Holidays 2

Work Hard Every Day (Extended Mix)

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Sonic Soul Orchestra feat Mr V  & Mishell Ivon Sueno Latino (teaser)

Free Download

Love Committee - Pass The Buck (Nablijven Extended Edit)

Make It On My Own Feat Richard Farrell & Jasper St Co

Teddy Douglas - Make It On My Own Feat Richard Farrell & Jasper St Co

Groovebom Records is very proud to present the Legendary US Dj and producer Kenny Carpenter with an amazing song entitled One Sensational Flow featuring renowed US recording Artist and Award-Winning Songwriter Gordon Chambers; Kenny’s sublime production alongside Gordon’s exceptional vocals work together perfectly resulting in a tune that is sure to be considered one of this years finest.
Get Your Groovebom On!
Produced by Kenny Carpenter
Songwriters:Tony Lopes, Carlos Sanchez
Arranged & Mixed by Ken Carpenter
Drums by Ken Carpenter
Keyboards By Paolo Sessa
Mastered by Mark Di Meo  
Copyright Control 
2025 Groovebom Records

Kenny Carpente & Gordon Chambers - One Sensational Flow (KC Original Instrumental Mix)

Stogov - I Can Go
Label: @dvrst-y
Release Date: 23.05.2025

Artists: @dmitry_stogov

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Housepedia Music:
https://linktr.ee/housepediamusic

HOUSEPEDIA PREMIERE: Stogov - I Can Go (Original Mix) [DVRST]

Title: When Red Forgot to Burn (Part II from the Color Series)
Lyrics and arrangement by PRF Soundscapes (All rights reserved 2025)
***************

When Red Forgot to Burn drifts in the same strange world as When Blue Was Gone (Part I of  The Color Series) - a world where colors lose their identity.

This time, it's red that fades: the warmth, the passion, the memory of fire.
The track follows a colour that forgets its own purpose… a hue that no longer knows how to burn.

Chill house grooves, soft plucks, echoing vocals, and a pulsating rhythm paint the feeling of a warmth slowly fading away. Melancholy, but soft enough to keep dancing in.

The Color Series continues...aAnd red… tries to remember who or what it was.
****************

The fire grew uncertain
as if it lost its name
The heartbeat once so vibrant
forgot its ancient flame
The sunset dimmed in silence
not knowing how to glow
as if the colour red itself
forgot what it used to know

When red forgot to burn
the warmth slipped from my skin
A fading hue with trembling hands
not knowing where it’s been
When red forgot to burn
the world turned pale and numb
A memory of fire
that couldn’t find its drum
When red forgot to burn 

Red tried to spark a moment
but couldn't place the start
A colour losing everything
that once defined the heart
No pulse of old emotion
no ember left to learn
just fragments of a fire
that struggled to return

When red forgot to burn
the warmth slipped from my skin
A fading hue with trembling hands
not knowing where it’s been
When red forgot to burn
the world turned pale and numb
A memory of fire
that couldn’t find its drum
When red forgot to burn

Bring back the red
before it fades again

When Red  Forgot to Burn  (Chapter II of The Color Series)

Yo, écoute ben, c’te histoire-là va péter,
Les écureuils du Québec roulent fort avec l’piège à sirop d’érable!
Gang à queue touffue du nord, rois des glands sur la scène,
Réserve de noix ben pleine, poil luisant, yeux qui brillent méchant.
Y’ont entendu parler des écureuils Duckweeders, légendes au bord d’l’étang,
Qui mangent des petits radeaux verts, festin de lentilles d’eau dans l’cour.
Escouade Duckweeder, pros du flotté mais poilus aussi,
Couvrent les étangs de vibes, gang qui bouffe vert émeraude.
Une nuit d’gel mordant, les Québec ont chargé l’traîneau,
Traversé la frontière en mode sauvage, sans retard.
« Yo, Duckweeders! On apporte d’la poutine pis du pin! »
Les écureuils Duckweeders répondent : « On a d’la lentille d’eau divine! »
Changement d’beat — boom-bap à hyphy ben énergique
Les Québec sautent des branches, splash près d’l’eau,
Les Duckweeders forment un buffet vert, personne se fait massacrer.
Mouvements d’queue deviennent des twerks, glands pleuvent comme confettis,
Les Duckweeders bouffent fort — party lentille d’eau qui chauffe en tabarnak!
« Passe les frondes fraîches, p’tit frère qui mange du vert! »
DJ écureuil scratch sur l’écorce avec une griffe ben fake.
MCs Duckweeders crachent des bars en grignotant sans arrêt,
« Jeu d’flotté pis bouffe infini, on va jamais lâcher! »
Beat drop — hi-hats trap, 808s qui cognent fort
Party devient folle : écureuils font des backflips sur nénuphars,
Duckweeders forment un mosh pit, vague verte qui rend fou.
Un Québec shot une goutte de rosée, crie « C’est la vie! »
Duckweeders lient queues en chaîne — spree d’écureuils totale!
Gang Québec leur enseigne comment stasher pour l’hiver profond,
Duckweeders leur montrent les raids d’étang — tas d’lentilles d’eau à ramasser.
Y’échangent recettes : bouchées lentille d’eau glacées au sirop,
Vs. frondes farcies aux glands servies tard la nuit.
Beat ralentit — interlude chillwave lo-fi
Lune frappe l’étang, reflet ben surréel,
Écureuils Québec pis Duckweeders partagent un moment vrai.
« Yo, on a des vibes différents, mais la queue reste vraie —
Du haut des arbres à bord d’étang, on fait la fête en gang. »
Beat final — crescendo chaotique glorieux
L’aube arrive, les Québec doivent rentrer au nord,
Duckweeders agitent les pattes : « Revenez, montrez-nous en encore! »
Castor patrouille frontière dit : « Vous autres êtes fous pour ça, »
Mais y les laisse passer — même lui a senti l’bliss.
Écureuils Québec, écureuils Duckweeders liés pour toujours,
Rager inter-écureuils, histoire gravée.
Quand étangs gèlent pis noix manquent,
Souviens-toé d’cette nuit-là où sirop pis vert coulaient.
Une fois pour l’gang d’étang, deux fois pour les queues —
Québec × Duckweeder : la fête qui lâche jamais!
Mic drop. Ondulation d’étang. Splash de gland. Out.

Duckweeders

FREE DOWNLOAD

Too Hot to Stop (Jame Moorfield Edit)[FREE DOWNLOAD]

BUY - https://ZRecords.lnk.to/AreYouReady

Brand new gospel tinged soulful house originally produced in Toronto by live jazz funk act Four 80 East featuring the powerhouse vocals of Ce Ce Peniston.

It has now been remixed by Joey Negro for release on ZR. The Redemption Mix showcases the full song which harks back to the big vocal records that came out of NY and Chicago in the late 80's/early 90s and there’s also the organ heavy Brotherhood Dub to complete the mixes.

DJ Reactions:

Groove Armada - Loving the dub!
The Reflex - Super strong release and an amazing vocal from Ce Ce, the way soulful house should be!
Nightmares On Wax - Wow! vibezzzzz all the way with this one
Dr Packer - Full Support as usual =)
Opolopo - Octave bass done right. ;-)
JKriv - Nice uplifting tune!
Ashley Beedle - I love my vocal mixes but the dub has got me going to church! Killer!
Danny Rampling - Quality soulful production.
Mark Farina - Very nice
Sean McCabe - Big vocal production. Love the Hammond Organ!
Yam Who? - Lord av mercy! This is too much!
David Harness - CeCe and Joey Negro, long overdue combination!!!
Hector Romero - Yes!! Really like this!!
Mousse T - Beautiful vocal with a beautiful track
Reel People - Great track!!

ZR SHOP

Four 80 East & Ce Ce Peniston - Are You Ready? (Joey Negro Redemption Mix)

Naajet Spaciale - Gonna Need A Shooting Star

Naajet Spaciale is a Parisian dj, member of the collective Bande de Filles and expert of cosmic groove and glittery dancefloors!

This track is part of her very first digital release"Ready For Take-Off", with three Disco edits that will burn the dancefloor, pure french sounds.

SC @naajetspaciale
FB https://www.facebook.com/NaajetSpaciale/

HSM PREMIERE | Naajet Spaciale - Gonna Need A Shooting Star

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Teddy Douglas - Make It On My Own Feat Richard Farrell & Jasper St Co

Nervous Inc.