MGMT -
Super Music Group 
mgmt@supermusicgroup.com

Booking -

BRAD OWEN   
bowen@teamwass.com 
KALLE SMITH [UK + EUROPE] 
kalle@pitchandsmith.com

Nicholas “Pumpkin” Alvarado is your new favorite music producer/DJ. His spot-on song selections, special remixes and original productions have made for unforgettable live sets that seamlessly span every genre and eschew the latest trends in favor of timeless melodies that will leave a ginormous smile plastered across your face.

Whether starting the party or closing it down, Pumpkin’s inspired mixes are always lovingly sequenced and aim to set the perfect mood. He’s played alongside fellow acclaimed house music mainstays like Lee Burridge, Justin Martin, Nick Warren and KCRW’s Jeremy Sole as well as progressive electronic music pioneers like Bluetech, Blockhead, EOTO and The Glitch Mob. Pumpkin has become an in-demand, fan-favorite at major music festivals like Coachella, Lightning in a Bottle and Sea of Dreams, where he closed the event after his musical hero, Trentemoller. Pumpkin’s acclaimed debut EP, “Love Letters,” featured collaborations with singer Katie Mowgli of the breakout band, The Mowglis and lyricist, EVeryman along with his sought after remixes from the likes of Florence + The Machine and Lila Rose.

He’s been part of the esteemed Pocket Underground family since 2006, when after playing in rock bands all his life, he found a new passion in the hypnotic rhythms of deep house music. Pumpkin honed his now signature sound by daring to incorporate the singer-songwriter, punk rock ethos and childhood nostalgia of his past, with the futuristic sounds of the present.

In everything he touches, Pumpkin’s colorful personality shines through and he loves nothing more than to have fun with his audience as his remixes for the likes Peter Gabriel, David Bowie and The Muppets will attest to. But whether you catch Pumpkin playing at a massive festival, packed club, underground warehouse party or a special sunrise set, you’ll never have more fun on a danceloor. Simply put, this is music to fall in love to.

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Independent music site since 2013.

Email: kyle@wearesoundspace.co.uk
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@westend-burner

MGMT: westend@ayita.com
BOOKINGS - Wasserman/ CAA
USA/ROW: lhandelsman@teamwass.com
jmoss@teamwass.com

PROMO: https://www.tstack.app/westend
_

Westend has emerged as one of house music's most promising artists. The New York native's ever-expanding sonic footprint was instrumental in drafting the blueprint for the sound of modern tech house and helped usher in an era that has seen American artists once again push to the forefront of dance music culture.

As a teenager during the blog house era, he fell in love with the sounds of artists like MSTRKRFT, The Bloody Beetroots, and Justice. Compelled to replicate those groundbreaking sounds, he dove head first into production classes at the Bronx High School of Science, the alma mater of famed synth engineer Robert Moog. 

His ability to remain on the leading edge while staying true to the roots of house music has created peak dancefloor moments for ravers across the globe and led to releases on esteemed imprints like Repopulate Mars, Insomniac, Armada, and D4 D4NCE. As one of Beatport's top ten best-selling tech house producers, hit records like 2021's "Jumpin'"—with fellow New Yorker CID—have not only spent weeks dominating the top of the charts, they've landed into the crates of MK, Diplo, Lee Foss, John Summit, and Sonny Fodera. 

Each passing year brings breakthrough moments. In 2022 he collaborated with Latin house kingpin, HUGEL, and Cumbiafrica on "Aguila," which sat in the top ten for staggering eight weeks. In 2023 he collaborated with longtime friend Noizu on the rave-tinged anthem "Push To Start," which quickly rocketed to peak positions on the tech house and overall chart.

And while he continues to climb the charts, he's also been a faithful steward of the producer community leading the Kick and Bass network, where he shares his vast production knowledge with several hundred budding producers. 

Beyond his production prowess, Westend crisscrosses the country, regularly performing at festivals and clubs from EDC and CRSSD to Shambhala and The Brooklyn Mirage. In 2023 he made his first forays onto the international scene with gigs in Liverpool and a coveted slot on Insomniac's kineticFIELD at EDC Mexico.

Westend's creativity is constantly expanding. His plans for the coming year include launching his label in late 2023 and embarking on his first solo headline tour. His remarkable journey from throwing micro-raves for New York high schoolers to headlining festival stages exemplifies how the DIY spirit of dance music continues to permeate the culture.

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Download ⚡️Stream  ⚡️License
 - https://www.jumpsuitrecords.com
 - Download Lossless Files at https://Jumpsuitrecords.Bandcamp.com
 - Demos - https://jumpsuitrecords.com/demos
 - Label Curated by @thepolishambassador

Want to Become a Label DJ? Shoot us an email at jumpsuitrecords@gmail.com

***FOLLOW THE SOUNDCLOUD FOR THE NEW RELEASES***

Gosteffects serves up a witch’s brew of club anthems, dutchy tech house grooves, dubstep sensibilities and big kick drums ready for the floor. His hotly anticipated (his soundcloud preview hit #1 on HYPEM) debut releases ‘Slave To The Sweat’ single + remixes (Feb 2012) and ‘Kick The Bass’ EP (March 2012) on the Gosteffects label Afterlife hit the top 5 on Beatport’s electronic charts and welcomed massive blog buzz. His first single ‘Slave To The Sweat’ is a mesh of electronic percussive elements, unconventional hover synth splicing and mechanized vocals conjuring up visions of sinful bodies packing a hot, sweaty dance floor. ‘STTS’ along with ‘Tear The Club Up’, ‘Kick The Bass’, and ‘Yeah!’ are now regular staples on playlists around the globe from some of the biggest names in electronic music including; Fatboy Slim’s official beatport top 10 beach boutique 2012, Benni Benassi’s EDC & Ibiza essential Cream live mixes, Laidback Luke’s radio and live sets and Steve Aoki’s Sirius FM radio.

‘Sleazy and sexy, just like I like it’ -Fatboy Slim

‘Huge potential in the clubs!’ -Paul Oakenfold 

‘In the world of club anthems…this is massive.’ -Magnetic Mag

‘HUGE! All mixes are madness’ -Guy Garrett, DMC Buzz Charts - #8 Buzz Charts

‘New York producer with a penchant for chugging bass-lines and Diplo-esque party bangers’ -Mixmag

‘Perfect for those nights where you’re deep in Vacay debauchery and all that you remember is that the music was pumping.’ -Vacayvitamins.com

Tracks dropped by:
Benny Benassi 
Steve Aoki
Robbie Rivera
Laidback Luke
Diplo
Chuckie
Fatboy Slim
Tommie Sunshine
Anna Lunoe

<a href='http://gigs.gigatools.com/u/brokentoy' target='_new'>Broken Toy's Upcoming Gigs </a>Saturday 05 July, 2014 <a href='http://gigs.gigatools.com/u/brokentoy' target='_new'>tbc, tbc, France</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> 
Broken Toy is James Copeland from Cape Town, South Africa. 

His unique take on producing fullon psytrance with a twisted and quirky edge has earned him his position as one of the most low, down and dirty dancefloor manipulators in the scene today. Combining a forward thinking attitude with respect to the oldschool, you can expect a hard-hitting yet groovy dancefloor experience mixing elements of funk, indie-electro, and rocking psytrance.

ITs hard to imagine, but 2013 already marks 10 years of Broken Toy! Having started his career back in 2001 as a member of the project “Damage”, he was one of the pioneers of the South African psytrance scene alongside such artists as Rinkadink, Protoculture, and Shift. Soon after, he started the Broken Toy solo project and joined Uk based Alchemy records back in 2003.

Since then he has released over 70 tracks on various labels such as Nano, Spun, Timecode, Solar tech, etc and 2 full length albums on Alchemy records - his self-titled debut album and 2007`s “The low, down, dirty sound of…”

He has toured to over 20 countries and has played at major festivals all over the world such as Boom festival in Portugal, Glade festival in the UK, Full Moon festival in Germany, SOnica in Italy, Universo Parallelo in Brazil as well as all the major parties in South Africa such as Origin, Rezonance, Vortex, H20, Alien Safari, etc. 

2010 saw him branching out in 2 new directions - going back to his roots as a metal guitarist and bass player with his tongue-in-cheek psy-rock project “Super evil” and also with an electro breaks project called “Nesono”. More recently in 2011, he`s taken things down a notch and made some Swing/gypsy-jazz flavoured tech house in his new self titled project, James Copeland.

With so many creative outlets, an uncluttered and refined vision of Broken Toy has emerged in 2013, set to ignite dancefloors across the world once more. Look out for a new album as well as the Broken Toy 10 year anniversary VA featuring remixes by all his friends across the globe out soon! 

Stay tuned and enjoy!

Nessa Ri is following