winter 2025

DistroKid Wheel of Playlist

Related tracks: Thought I Was Dreaming

Monday Playlist week of 3/17/2025

Related tracks: The Phantom (Remix)

Related tracks: You

Related tracks: Killing the Uk

Related tracks: Song with a mysterious message

Related tracks: Bloody Tayo Majo Day

And now for something completely different, Nat & I finally dare to delve into some areas we have always loved but didn’t jump into along the way. Classic folk and country seems at our roots and hard to deny as we’ve created our own sound with Daniels & Durgy. But As we yearn to express our vast musical interests we endeavored to find some way to create something that brought our diverse influences into being. So we took one of my simple folksy concepts and Nat’s production talents for building an infectious mid-eastern dancehall tapestry. We crafted something that paints the dreamy fantasy of a hot afternoon, taking the dreamer away to far off sandscapes and soaring sounds. This was a blast to create and opens a door we’ll not let close. We hope you will also enjoy it, come fly with us...
Written, Performed and Produced by: Nat Daniels & Craig Durgy
Nat Daniels: keyboards, vocals and production
Craig Durgy: acoustic guitar and vocals
Copyright 2022 Daniels & Durgy * Gentle Rain Records
Lyrics:

Sunshine, my idling mind
Where no one goes
Winds warm, images form, as
My eyelids close

The blazing sands scatter wide
As I can see
Come fly with me

I glide, this carpet I ride
The desert calls
The drone, of drums softly moan
From ancient walls

These wings, these magical strings
Lead sand to sea
And rescue me....come go with me

Idling Mind

Operation Rescript

Valhalla

Flashing Pan

phosphorescence

Welcome to the Maze!
This album is based on "Mind Labyrinth" that is an analogy for life.
It is a path of meaning to be experienced.
The path is circular and convoluted, but it has no dead ends.
We will be back, Stay tuned...

"What man does not know, or has not thought of wanders in the night through the Labyrinth of the mind."
-John Wolfgang von Goethe

Mind Labyrinth

Nihilist

I think of this man as the Frank Sinatra of country music.  What
a voice and such a special gift.  So many wonderful songs and so many were so beautifully orchestrated.  I tried to get a bit of orchestra feel with the limited resources I have.

I Wish I Were Eighteen Again ( Cover  - Ray Price)

Song with a mysterious message

Good Old Days

LUMINA

Yesterday’s you is close by

Yesterday`s You Is Close By - Black Quartz

Live Reflexion#013

We all got them, some just can’t be seen……………cheers for having a listen


A constant reminder
A memory from afar
Now etched in time
My permanent scars

There’s another side to me
That you don’t really know
But if you look real hard
There’s a story to be told

And if it’s not what you wanna see
You can look away
They’re always gonna be there
My scars are here to stay

They been years in the making
Star of their own show
I can’t ask them to leave
Like me they got nowhere to go

A constant reminder
A memory from afar
Now etched in time
My permanent scars

My Scars

5_Tribute to Jarre (Arpeggiator) - 1st release on MMJ 31 May 2020 (re-released on SoundCloud 25 October 2024)

My very first long track in my "music career"!😉

In tribute to 3 absolute favorites of mine: J.M.Jarre anyway, his "Arpeggiator" & the technique itself. #chillout #trance #synth #electronic

(produced with Music Maker JAM)

Tribute to Jarre (Arpeggiator)

Lullaby orchestral (berceuse)(original soundtrack of "ALLO")

https://youtu.be/8hqMIkKlvhs?si=uvzN011zp1jwq-n8

L.P.E

Happy End

Happy End (Original M!X)[Clip Vidéo YOUTUBE]

Watch the movie here! :)
https://www.youtube.com/watch?v=RML8gUlDyGw

Having grown up with the songs of Stevie Wonder, Marvin Gaye and other soul greats, and more recently been impressed by the songwriting of artists like Tom Misch and Mac Ayers, I’ve wanted for a while to add an R&B feel to a some of my tracks. 
I’ve tried a few times over the years, and found that blending a strong groove with my usual acoustic, singer-songwriter type stuff didn’t really work. 
I still wanted the songs to sound like my songs :)
This is the first time I’ve finished a track, in that style, that I’m confident enough to put out there. 
Hope you like it :)
Richard

Lyrics:
Needed time to think it over
Get my head straight
Diving overboard           
Maybe Its too late                                                
Make same mistakes 
Its time to move on
But something else is pulling me 
To this old town
 
Its You
I’ve got a feeling that’s its 
You
You’ve got me, I’ve got you 
Its True
End of the journey found us
Somewhere out there
In this underworld 
of two

Someone told me once
To love is to feel free 
Coming home is back to reality
You said it all
The first time
Catching up on feelings 
Harder to define

Its You
I’ve got a feeling that’s its 
You
You’ve got me, I’ve got you 
Its True
End of the journey found us
Somewhere out there
In this underworld 
of two
  
So many years
I tried for it to make sense
Saw our love 
But only in the past tense
Years are slipping
Losing all our nine lives 
Only one thing to decide
  
Its You
I’ve got a feeling that’s its 
You
You’ve got me, I’ve got you 
Its True
End of the journey found us
Somewhere out there
In this old underworld 
of two

Its You
I’ve got a feeling that’s its 
You
You’ve got me, I’ve got you 
Its True
End of the story found us
Right here, right now
In this underworld 
of two

I’m a ladybug in your dirty garden
And I fly around every morning
To every corner
Flapping my wings and I get them all wet
With the summer rain falling from the turquoise sky
And no, we don’t care for the Turkish guy
Or the Kurdish guy, or the Swedish or whatever
You woke bitches never finish a thought
This whole shit is like a Finnish art movie
About a British cunt who be really down with the left
You motherfuckers wanna copy identities
Why the fuck you asking us to be down with the theft?
Fuck the left and everyone in it
A new genocide starts every five minutes
A new generation born with advanced trauma
And that’s that democracy you’re yapping on and on about

How many more massacres do you have to fund?
How many more fake pride laps do you have to run?
Do you have to, like, post a story too?
Maybe even go and protest
Oh it’s too gorgeous of you
You’re just a true force for goodness
Doing all the things you’re supposed to just do
The soldier of truth
The wokest hocus pocus joker, shit
Ain’t no limit, you can be anything
A man, a woman, or something in between
Or out of it, whatever you feel is genuine
You can be a motherfucking penguin
You can fix the world
All it takes is to keep progressing 
‘Til we all get you live the dream
In the fields, where the cotton’s digital
And everyone’s in, no color limits y’all

Ladybug

Based on a collaboration of Indii Wild Moon and Nathaniel Ehrnman found here:
 
https://soundcloud.com/nathaniel-ehrnman/blue-september

Blue September

Composition and Sampling collage by Synline.
Photo by Muntaha Nega

Thanks God

There are many versions and different traditions of the story of the Magi and about their journey. And about their origin. Pictured on the cover is a drawing found in the 'Catalan Atlas,' a map of the world dated to the late 14th century. Pictured here are the three kings. The caption reads: “This province is called Tarshish, from which came the Three Wise Kings, and they came to Bethlehem in Judaea with their gifts and worshipped Jesus Christ, and they are entombed in the city of Cologne two days journey from Bruges.”
But where was the city (or the country) called Tarshish (Tarsis, Tharsis), whose king was already mentioned in Psalm 72?
No one, exactly, knows.

----

I recorded the guitar part in 2018, when bought a Guild (my Washburn had become mute ...), so the track has a lot of noise and imperfections. Then there were several attempts to organize the piece and arrange it. This could be the last one. It came rather long and slow. But long and slow was also that improbable (and hardly true) journey - perhaps one could imagine it by closing the eyes and listening to the music.

----

Composed by Michele Ansani (2018-2024).
Bansuri is courtesy of Aaroh; female vocals of Function Loops.
posted on SoundCloud: 2024, December 31

Traveling from Tarshish to Bethlehem * 🎧

The second track from my Echoes From The Wastelands EP!
And the first track to feature sounds from my new synth, the Arturia Microfreak!

Guitars used:
Gibson Les Paul Studio 
Yamaha Revstar 
Fender Precision Bass 

Novation Launchkey 49 MK3 midi keyboard 

Plugins used:
Tonex - Mesa Boogie Reference Signature Collection
Neural DSP Mesa Boogie MKiiC+ suite
Line 6 Helix Native
Arturia Analog Lab V
Spitfire Audio - BBC Symphony Orchestra 
Spitfire Audio - Labs Cassette Synth
Drums - EZ Drummer 3 - Dark Industrial 

Cover photo generated by A.I. 

Bandits

Just a song I dig!! Couldn’t ever do it justice, but I tried! Happy 2025 to all!!!🙏🙏🙏… and yes, aware that the first line says @ did, on original😎

Rock On- David Essex Cover

Lyrics:-
There's a gentle breeze
Blowing around me
I can feel it in
The things that people say today

Increasing every week
In the things I see
In the folks who start
Questioning reality

We are in
The calm before the storm
Here come the winds of change
To Take over everything

winkandwoo 2025

The Calm Before The Storm

Falling down

You lead a merry dance
Spin me round and round
'Til we all fall down
Falling down

And when I try to follow
I'm always falling down
My feet can't match the music
I feel like I'm a clown

Sometimes I catch your rhythm
I feel on solid ground
Then we all fall down
Falling down

You march to a different drummer
You hear a different sound
So we all fall down
Falling down

And when I try to follow
I'm always falling down
My feet can't match the music
I feel like I'm a clown

Out of Step

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

Do you see something falling from the sky?
Be afraid
Maybe you have lost your mind!

All the crap you filled into your brain
It may explode
And you will end up insane!

Do you hear bells and screaming in your ears?
Be afraid
It's something that shouldn't be there!

All the crap you filled into your brain
It may explode
And you will end up insane!

Do you see scary monsters in the dark?
Be afraid
Now it is going to far!

All the crap  you filled into your brain
It may explode
And you will end up insane!

Do you find yourself crawling on the floor?
Be afraid
Your brain couldn't take anymore!

All the crap you filled into your brain
It has exploded
And you have gone insane!

Insane

Well hello my Team. World. 1st track of 2025 now.
11 of the album in no particular order dropped.
Dark gritty infectious vibes. At 114 Bpm.
Next track on the way. Hope You well.
Appreciate you listening, supporting.
As ALWAYS!! Holler to Collab.
Uploaded on 28/01/2025....

Killing the Uk

picture 2025

Dedicated to my  Friend Carl of The Beautiful Dark here on soundcloud. We were discussing old tracks and he said he has a man drawer full of old demos. I found this one the other day..   I did manage to tweak it in garageband.

 life is good

Lyrics
copyright Bill Liggett 19..long time ago.. back when I was in a good mood..

come monday morning I’m on vacation
and if I don’t return your call
I left my phone in the kitchen
leave a message with you bitchin and complain
all day long

but rest assured now.. I’m feeling guilty
and it is with a heavy heart
that I recline with my ray bans
freeing up my hands to raise my glass
heres to you

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

I must remember to send a postcard
oh how I wish that you were here
but now its time for my nap
and I forgot to give a crap about obligations
and pressing affairs

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

On Vacation

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

'Ruglen's Wee Roon Lums' Inspired by the Glasgow tongue twister "Ruglen's Wee Roon Lums Reek Briskly". translation "there is a lot of smoke from the tenement chimneys in Rutherglen".  

Sleeping Warriors

Ruglens Wee Roon Lums

Ruglen's Wee Roon Lums

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

Music/Vocals by NettaMoon & Netta&McGill - words written by a dear friend.
Available on most music streaming platforms.
-
«Vårsang» means Song of Spring

Vårsang

Piano drops

GOODBYE OLD WORLD
WHEN THE TIMES THERE WERE A CHANGIN’
BUT THE SHIP SHE NEVER CAME IN  

BAD NEWS BLOWING IN THE WIND
SWEET LORD WHERE HAVE YOU BEEN

WHAT CAN I DO?
WHERE CAN I GO?
BAM BAM BAM BAM 

GOO DAY NEW WORLD
SUNSHINE TURNING GREEN
SUNK THE YELLOW SUBMARINE

CASTLES OF SAND A’ CRUMBLING
BANG BANG SISTER MORPHINE

WHAT CAN WE DO?
WHERE CAN WE  GO?
BAM BAM BAM BAM

WHAT CAN WE DO?

SHOW MUST GO ON

WHAT CAN I DO?

L'homme éteint

This song was written after watching a TV series called The way home. 
It is about Using the gateway of a magical pond to time travel back to your family's  history.
TIME TRAVELER " The way home " by Glenny G's one man band. ( Original 2025)
LYRICS
I'm standing in the river fifty feet away from shore
That pond is growing deeper , I'm so far away from home
I need to know  ( Time Traveler ) Where that water goes ( Time Traveler)
Time travels on beyond my home
My family is waiting in another place in time
I visit all their moments growing up they left behind
I need to know " On my way home "
Where that river flows " Where does it go "
So far away to find my way home
Solo (Guitar)
We are the children that are yet to be raised x 3
We are the children
I need to know ( Time traveler ) Where that water goes ( Time traveler)
Time travels on beyond my way home
Time Traveler  ( On my way home )
Time Traveler ( On my way home )
Time traveler ( I'm on my way home )

Time Traveler  "The Way Home" (original with lyrics)

This is a bit of a change from my last happy song , it's a tad sobering ! It's not an anti war song by any means , I know they do have to happen from time to time to when tyrants are involved , sometimes we have no choice and have to rid the world of a monster . But it's always a sad state of affairs and this song reflects that , I do hope you like it though ! On a happier note , me and Kim have a cracking song out on the 21st , and after that are two belting songs , one a tongue in cheek rocker with Axel Menningen , and a huge song with Gaz Brownie . Thanking all you guys and gals for the continued support . Remember me and Charlotte have an album out , give it a whirl if you get chance !
https://www.youtube.com/playlist?list=OLAK5uy_nWWNcrIRv08J_eEbL7MJ_1UTdMo0MjJLM
https://open.spotify.com/album/78ewrWZjS41XvHT9mFWd6O?si=yDMcRADSSrOdWlanz6UPMw

The Weight of War

Original composition by Neno J.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100.

New Flamenco Improvisation III (For two guitar)

Cast of characters:

TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earl Scruggs banjo, Eastwood MandoCaster, mix, mastering, production, and composition

J.J. Terrell-- @j-j-terrell—JJ-- organ

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 

Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpani, hambone percussion, and production editing  
   
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 

  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. Finally, Mark added the hambone percussion at the end of the song, too, which we all consider a treat.

Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 

  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.

  This is a gift from Stephen to all of us, and you, too. It to
ok a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham - (Eclectic Collective)

Come on in My Kitchen
Written by Robert Johnson
Arranged and Performed by Josh McAlexander

Come on in My Kitchen

Just a Girl Coping With Life's Challenges...
Lyric Video :
https://youtu.be/3uzyoFHTPyw?si=WN1YXvtgQS--3ikw

UNSTILL WATERS

000000 You're What For, Prod By Make ENG

Part of the Netta&McGill duo.
@nettamcgill

Keeping it raw and simple.

“There is so much noise around us, and if you don’t take time and listen, you might miss out on greatness - or the tiny little thing that made a difference.”


~All images are owned/taken by me

If you smile a little during listening, mission completed.