِِيقٌ في نفسي 
من كثرة التدخين ، علّةٌ ما

(وحشةٌ 
قلقٌ
ألَمٌ دفين)

أطاحتْ بي لأطوفَ في أنحاء البلدة المقفرة
و أقطعَ حول تلك الزاوية بالذات
حيثُ لاقاني وجهاً لوجه
قبلَ هبوط الليل:
صديقي
القَصّاصُ هوَ بعينهِ
لكنّ شيئاً أفرغَ عينيه من الضياء
صديقي القديمُ الفَكِهُ
هوَ بذاتهِ
لكنّ شيئاً قَلَبَ قَسَماتِهِ
من الداخل
الحواجبُ بيضاء
سوداءُ هي الأسنان

إذا أبتسم (لا فرَحاً ) بدا كأنّهُ يبكي

ما وراءَ الحزن

كما في صورة غير مُحَمَّضة
بأقلّ نفخةٍ تنهار . . .

لاقاني وكنّا خارجَين من عاصفةٍ
بدأْت منذُ الأمس
تَجلدُ الجدران بلافتات المطاعم والحوانيت
وتجعلُ أسلاكَ التلغراف
تُوَلولُ حقاً في تلك الساحة الخالية
صرختُ : يا يوسف!

ماذا حدثَ لوجهكَ يا يوسف؟
ماذا فعلوا بعينيكَ يا يوسف

ماذا فعلوا بعينيك وحَقَّ الله؟

قال: لا تسألني ، أرجوك.
قال: إنّهُ الدمار.
قال جئتُ إليكَ من هناك.
قال : لا أنا . لا . لست أنا .
لا أنت.
لا ، لستَ أنت.
هُم، 
وآلهة الزَقّوم.
هُم ، وصاحبُ الموت الواقفُ في الباب:

اللاجئونَ على الطُرُقات
الأطفال في التوابيت
النساءُ يَندُبنَ في الساحات

أهْلُكَ بخير
يُسَلّمونَ عليك من المقابر

بغدادُ سُنبُلةٌ تشبّثَ بها الجراد

جئت إليكَ من هُناك

إنّهُ الدَمار

قالَ لي

وسارَ مُبتعداً ، و اختفى

في كلّ مكان.

آلهة الزَقّوم

www.HishamKharma.com
Facebook.com/HishamKharma
Youtube.com/HishamKharma

*Rmx of the original "Ahl El Karam" by Sheikh Ahmad Al Tuni.

Hisham Kharma FT. Ahmed Al Tuni  هشام خرما مع أحمد التونى ^ اهل الكرم

from 'One For Sorrow, Two For Joy' [CD|LP|DIGITAL]
Denovali Records · den219
available on all formats at [http://denovali.com/secondmoonofwinter]

SECOND MOON OF WINTER is a new experimental ensemble from Ireland melting discordant ambiences with luminous soprano. Their first installment, a six track album called “One for Sorrow, Two for Joy”, will be released on Denovali Records in January 2015.

“One for Sorrow, Two for Joy” was written and recorded live in a series of four hour sessions in a basement by the sea in County Cork in the south of Ireland; no computers, no playback of samples, no overdubs, no further processing after the event.

It is three people performing live in an intensely personal collaboration. Knowing each other well and yet having never experimented together before, it felt almost like a necessity to combine their far-flung musical minds. Waves of sound created predominantly on guitar and clarinet, provide a backdrop for singing rarely experienced outside an opera house, and yet with a subtle connection to Irish folk song also.

Inspired by the symbolism of photos, prints and memories, the studio floor was strewn with semi-precious melodies, never knowing which was to be picked up next, to be held and then polished like sea glass in a tidal soundscape.

Tethering themselves to each other’s innate sense of interpretation and improvisation, an idea was never good nor bad, it was instead either in or out, necessary or unnecessary. In making “One for Sorrow, Two for Joy” SECOND MOON OF WINTER understood that true musical inspiration and output is free from grasping and clinging.

Their fragmented melodies meet, form and fluctuate in a wave of musical metamorphosis. They strive to sit apart and yet within their soundscapes - melting and moving forward with the momentum of a creeping frost under the waning of the second moon.

SECOND MOON OF WINTER is to be silent, to listen and finally to create a picture out of that listening. It is a meshing together of sounds that touch and clash in their different atmospheres yet bathe together in a tense harmonic understanding.

“One for Sorrow, Two for Joy” is a truly fascinating and deeply persuasive listen for enthusiasts of avant-garde, ambient, dark free jazz and contemporary classical music.

One For Sorrow, Two For Joy

Second Moon of Winter - Come Around

from 'S/t' [CD|LP|DIGITAL]
Denovali Records · den224
available on all formats at [http://denovali.com/foghdepot]

Fogh Depot is not just a collaboration between three musicians weaving a cozy melancholic cocoon in the midst of a looming, cold, unwelcoming metropolis of Moscow.  It’s a creativity lab where complex cryptoanarchic ideas rigidify in the viscously flowing Phrygian mode, while the simple and naive piano melodies sweep the listener right back to childhood.

Fogh Depot’s debut album contains eight stories told by different people in different places. "Anticyclone" feels like a massive hedge-maze amidst towering sand dunes of apathetic lust. "Mining" – is a slow descent into a narrow, murky mine, now and then suddenly illuminated by the guide’s flaring torch.  Does he even know where he’s leading his patrons? Sorrowful and strange, "Nevalyashka" is a nostalgic waltz, bringing to mind an old wooden attic where forgotten toys are gathering dust, while the clear and springy bass in "Sagittarius" can only be the belligerent footsteps of a mythical centaur.

The simplest way to define Fogh Depot’s music would be to call it seductive brooding jazz with an electronic twist. Fogh Depot conjoin the unconjoinable, combining distorted low resolution samples with pure, atmospheric piano chords, multilayered drones with bebop changes, four-to-the-floor beat with polyrhythm, simple, easy-to-remember tunes with sophisticated effects for woodwinds, springy bass grooves with timeless ambient soundscapes. Live performance targeted at acoustic perception binds this technological hodgepodge together, giving every listener a chance to find the right texture for a rainy evening and a glass of good scotch.

Fogh Depot

Fogh Depot - Burning Beard

from 'Sankt Otten + Majeure - Split' [CD|LP|DIGITAL]
Denovali Records · den075
reissued and available on all formats at [http://denovali.com/sanktotten]

Majeure / Sankt Otten - Split

Sankt Otten - Es ist nicht alles Gott was glänzt

from 'Vantdraught 10 Vol. 1' [CD|LP|DIGITAL]
Denovali Records · den225
available on all formats at [http://denovali.com/kubakapsa]

Kuba Kapsa is a Polish pianist and composer being the leader of the avant-jazz combo Contemporary Noise Sextet (2006-2014). Beyond that he is a renowned composer for film and theater plays. His latest venture is the first of a sophisticated series of projects of modern classical music bearing the common title "Vantdraught".

The first part of the "Vantdraught" series is called "Vantdraught 10" written for ten classical instruments - 4 violins, 2 violas, cello, vibraphone, marimba and piano. The music is largely based on a repetition of individual melodic motifs, which are also quite multithreaded within a given composition. Vibraphone, piano and marimba are written in a “push-pull” combination, being the rhythmical base for every piece, while strings are instantly “questioning and answering” each other whether being supportive to the rhythm or used for the presentation of themes. The common feature of every composition is symmetry, which has been applied to almost every aspect - rhythm, harmony, motifs and themes. The first four pieces of "Vantdraught 10", which are inspired by the works of classical minimalists, early 20th century composers and 20th century Polish composers such as Steve Reich, Igor Stravinsky, Edgar Varesè, Henryk Mikołaj Górecki or Wojciech Kilar, have been recorded in December 2014 with musicians from renowned Polish ensembles such as Neoquartet and Kwartludium at the concert studios of Radio Gdansk. "Vantdraught 10 Vol.1" will be released on Denovali Records in April 2015. For Vol. 2, which is following up, Kuba Kapsa will present a rather asymmetrical approach to voice leading and rhythm. 
"Vantdraught 10·Vol.1" features an astonishing artwork based on "Brotmorgendämmerung" (breaddawn) by the seminal artist duo Kahn & Selesnick.


Vantdraught 10, Vol. 1

Preorder / Buy

Kuba Kapsa Ensemble - No. 4

from 'Flesh' [CD|LP|DIGITAL]
Denovali Records · den228
available on all formats at [http://denovali.com/ahkosmos]

AH! KOSMOS is the moniker of Istanbul-based producer and instrumentalist Başak Günak. Her debut EP called FLESH has been released in her native country via Turkish label Müzik Hayvanı back in 2013. Along the release of her first full length BASTARDS in April 2015, Denovali Records will provide a re-issue FLESH, available for the first time on a world-wide scale and on the vinyl format.

Echoing and bouncing off the surfaces, the nuanced metallic droplets of synth-triggered sound interacts with moody sustained cluttering down-tempo beats and unholy choral voices over the trio of ambience on this three-track EP FLESH. From the mysterious catacombs and imagined otherworldly terrains of Istanbul, oozes the enlightened cosmic union of analog and electronic.

Supporting the likes of DARKSIDE, James Holden, Kiasmos, Two Door Cinema Club, Emika, Daddy G (Massive Attack) in her hometown Istanbul, AH! KOSMOS  performed at remarkable festivals as Rock’n Coke, Babylon Soundgarden, Venice Electro Festival, Budapest Punkurica Festival, Piknik Elektronik in Brussels, Tokyo Electronic Music of Arts Festival and CitySonic Festival in Mons.
Başak Günak has also composed and created sound design for contemporary dance and plays, short-flms and site-specifc performances / installations in several art spaces including Rotterdamse Schouwburg, Prague Signal Festival, 18th and 19th Istanbul International Theater Festival (IKSV), ARENA Theater Festival Nürnberg and Venice ElectroFestival. Recently, she has been invited to the highly coveted Red Bull Music Academy 2014 Tokyo as a participant.

عبد القادر- intro 1

ABDULLKADER