HINDSIGHT - (JunkHeap (c) Refixed Apr 2023 / (c) Aug 02, 2003)

Things could have been so different, 
if they could have been done again. 
Countless times we see the chance, 
and let them go, they wont come again 

He remembered the glory and strength of his youth, 
wasted his older years yearning for its return. 
Never realized that wisdom is more than a fair trade; 
Beauty in ones' own introspection.

Things could have been so different, 
if they could have been done again. 
Countless times we see the chance, 
and let them go, they wont come again 

They never will...

Hindsight

ambient, dance, シーケンサーと手弾き即興のミックスです, aum, xynthsizer, animoogz, korgmodule, modelcycles, nanokeystudio, 外の大雨を感じて作りたくなったトラック

DANCING IN THE RAIN

when you fvck over the wrong person, ya better watch ya self closely
That's what this track is about.

Don't Go

Synth impro from the night - I just wanted to make a quick and easy piece and its nostalgic vibe reminded of Tokyo, which I was lucky to visit 5 years ago.

Night

I engineered and produced this track by @BogWitch here in our home studio.

Last Delicious Bite

Based on the version/performance of good ol’ Riley Puckett

Moonlight, Shadow and You - Riley Puckett - Cover

Title/Forest & Me
Vocals, song & lyrics/Khan
Beat, mix & prod/jigs trippin

Jigs trippin url
https://soundcloud.com/jigstrippin

Lyric
Forest and Me

When the wind lies in the west
Then it’s at the very best
When the wind lies in the east
The neither good for man nor beast

I’m always exhausted there
I go to the forest alone every day
Many monsters live in the forest
I’m always exhausted there

You should take a candle 
When you go to the forest
Keep your eyes on the candle,Monsters lose power

And Monsters lose power
Repeat 
over and over




風が西寄りに吹いてる時は誰にとっても万歳だ
風が東寄りに吹いてる時は人にも獣にもいいことない
いつもそこで私は疲れ切ってしまう
私は毎日一人で森へ行く
そこには無数の魔物が住んでいる
いつもそこで私は疲れ切ってしまう
森へ行くならキャンドルを持ちなさい
キャンドルに集中するなら魔物は力を失う
魔物は力を失う
繰り返して
何度も何度も

Forest & Me(jigs trippin. Prod）

Lyrics:

You’re getting sleepy.  Sleepier than a three toed sloth on qualludes.

Drink the tears of God as his arms wrap around the entire universe.
Caressing the sacrum that connects the main interstellar passageways.
Ones that appear to us to be nothing more than open space.
Crude images, distorted and pixelated, showing nothing more than the celestial bodies which create or reflect light.  All that does not remains unseen.

Fuddie-Duddies and Fugget Nuggets prattle on about useless platitudes and insipit gobbledygook.  Prigs and fussbudgets.  Hobnobbers and Hoo-didlies.  Fachuchies and fachachies.  Geese and fish.

Troglodyte fetuses perfumed in an iodine solution inside the inoculation chamber.
Hypothesized to create a super hominid race capable of dismembering a human arm at the rate of 9000 foot pounds per second per second per second

Deadly infectious virus spreading and suffocating
Disproportionately affecting poorer areas
Lungs
Bleeding

The Fish And Goose Soirée (Jack's Dream)

Music: Composed, written, mixed, mastered, and performed by: Noizy

Vocals/Lyrics: Written and performed by: The Mysterious Decibel

Lyrics:

The yellow on these walls are only getting more vivid
The stench of piss and squid that cuts the air like new Madrid
I'm flying in on that Mary Poppins shit
Throwing salt up in the wounds like Mr. Clean without a slip in the slit
I'm riding in on that grade A frizzle shit
Animated with the magic on this bus I sit
But every seat is just a blur of what will occur
I'm Cuckoo for the coco Sonny losing all his fur 

Sitting down on that stoop kid won't leave shit
Two feet one place no face I'm here to conceive it
Umbilical cords slop on down to the floor
And birth the only things that I was put here for
I'm playing jump rope
I'm leap frogging
Go get the Zzzquil
And stop the clogging
All of these embryonic spawns I stay aborting
But they keep on keep on popping out and distorting

I'm playing fiddles with Big mama succubus
She's got all those riddles that'll pull you down in the abyss
Playing fiddles with Big mama succubus
She's got all those riddles that'll pull you down to the abyss

neuropathy or am I just brainless?
Is it addiction or an inflamed meatus?
frolicking through distractions with just a fetus
A fetus deformed and left with such a thesis
It screams from the soreness and the abandonment
The one  that didn't make the blueprint
The breath didn't take the mint
Now just dead eyes that evolved from the Squint

I'm playing fiddles with Big mama succubus
She's got all those riddles that'll pull you down in the abyss
Playing fiddles with Big mama succubus
She's got all those riddles that'll pull you down to the abyss

I'm playing fiddles with Big mama succubus
She's got all those riddles that'll pull you down in the abyss
Playing fiddles with Big mama succubus
She's got all those riddles that'll pull you down to the abyss

Big mama succubus
Swirls of defeat and Emptiness
Big mama succubus
Cheeks on your chest with a soul's kiss

Noizy x The Mysterious Decibel - Big Mama Succubus (FREE DOWNLOAD)

Cast of characters:
Mysterious Decibel--@themysteriousdecibel -MD—lyrics and vocals
TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production
J.J. Terrell–@j-j-terrell– piano, keyboards, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion, minor backup vocals
Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar
This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 
  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 
  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 
  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar

It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night (The Eclectic Collective)

In Kenneth Grahame's classic children's novel 'The Wind in the Willows', a group of field mice sing a carol to Mole and Rat. The singing cheers Mole and Rat, who provide a feast for the young field mice. The words of the carol were set to music by Michael Head and are sung here by Ruth Carlyle. The illustration is by Nicholas Carlyle.


Villagers all, this frosty tide,
    Let your doors swing open wide,
    Though wind may follow, and snow beside,
    Yet draw us in by your fire to bide;
              Joy shall be yours in the morning!

    Here we stand in the cold and the sleet,
    Blowing fingers and stamping feet,
    Come from far away you to greet—
    You by the fire and we in the street—
              Bidding you joy in the morning!

    For ere one half of the night was gone,
    Sudden a star has led us on,
    Raining bliss and benison—
    Bliss to-morrow and more anon,
              Joy for every morning!

    Goodman Joseph toiled through the snow—
    Saw the star o'er a stable low;
    Mary she might not further go—
    Welcome thatch, and litter below!
              Joy was hers in the morning!

    And then they heard the angels tell
    'Who were the first to cry NOWELL?
    Animals all, as it befell,
    In the stable where they did dwell!
              Joy shall be theirs in the morning!'

The Carol of the Field Mice - Kenneth Grahame and Michael Head

Part of the Netta&McGill duo.
@nettamcgill

Keeping it raw and simple.

“There is so much noise around us, and if you don’t take time and listen, you might miss out on greatness - or the tiny little thing that made a difference.”


~All images are owned/taken by me

If you smile a little during listening, mission completed.

Moonlight, Shadow and You - Riley Puckett - Cover

NettaMoon