READ > https://inverted-audio.com/premiere-dj_2button-transient-communications

Dummy Hands first release comes from former @noodsradio resident dj_2button (@darktides). Now based in Vancouver, ‘Transient Communications’ is the artist’s vinyl debut and a fine collection of low light scuzz and paranoid grooves.

Transient Communications

dj_2button - Transient Communications [Dummy Hand]

Digital Tsunami podcast series has now reached a second centenary of episodes. And we’re thrilled to have Mayo, a trailblazing producer and inspiring selector from Amsterdam, for this occasion. One could state that her style is rooted in gritty strains of EBM and techno, but you can hear a great influence of punk, acid, and other genres that reflects a punk attitude. The power of accentuated and multi-layered character is felt across her releases – on United Identities, Fides Records, Marguerite Records and Brokntoys labels, to name a few – either it is a downtempo chugger or electro stomper. Mayo’s DT200 mix is an example of entrancing storytelling speaking to different influences, leading you from a slow prelude to a sweaty ending.

Full interview, tracklist and more info at home: https://digital-tsunami.org/music/dt/200-mayo

Digital Tsunami 200

Interview

Digital Tsunami 200 - Mayo

Releases May 26th 2023 https://12thisle.bandcamp.com/album/2015-2020

ISLE015 - Material Things: 2015-2020 [Masters Mp3]

Material Things - Grenoble (ft. Vague Imaginaires) (ISLE015)

Hailing from Saint Brieuc, France, Estuary Tapes kicks off its story by bringing to life a bold eleven-track compilation. On board: Tabensi, Théo Muller, and Transe Ar Gwez, the guides of the journey, plus Los Pashminas, A-Tweed (SXDNS222), Oltrefuturo, Kendu Bari, Shjva, XCI, Isabel Del Bosco, and Orphic – a true constellation of young and talented producers from various corners of this unfair and doomed little planet of ours who spared no efforts to bring the best of their games for the compilation.

From dusk till dawn, from darkness to light, the release encompasses many a genre and aims nothing but to please the fans of high-quality underground electronic music out there.

Premiered here, the stunning closing theme of the VA comes from the mastermind of the creative Portuguese virtuoso XCI. Named after the Greek god of fire, who is best known for defying his Olympian counterparts by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally civilization, “Prometheus” comes packed with a magnificent cosmic and starry aura, as if its mesmerising synth layers were paying a tribute to the beautiful sky of Athens in 3000 BCE.

You can find (and buy) this and other music pearls on the Bandcamp page of the label: https://estuarytapes.bandcamp.com/

Follow @x-c-i and @estuary-tapes, peeps!

PREMIERE544 // XCI - Prometheus

Tagliabue is an Italian sound engineer, electronic musician and DJ based in Milan, Italy. His meticulous musical research reflects an eclectic style characterized by an Italian attitude which is the expression of the love for his land and its traditions.
Blending elements of ambient, progressive and trance sound through the use of experimental and contemporary electronic techniques, he blurs the boundaries of genres, offering refined, evocative and always different emotions without ever abandoning his own music identity. It can be heard in his recordings at Salon des Amateurs, Planeta Za, Yaga Gathering, Klub 20/44 and in his releases for Dubblack, Sound Metaphors, Invisible Inc., Elephant Gait Music and Lustpoderosa. In 2020 he founded Blue Sea Studio at the gates of Milan, his home for the production and sound design of contemporary music and original soundtracks.



https://soundcloud.com/josephtagliabue
https://josephtagliabue.it
https://josephtagliabue.bandcamp.com
https://instagram.com/josephtagliabue
https://facebook.com/tagliabuemusic

| EPISODE 190 | Tagliabue

Pieter is founder and co-owner of legendary Berlin's club/bar O Tannenbaum and musician since the late 80's. AS DJ, he narrates haunting sonic stories playing a vast palette of styles - from cosmic and leftfield techno to tape experiments, sound-art, wave, world, jazz, punk, industrial, and all that weird pop music. Here is his hour of Hidden very hidden Sounds.

suoni n.9_ Pieter Kock

After more than 6 years of silence, Abschaum is finally back with a new album, and it was about time because this new opus is sublime!! 
‘Shamanic’ Chris (Abschaum’s mastermind), made alone this magnificent piece of Folk, Ambient, Kraut music, that he carefully recorded in the mountains of Jura, experimenting with his guitar and a little electronic set-up, composing beautiful melodies and singing French lyrics with powerful voice to bring us to another level of harmonies, the all merged with special atmospheres that are not without remembering Eno or Froese sometimes. In our opinion, this record could easily been recognise as a timeless masterpiece in the future.

Artwork : Chris & Sacha - Mastering : Rude 66 - Distribution : Bigwax/Rubadub - 500 copies 

TRACKLIST :
A1. Jin 3 :24
A2. Tromper le temps 5:22
A3. Squatter l’araignée 3:25
A4. Luis Gil (Long Song For Selva) 3:32
B1. Assis dans l’herbe 12:27
B2. Quand viennent les serpents 4:38

Quand viennnent les serpents

MMLPXX808 - Abschaum "Quand Viennent Les Serpents" [PREVIEWS] (Apr. 2024)

Artist: https://soundcloud.com/miaux
Track: The Old Pavilion Near The Lake
Label: https://soundcloud.com/viernulvierrecords
Format: 12" Vinyl, Digital LP
Release date: 03/05/24
YouTube: https://youtu.be/HU6I1c3pARQ

https://www.instagram.com/miaux
https://www.instagram.com/viernulvier.gent

Miaux presents new LP ‘NEVER COMING BACK’ on VIERNULVIER Records.
The Belgian composer’s upcoming LP is inspired by the new film score she wrote for 60's cult film ‘CARNIVAL OF SOULS’.
Antwerp-based composer and synth virtuoso Miaux presents her new album, 'Never Coming Back’ on VIERNULVIER Records. The record is rooted in the recent film score she composed for the surreal and haunted cult movie 'Carnival of Souls' (1962).
Directed by American filmmaker Herk Harvey, this enigmatic ghost film influenced contemporary directors like David Lynch, George A. Romero, and Lucrecia Martel.
Miaux meticulously crafted the score in her home studio, relying solely on her two hands and a single synthesizer during the spring and summer of 2022. The inaugural performance of this renewed score with film, unfolded at Videodroom / Film Fest Gent 2022 in Ghent, Belgium. The compositions were subsequently unraveled, rewritten into full-fledged songs, and assembled into a new record entitled 'Never coming back ’, bearing Miaux’s unmistakable signature. The album is scheduled for release on May 3 and will be available on vinyl LP and all digital platforms.
Miaux will perform the album live at Roadburn Festival (NL), offering a pure interpretation of the new songs. Additionally, there are shows planned at STUK (Leuven) and Palmarium (Ghent), where she will perform the film score alongside the film.

PREMIERE | Miaux - The Old Pavilion Near The Lake [VIERNULVIER] 2024

brutalism in music

@aufgangb
@detlefnet

available via www.discus-throwers.com/shop/

release date: december

Demo 1 (Tolouse Low Trax Remix)

LOCAL VERS

moon halo pad transposed

brutalism in music

@heapvienna
@bocksrucker

distributed by @rush-hour-store
artworks by planetluke.com

Demo 1 (Tolouse Low Trax Remix)

NEUBAU