Join us at www.amplifyd.com/neptune-project/ where you can receive our new original productions in mp3 & FLAC quality, access to back-catalogue tracks, merchandise, tickets to shows, meet & greets, limited edition signed lyric sheets and so many other special Neptune Project items!

A combination of our Temple of Artemis with  the Midway Remix of Solarstone's 'Solarcoaster'

Neptune Project Vs Solarstone - Solarcoaster Of Artemis (Neptune Project Mashup)

Neptune Project - A duo consisting of Dan Willis and Jules Moyce are creating their own legacy in trance music with not only their unique vintage production sound, but also due to the global demand of their extended sets. So many fans have been left in sheer amazement after witnessing these marathon performances, which can only be described as 'the ultimate journey' in trance.

With their track 'Aztec' being named by world number 1 DJ, Armin Van Buuren as his favourite production of 2009,  the UK pair have gone on to have releases on all of the major labels including Anjunabeats, Armada, Vandit, Subculture and Future Sound of Egypt. Along the way they have also remixed for the likes of Above & Beyond, Paul Van Dyk, Aly & Fila and produced an incredible modern take on Pink Floyd's music.
 
With their own Mythology label focused solely on their own productions, combined with the innovative platform Amplifyd, Neptune Project are a strong driving force in the world of trance.

For all management & booking enquiries please contact ayesha@neptuneprojectmusic.com

ICH HAB DA MAL NEN BEAT GEKLAUT !"🎼🎵💿🎧🔉

Trance listener. I lyke gud mewzik.
♩♪♬♩♫

Music speaks what cannot be expressed, soothes the mind and gives it rest, heals the heart and makes it whole, flows from heaven to the soul @ Armin Van Buuren I Love You :)

“Art is how we decorate space, music is how we decorate time.”

DJing is my Hobby, trance is my passion. The allure of trance, often unfairly associated with big room EDM, captivated me. When trance is done well, the sounds cast an hypnotic spell.

I discovered my passion for dance music at a low-point in my life. When everything else felt so wrong, losing myself in sound, dancing—often with tears in my eyes—felt right. It was cathartic. It was healing. My journey into DJing began as a pandemic-inspired hobby, serving as my lifeline to electronic music and the rave scene following the shuttering of clubs. 

The DJ as a curator, guardian, and gatekeeper is also a gateway. They have to navigate the vast sea of music to introduce the audience to music that resonates with them and take them on a musical journey; shaping the sonic landscape around them.

Gatekeeping isn’t about stifling diversity, discouraging exploration, or creating unwelcoming environments. Music is art in its purest form; it is a realm for creativity, experimentation, and joy. I try to promote music that prioritizes artistic sincerity over commercial considerations; music that celebrates individuality rather than conforming to fleeting fads and trends, all while maintaining the true ethos of trance to hypnotize and en-trance the listener. Music is always evolving, but the best of it is timeless. 

I make mixes that I want to hear, but I welcome you to join me on this journey through trance. There’s a whole world of music out there waiting to be explored. I hope that my limited skills as a DJ don’t detract from the beauty of the music I share. Trance is not a BPM and I treat my mixes that way, often start deep and work up to 140 BPM or more, usually several hours long to develop a proper journey through sound.

Take care,

Justin