fantastic atmo🌈☕⚒☕⚒✨✊✊✊🔥⭐🔥🍷✌🍷

Your Mix 7

Original Music: Neowakan
2020
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About the track:
The whole concept of this track elaborates the  landing stages of A Human on The PLANET HUMAN (human itself, considered as an unknown planet being discovered). 
The duration of the whole project is 33:33 and is available in 2 separate tracks. (demos available in 4 tracks on soundcloud.com)

Gathering of Silence 03

To equality, democracy, freedom, and hope 💙

A joyful jazzy march to dance the tightrope to 🗽

80-85 bpm

Ordinarily I use original LoFi audio that I have recorded from live subjects, but in this song, I use a single sample in my outro from a campaign video of Vice President Kamala Harris in Philadelphia, PA, October 27, 2024.

DAW: Apple Logic Pro X
MIDI: Akai MPK Professional 
E-instruments:
Concert Grand
Deep Organ
SoCal Ballad Piano
Upright Ballad Bass
Crystals and Voices synth
Rolling Chords synth 
E-percussion used:
Studio Brush Kit 
Warehouse Kit shaker
Classic House Remix Congas

Cover art is a derivative illustration with additions and alterations to the following photos:

Statue of Liberty in the afternoon by Eldar Kamalov in the public domain via Wikimedia Commons
https://commons.wikimedia.org/wiki/File:Statue_of_Liberty_2.JPG

 Didier Pasquette walking a tightrope between the twin statues atop the Liberty Building in downtown Buffalo, New York, as part of the opening of the 2010 Beyond/In Western New York art exhibition, by Dave Pape in the public domain via Wikimedia Commons
https://commons.wikimedia.org/wiki/File:Didier_Pasquette_BIWNY_1.jpg

.

Tightrope

Futureshock

I Want To Believe

I Want To Believe.WAV

Chronus

-Mirror-

One of my earliest influences on Soundcloud was/is an amazing artist known as BoxTox (@user-247600493). I've always loved his really quirky and creative music which is so fun to listen to because of all the subtle details (for example, unusual percussion, and using quite low air flow in his sax, clarinet, and flute playing, and original rhythms and melodies). 

This tune is my tribute to BoxTox, where I tried to bring in instruments and playing style influenced by his music. It was a lot of fun working on this, especially since I got the chance to practice with the really excellent VST brush drum sounds, even if it's a little busy at times! Of course, I couldn't help myself and smooshed in a middle section that's very typically me, whether it fits in or not!   :) 

All instruments are played using my keyboard, except the flute bits which are played live with a real flute.

Instruments:
- upright bass
- electric guitar
- drums & percussion
- alto & tenor sax
- clarinet
- bassoon
- flute
- organ
- violins
- cello

Best with headphones; thanks for stopping by!

image designed and created using Chat GPT 4o and Photoshop.

Box o' Rox

original ... loving you instrumental

Vocals (Composition, Arrangement &amp; Performance): @elpiverse
Two Guitars (Composition, Arrangement &amp; Performance): Counterworlds Voltage
Mix &amp; Mastering: @elpiverse
Production: Counterworlds Voltage &amp; @elpiverse
Artwork: @elpiverse
🪬

Medusa

Cleansing Rain

Sunglasses Needed - Valentino

Sample

Cast of Characters:

J.J. Terrell–@j-j-terrell – piano, organ, composition
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Suhr electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass

This song began one creative Saturday evening several weeks ago with JJ coming up with it on his organ, piano, bass, and drums. He wrote it with the Eclectic Collective in mind and immediately shared it with the rest of us.
  Ken was the first to jump on it, adding his strong, Masonesque drums. Josh excitedly dove in once he had a beat to play off of. Then, it was time for the guitarists in the band to show off their skills. Stephen laid down the psychedelic, textural guitar you hear throughout, as well as the thrilling solo in the middle, starting around 1:25 and ending around 1:50. Tez did his best Dave Gilmour impression, adding rest of the fiery lead solo you hear throughout, as well. 
  Once it was in the can, we needed a mix, of course, and Stephen was kind enough to work his magic on the production.
  This is a perfect example of a JJ seed that took bloom with the EC. We all love working on his songs. We hope you enjoy listening to this as much as we enjoyed creating it

Desert Moon Flower-Eclectic Collective

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three Touch

Speaking Silence

The title is by Jackie Morris from her beautiful book ‘The quiet music of gently falling snow’.
The music is a collaboration between Fernando Morales (although he doesn’t know it yet) the developer of Piano Motifs and myself playing GeoShred.
Piano Motifs plays Korg Module Monastery Choir, Staccato Ensemble * 3, Zeus Choir
and Cantoria Intermezzo.
I play SWAM Viola.
Everything put through Revolv and TB Reverb.
Some things put through FAC Alteza and LRC7.

#354 Song of the Angel Cat

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Aileen Asatouri, Այլին Ասատրեան, آیلین اساتوری aka "Neowakan" (nē,ō-wäh-kähŋ/neo-walk-on) is an Iranian/Armenian Vocal, Songwriter & Composer
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original music/lyrics ©Neowakan
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DM for collaborations

Gathering of Silence 03

Neowakan (Aileen Asatouri)

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