Okay that cover fits so good for that sound! 🔥🙌

Nice beat Neon! keep dishing out more amazing songs :D

Man this is fantastic, and such a good listen

nice track, I love it, good job, Congratulations

Ambitious and calm stuff here. Reminds me somehow of Art of Noise. Overall warm and well done! Have an easy day and feel free to leave me some love as well. 👋🏽👩🏽

I enjoyed this track . great combo of ambient and downtempo

Everything Its Meant To Be - Kristopher Bolin

Composer: Karl Heimgartner Date: January 3rd 2024 / © Copyright
Genre: Soft Rock
Single: 2024
Title: 01.
Title: Dreaming at Night
Text: Karl Heimgartner
Artist: Karl Heinz – Heimgartner
MTM masters real music production
Mixed and mastered by Christine Sampson  from MTM

Dreaming in the Night: a composition somewhat similar to Pink Floyd. I love pink
Floyd Sounds since I was 17 years old and I still enjoy this music to this day. Now I tried to produce in this style of music with my voice and guitars, keyboard, bass and hope the fan audience likes it. In the last year of 2023, I worked on it again and again. 
Completion took place on January 3, 2024.
I sent the finished track and 29 stems to MTM Mastering True Music Production for control and sound enhancement, which worked very well. A very nice team from Spain.

Thank you for your cooperation, Freddie and Team MTM Mastering True Music Production


https://masteringtruemusic.es/

https://open.spotify.com/album/01XkmfxH0EooAntW76xxQo

www.karlheinzheimgartner.com

Autor: Karl Heimgartner Dat : 03.01. 2024  / © Copyright

Dreaming In The Night

Felt like making a mellow track yesterday.  After it was finished, it felt like a moment I had years ago where I had finally let something that I had been holding onto in my entire life go finally.  It was a moment when my anxiety quieted for the first time that I could remember and I was able to slow down and settle for a time.

Letting Go

Rare Elements’ first single of the year offers synth-infused distorted guitar alt hard rock. The single was recorded, mixed, and mastered in December 2023 at Rare Elements’ studio on Tampere, Finland. Harri Sarpavaara is responsible for the composition, arrangement, lyrics, and production of the song. He also plays all instruments and sings on the track.

Waves of Time

Waves Of Time

“Grill that Snapper” stands as a track that bridges the gap between the introspective nature of acoustic music and the bold expressiveness of electronic music. It's an audacious fusion that respects the listener's intelligence and emotional capacity, promising a rich and rewarding listening experience. Each note and silence in between tells a part of a greater story. This piece isn’t mere background music; it's a sophisticated journey through sound that demands active listening and rewards with layers of intricate details.

It begins with a soulful dialogue between a plucked acoustic guitar and a warm legato bass, setting a scene of introspective calm. The guitar's melody, adorned with subtle sound FX, tells a poignant story without words, inviting listeners into a world of reflective tranquillity.

Transitioning into the first verse, the mood remains contemplative yet gains texture. The upright bass, intertwined with an electronic sub, takes the lead, its legato tones painting a soundscape of introspection and subtlety. Here, the guitar shifts to a supporting role, its strings now weaving a background tapestry. This section is coloured by chords that evoke a jazzy feel, their complex harmonies hinting at emotional depths and unspoken narratives.

The bridge emerges as a delicate duet between guitar and piano, their interplay creating a sense of intimacy and shared secrets. This brief interlude builds gently, the chords simplifying yet deepening the emotional resonance. The addition of cello and bass strings, along with legato sax and oboe, lends a classical touch, further enriching the tapestry of sound.

As “Grill that Snapper” progresses, it gradually turns up the heat. The entrance of a straightforward, pulsing 4/4 beat marks a shift to a more vibrant, electronic landscape. Bowed violins add drama over the steady rhythm, their melodies intertwining with heavy piano chords. The juxtaposition of the electronic rhythm with the jazzy downward chord progression creates a dynamic tension, a dance between two worlds.

Reaching its climax, the track becomes an electrifying blend of filtered arpeggios and orchestral drums. The chaos of the arpeggios, set against the backdrop of a rhythmic electronic beat, paints a picture of controlled frenzy, a climax of emotional and musical intensity.

In its final act, “Grill that Snapper” returns to its acoustic origins, revisiting the serene mood of the opening verse. The outro, a mirror of the initial bridge, serves as a contemplative denouement, bringing the listener full circle. It's a conclusion that invites reflection, a moment to absorb the rich journey that has unfolded.

Grill that Snapper

Catching the soul of an old Forest, walking through it.

Home of the Forest

The Detroit underground dark jazz scene brings forth The Dark Messiahs' latest track, "Kid Twist." The melody of the piano weaves its way through the song with its hypnotic ostinato.

Blue Six's trumpet cuts through the atmosphere with a raw, distorted edge, adding an element of gritty allure to the ensemble. Tully Wilson's clarinet dances in and out of the arrangement, casting its spell, while Wilt Flowers' bass provides a steady, heartbeat that anchors the composition.

But it's Sonny Rhodes' piano that truly steals the spotlight, guiding you through the piece. From moments of melancholic reflection to bursts of more frenetic energy backed by Sticks Thompson's masterful drumming, driving the rhythm forward with precision and passion.

With its seamless blend of dark beauty and experimental fervor, "Kid Twist" allows you to close your eyes, and let The Dark Messiahs whisk you away into a world where dark jazz lives.

Kid Twist by The Dark Messiahs. Dark, doom jazz from Detroit.

Lipsticking

Kuzz Tchitchi Noisez - Reminiscing

I'll Be There (feat. Billy Porter)

heat flatters the spill out a bodys vent
sinking the vamps cure and wrench

placid dripping a venal tuck
bleeds the shadows lap
stole a hues flagging suck
warms the tuning light an opal ween
frays the in between

savage dreamers
scathe the rare latch unbridled
bruising a theft rats the callous kink
worn rabid a stale airs
puff and pang hikes golden bare
the flutters clutch and twitch
fast a solitary stitch

https://allpoetry.com/poem/17799758-the-leaving--by-Orakhal

The Leaving

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Hey.  I'm a music producer hobbyist, continually tinkering with sounds, beats, and themes.  Here to explore different styles and techniques and constantly working towards enhancing my process.  Follow me if you wanna see what I get up to.

Letting Go

NeonLasagnaMusic

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