A unique voice that seems to be a mixture of children and adults.

I love the modern update on a classic sound. The background vocal are another nice touch

Mon interprétation de cette oeuvre magnifique créée par Marco Lucchi : https://soundcloud.com/marcolucchi/die-ewige-wiederkunft-des-gleichen/comment-1349619334

Merci Marco pour cette invitation.

Orchestral Tools - ARKHIS - 3 Layers : String Ensemble - Quiet Longs, Harp Orchestra - Quiet Longs, Harp Ensemble - Stutter

Die Ewige Wiederkunft Des Gleichen [Marco Lucchi] Mon Interprétation

I've been in love with making slow synth covers of songs, here's another late night version of a classic: Mr. Blue by the Fleetwoods, released in 1983

Lyrics: 

Our guardian star lost all his glow
The day that I lost you
He lost all his glitter the day you said no
Now his silver turned to blue

Like him, I am doubtful that your love is true
But if you decide to call on me
Ask for Mr. Blue

I'm Mr. Blue 
When you say you love me 
Then prove it by goin' out on the sly
Proving your love isn't true
Call me Mr. Blue

I'm Mr. Blue 
When you say you're sorry 
Then turn around, head for the lights of town
Hurting me through and through
Call me Mr. Blue

I stay at home at night
Right by the phone at night 
But you won't call
And I won't hurt my pride 

I won't tell you 
Why you paint the town 
A bright red to turn it upside down
I'm painting it too
But I'm painting it blue
Call me Mr. Blue 
Call me Mr. Blue 
Call me Mr. Blue

Mr. Blue

Lyrics

You told me that you were in pain
You told me that you were lost
But I.....
I didn't want to listen
I didn't want to listen
Or understand the cost

You told me that I leaned too hard
You told me you needed space
But I....
I didn't want to listen
I didn't want to listen
And now you are far away

Can you please forgive me
I was lost and out on my own
Can you please forgive me
For you....
You are my soul

You told me that you were broken
You told me the loss was profound
But I...
I didn't want to listen
I didn't want to listen
But I'm listening now

Can you please forgive me
I felt lost and out on my own
Can you please forgive me
For you....
You are my soul

You are my soul

Lost

Wow!

Doing this with https://soundcloud.com/florian-luethi-59518579 really managed to create very uncomfy feelings in the first place..... I am very afar from the point where i would call myself a Keyboardplayer or a "Keyboardist", but that is something i really want to achieve some day. Then there is this Swiss Army Knive of a man, playing in a Band, playing in a Bigband, reinventing old classics, playing the Keys like a young god - how can you keep up with someone like him.

He sent me the first stem back then , i think in April 2021... and said that he want it to be our thing. There was a  toiletpaperroll kind of instructions which came along with it and music sheets which i really cannot read. Thank you, goddamn! AHahahah.  It is also slow, has various changes in timing and there is also a short variation in a part with a bpm change. 

Adding this into my DAW and setting it up was one thing, finding the right key to jam along with it and trying to go JAZZ was a complete different take. Holy SH*T. 

I prelistened alot this two milestone versions out there:
Thelonious Monk Quartet - 'Round Midnight -https://www.youtube.com/watch?v=-yg7aZpIXRI and
Miles Davis Quintet - 'Round Midnight - https://www.youtube.com/watch?v=GIgLt7LAZF0, and while doing so, i felt terrible feeble and developed some slight depression torwards the thing which Mr. Lüthi sent me. I was flatterned, that he thought i can keep up with something like that, but also frightened AF.

So i did listen to his version and i simply was not able to do it. I gladly was able to work on any music, but going 42 BPM, sorry, i fucking started going idle ... so slooooooooooow!!! (Remember : Dawn of Damn is 160 bpm - so this track here is a bout 4 times slower). After many months i finally set everything up and for another few months tried to play something to it - progress about to be aligned with those BPM hahah....

Late but nevertheless, the inspiration finally came and while i tried to line up with this jazzy thing, Florian wanted the FY - Mojo and Crazyness, so he completely changed the whole base for the song and bam bam bam - boomarang!! We both hope that you enjoy this new version of a classic which has been re-issued about 2000 times! We are pretty confident, that this version is quite different... :)

Thank you Florian for the possibility to do this with you and all your patience, your super cool uplifting attitude and positive and constructive critic! Also pretty happy, that he allowed me to collaborate with his unique drawing style. I really tried to adapt and went full drawing mode this time! This was so much fun!

All the best to all of you and a great 2k22 !
Yours,
CMD FY

FL: Base, Sub, Guitar, Beerbottle-Organ, Guitar FX, Drums, Pads, Coda and the THEREMIN!
FY: Trumpets, B3, Music-Box, Wolf-Keeper, Forest-Ambiance, Mix, Master

Check out this absolutely wonderful short video of the German Shepherd "Jedi" - who is kinda going nuts while listening to this one! -> https://www.youtube.com/watch?v=sfSLrQv_Tlc

'Round Midnight

'Round Midnight - Collab with Florian Lüthi

Garbage Man

(ᵐᵘˢᶦᶜ ᵛᶦᵈᵉᵒ)
https://www.youtube.com/watch?v=0QIX7mqDWic

🔗 linktr.ee/BirdEternal

Music video

⨀ Vital Spirit:

Explicaciones Ignacio Labarca

This song is actually one long outro.... at least that's how it began.

So I said
Give me your sorrow
It is a beauty
That I want
And though it makes you fail
And asks for everything
I'll only tend it lovingly

oooh oooh ooooh 
oooh oooh ooooh

And with your smile
A tender twilight dawn
Step in the past
With hands to make
As we're returning
Give me your sorrow
There is a beuuty I will make

oooh oooh oooh 
oooh oooh oooh

So I said Give me your sorrow
I'll only tend it lovingly
As we're returning
Give me your sorrow
There is a beauty I will make.

Every Conversation in June

Give Me Your Sorrow

Buy me if you love me

Deep tube trains generate beautiful sound waves and rhythms. The air pressure, rumble, clatter and sparks never cease to stir the senses. 

[Pic c/o Pinterest]

Third Rail Blowdown

U-The Three-Legged Crow

'TIMELINE'
Written, Performed & Produced
by Andrew Borderick copyright 2017.
Mastered by Andrew Borderick

THERE'S ALWAYS SOMETIMES IN YOUR LIFE
YOU'RE TAKEN AWAY FORGETTING TIME
YOUR FEELING ALIVE OR IN THE CLOUDS
WE ALWAYS NEED SOMETIME TO YOURSELF

CAN'T EVER SEE YOURSELF GETTING OLD
ONE DAY IN SCHOOL THEN FEELING RETIRED
YOU'RE HEARING A SOUND, REMEMBER SOME TIME
WE SING A SONG SOMETIMES TO YOURSELF

(chorus 1)
WHEN A FAVORITE SONG COMES TRUE
WHEN IT TOOK THIS WORLD APART
AND IT TAKES ME BACK TO YOU
CAUSE THE MUSIC NEVER STOPS
WHEN MY TIMELINE CHANGED WITH YOU

WE CELEBRATE EVERY YEAR OF OUR LIVES
FORGETTING TIME AS THE MUSIC GO'S BYE
THE DAYS WILL COME AND LEAVE US BEHIND
AS FAST AS LIGHT YOU COULD BE BY YOURSELF

(chorus 2)
WHEN A LOVE SONG RUNS FROM YOU
YOU CAN CHANGE THAT LONELY HEART
AND IT TAKES ME BACK TO YOU
CAUSE THE MUSIC NEVER STOPS
WHEN MY TIMELINE CHANGED WITH YOU

(break)
(repeat chorus 1 & 2)

Mr. Blue

Neon Dayze

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