This is Pestilence, this part of the 5times1 explores what happens when pride becomes too strong, when ego starts to infect every part of you like a slow, creeping disease.

5times1

Bandcamp

Sigmafeur

Leo Candreva- Fakir demo ,100 bpm,midtempo🎧

FAKIR

RA.448 DJ Taye

2016 has just begun and Lokane is already dropping some brand new heat! Get ready for "Visions EP"! With five original dance floor must haves and two killer remixes by Scratcha DVA and Tsvi, this EP is set the raise the bar for the Nervous Horizon label.

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Tracklist:
A1 - Lokane - Visions 
A2 - Lokane - Body Double 
A3 - Lokane - Bomba 
B1 -  Lokane - In The Trap
B2 - Lokane - Overproof 
B3 - Lokane - In The Trap (DVA Soule Power Remix) 
DIGITAL BONUS Lokane - Body Double (Tsvi Remix)

(Out 4th of March 2016)

LINKS:
https://soundcloud.com/lokane
https://www.facebook.com/LarryLokane
https://www.facebook.com/Nervoushorizon

NH003 // Lokane - Visions EP

9512-18a

Teep - None In

Shows & tracklist : https://lyl.live/show/explicit-content/

LYL Radio // EXPLICIT CONTENT // 19.11.2019

For this episode,  DJ Morgue (Scream Entertainment/Prince Scream) with AmadouK7 (Schnell Records/Simple Music Experience), for an hour of trap, rap, gangsta beats and more.
@screamprince

Alpha 5.20 - Interlude Dakar Brutalité
Mulatto - ATL Hoe 
Freeze Corleone - Gaucho
Curren$y - Must Admit
Chily - Pernambucano
Gucci Mane - Proud Of You
A$ap Ferg - Shabba ft. A$ap Rocky
Tierra Whack - Unemployed
Niska - Bon Déjà 
Lil Reek - Vette
Luv Resval - ¥10
T-Rock - So Hi
Lady Leshurr - New Freezer 2
Koba LaD - FEFE
Lala &ce - Super Sweet 16
DaBaby - RAW SHIT
Roi Heenok & Freeze Corleone - 38 Special
BbyMutha - Lately ft. Rico Nasty  
Sheck Wes - Sadio Mané  
Cardi B - I Like It (DJ MORGUE RMX)
Koba - Seven Binks

SOUFFRANCE FM #32 / DJ MORGUE & AMADOUK7 (ONLY RAP&TRAP SHIT)

Resurrection Machine

FINAGLED (prod. David Ashley)

Full LP available at https://blankforms.org/publications/

Customer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.

Preferring the stark contrast of analog/digital, acoustic/electric, and natural/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s Sing Me a Song of Songmy, and Muhal Richard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.

A visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.

Exotic Sin: Customer's Copy (excerpts)

Hard Fantasy debut EP on Hi–NRG wowowow!

We are very proud and excited to have them join the label, Hard Fantasy is a super talented producer and we can't wait to see where they go in the future…

Thanks for supporting the label whether you've been here since day or just found us, it means a lot during this time

Ryan / furious styles xxx

www.facebook.com/Hi.NRG111
soundcloud.com/hi_nrg

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released December 18, 2020

4 Tracker–Banger from Hard Fantasy.
soundcloud.com/yungadultxx

Produced by Hard Fantasy.
Additional production on 'Extractor' by Tom Drath.
Mastered by Mor Air.
Artwork by Ryan Huff.

Hard Fantasy – Extractor (Hi–NRG 005)

Record label from London run by
https://soundcloud.com/tsvisions & https://soundcloud.com/wallwork-music

DEMOS: 
nervoushorizon.demos@gmail.com