My debut for UNFOLD. A dream come true. The love I have for this place is unconditional. If you know me then you will know how much this means, the whole reason I'm in London is because of @FOLDLDN ❤️

Thank you for inviting me to play @JAMESNEWMARCH & @VOICEDRONE much love 🙏🏼

UNFOLD LXIII OPENING - FOLD LONDON [29.10.23]

Nesa Azadikhah - Mxtp Takeover On Swiss National Radio SRF 3

A Persian Underground Female Dj .
PERRY Spacializes in EBM/Techno/Electro and Dark Wave And Disco Genres,and it’s Known for her ability to create groovy atmospheres moving through energetic tracks,With punk electronic vibes and driving basslines.

In her work,you can also find menacing synths,sometimes sublimated by dramatic breaks,metal guitar riffs,industrial And Tribal sounds and powerful broken rhythms ,or distored vocals,building an unsettling but beautiful vibe.

Tehran Night #448 PERRY

Dive into dystopia with @umwelt-music mix: raw electro, dark grooves, and cyberpunk vibes. https://secretthirteen.org/stm-209-umwelt/

Secret Thirteen Mix

💀 ᴛʀᴀᴄᴋʟɪꜱᴛ

STM 209 - Umwelt

Born on January 6, 2001, in Bangkok, Mary Sadri is a DJ and electronic music producer. At the age of 8, she left Bangkok for Tehran, her father’s homeland, where she became deeply rooted in the city and its culture. Sunk in Tehran’s music scene, she discovered her love for bold, experimental sounds.
During her teenage years, Mary dug into honing her skills, uncovering new sounds and ideas, and exploring uncommon perspectives to music. By 2019, her genre-blending sets—unpredictable and unapologetically unique—were making waves in the music community.
Mary refuses to be boxed into any one genre. She blends elements of techno, experimental club, experimental jungle, and breaks, believing the best music and performances opens up unforced, guided yet sudden.
“Sounds feel like living entities to me, pulling me into unexplored realms of consciousness, shattering limits, revealing parts of myself long hidden and unearthing parts of me—and it’s eternal, yet I’m not sure if I’m chasing it or if it’s chasing me.”

Tehran Night #471 Mary Sadri

We started our human journey hunting in the wild, venerating the fire that kept us warm & dancing around it to the beat of ancient drums; powerful primal rhythms which led the way of our evolution, capable of transmitting messages that contained information words could never convey.

We evolve but we do not forget.

These cosmic messages, deeply rooted in our system, still resonate in our bodies, pulsing through our veins, carrying information that shapes our daily reality.

They can guide our way if we know how to listen to them.

They determine our universe.

Sorm's debut album is a sonic ritual, a story of determinism — of transformation.
A journey through time and space, a bridge between the past and the infinite possibilities of the future. Ancient rhythms echoing through the void, intertwined with the hum of quantum computers calculating the fabric of reality.
A vast, universal quantum television, where each track is a new channel, a new dimension, shifting unpredictably through deep space.

Welcome to the realms of Ancient Futurism.

Release name: Enter the Void
Artist: Sorm
Catalogue number: [CODXY002]

Mastered by: Journey on Soma
Artwork by: Sorm
Image by: LD Hypno & Journey on Soma 

Sorm - Composed Particles

Makhunik Records is thrilled to announce the release of its highly anticipated first various artists (VA) album, featuring an electrifying fusion of techno and trance tracks from a diverse lineup of some of the world's most innovative and favorite artists.
It’s a reflection of our label’s identity—celebrating diversity, creativity, and boundary-pushing music
this groundbreaking compilation showcases ten meticulously curated tracks that promise to take listeners on a sonic journey across continents and cultures, reflecting the label's commitment to musical diversity and excellence.depths of their consciousness and experience a world of boundless creativity and imagination.

Mastering: Shahin Entezami
Artwork: fjaartaf


PREMIERE: Araam - Nocturne [Makhunik Records]

Jack embarked on his journey in electronic music production and at a young age and quickly delved into the world of DJing. Throughout his career, he has explored a multitude of genres, with a particular focus on the dancefloor.

The foundation of Jack’s music lies in dense textures, modular synthesizers, field recordings and intriguing grooves. His characteristic blend of creative distortion and organic sound design offers unexpected moments in every track.

Experimentation plays a crucial role in his work, as he seamlessly combines various elements and concepts. Throughout his career, Jack has consistently embraced artistic experimentation, allowing him to explore various concepts and methods to establish his own identity and sound as a DJ, producer, and sound designer.

Tehran Night #479 Jack's Trip

Tehran Night #481 Concept389

On June 27, 2025, a long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.

Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).

Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.

In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.

From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

BANDCAMP

Black Sites - UURWERK

Nesa Azadikhah - The Unknowable

Nesa Azadikhah is a DJ and music producer from Tehran (Iran). She is also known for her work as founder and artistic director of Deep House Tehran, a platform dedicated to shining a light on her country’s thriving electronic music community. She has been playing traditional Iranian instruments since she was six and began DJing around a decade later. In the years since, she has established herself as one of Iran’s most in demand DJ / producers, regularly touring across Europe and the SWANA region. Her musical influences span from 90’s techno all the way to ambient and experimental music. As a DJ, she spins techno and house.
More recently, as a co-founder of Apranik Records, she teamed up with AIDA to curate a compilation entitled Woman Life Freedom, a collection of music composed by Iranian women artists, gathered in solidarity with the fight of Iranian women for freedom and justice. She’s also resident DJ at Tes club, Tbilisi (Georgia).

Nesa Azadikhah - The Unknowable

Nesa Azadikhah

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