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After one hour of improvising drones, loops, saxophone & guitar with my friends this little piece appeared suddenly.

Stream full digital Release at https://friedernagel.bandcamp.com

SON "Colo"

This track is from the album Carpe Lumen and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/bossenbroek3

Rest

Dujour's rabbit

At the heart of this music lies the steel pan — an instrument born in Republic of Trinidad and Tobago in the early 20th century.

During the colonial era, African drumming was banned under British rule, out of fear that rhythms could unify enslaved and marginalized communities. Yet, music could not be silenced.

People turned to bamboo sticks, metal containers, and eventually oil drums, transforming restrictions into invention.
From this resilience emerged the steel pan, the first acoustic instrument created in the 20th century.

The word Creole itself speaks of mixture and convergence: in Republic of Trinidad and Tobago it refers to Creole languages shaped by African, European, and Indigenous influences, and more broadly it names cultures formed where worlds collide.

Reflecting this spirit, Creole weaves the luminous timbre of the steel pan with tribal rhythmic currents, embodying hybridity, memory, and the unbroken force of music.


all instruments, program, artwork
produce and mastered by Setsuya KUROTAKI

releases September 9, 2025

All tracks are copyright protected. All rights reserved.
℗ / © 2025 MNTN rec. under exclusive license to NOiR Inc.

bandcamp

Creole

John Kameel Farah - Time Sketches 
Via Neue Meister 
https://nm.lnk.to/TimeSketchesFA

Time Sketches

John Kameel Farah - Behold! (Time Sketches)

This EP was recorded around a documentary film "Papa Hédi", that looks at the life and legacy of celebrated Tunisian musician Hédi Jouini. 
We started writing the score in the summer of 2011 as specific cues for the film and using short samples from Hédi's music. 
In the autumn we decided to develop the cues to make full tracks and the results are on this record. 

Hédi

Moss

Two By Four is Piano Interrupted first full length record, compiling the work of three years of collaboration between laptop / electronician Franz Kirmann and pianist and composer Tom Hodge. 


Étude

As some of my favourite modern classical and solo piano composers have evolved and moved on to developing themselves and discovering new challenges in work for film and orchestral production, I’ve felt an earnest void in the space they left behind. I’ve even noticed the pattern in my very own music, always trying to embellish, enrich, strip down, or advance. But what about a simple piano tune – one that veils and slightly bears the heart and soul of the composer, with all its rawness, nudity, and truth? Mayhaps we’ll find this brave reveal in new contenders, that step to fill that earnest void.

Cameron Brooks is only 21 years old, hailing from the south of England, and this four-track EP is his début on Subtempo imprint. Clearly inspired by artists such as Ólafur Arnalds, Nils Frahm, and Max Richter, Brooks sets out to compose gentle pieces centred on the piano with some treatment from the strings. The track I selected to première for you today was recorded on his grandparents’ home piano, on his Grandfather’s 90th birthday, “so it brings back fond memories of visiting both his grandparents and of celebration, as well as being his favourite piano to play.” There’s a tone of melancholy, sweetness, and a bit of hope in the underlying melodies, the flow of tempo, and Cameron’s gentle playing on the keys.

"Vicissitude, the title of the EP,  is the main idea behind this record: change and unforeseen circumstances, it speaks to the passage from darkness into the light and the ongoing journey to get there. The music was born from a dark place and the compositions and the instruments brought light to a much-needed time of personal struggle.”

This digital release is out next week, on September 21st, available from Cameron’s Bandcamp and Subtempo‘s page. I’m sure we’ll hear from Brooks in the many years to come, so it’s a bit exciting to begin observing this composer’s journey…

Vicissitude

TRACK PREMIERE : Cameron Brooks - Final Solace

You, Me, Them, and Us (Piano Day 2019)

Berlin based music label Neue Meister presents a new generation of composers that represents a breath of fresh air for the classical music sector, by combining the classical tradition with new, up-to-the-minute musical influences and uniting respect for the art form and the courage to take risks. 

John Kameel Farah - Behold! (Time Sketches)

Neue Meister

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