Marin Marais (1656-1728) - Sonnerie de Sainte-Geneviève du Mont de Paris [The Bells of St. Genevieve] from La Gamme et Autres Morceaux de Symphonie (1723)

New Comma Baroque - Matthew C. Cataldi, Baroque violin, Phillip W. Serna, viola da gamba & Emily J. Katayama, historical keyboards


Recorded March 27th-28th, 2012 at Bethany Lutheran Church, Crystal Lake, IL 

All video content © 2012 New Comma Baroque - http://www.newcommabaroque.org

Marin Marais (1656-1728) – Sonnerie de Sainte-Geneviève du Mont de Paris

Bertrand Cuiller, clavecin
Stradivaria - Daniel Cuiller 
Mirare - MIR 085

Concerto en Ré min BWV 1052 - III "Allegro"

Giuseppe Antonio Brescianello // Concerto for Violin, Strings and B.c. C-Major

Johann Sebastian Bach, orchestrated by Dmitry Sitkovetsky
Goldberg Variations

Britten Sinfonia, directed by Thomas Gould

Harmonia Mundi, 2015

Download on iTunes

14 Johann Sebastian Bach  Goldberg Variations - Variation 13

Climax de Tinta

Gavotte

Bach BWV 1041 in A-minor on Original Violin  Camillius Camilli 1739, Mantova

More info on https://outhere-music.com/store-ZZT_316/
ZZT 316

Italian Baroque Concertos & Sonatas Ensemble 415 - Chiara Banchini & Gli Incogniti, Amandine Beyer

guitar: Frank Hiemenz -  (http://soundcloud.com/fhgitarre)
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This recording  was part of my very first studio production. I labeled it "affettuoso assai" and made copies on CompactCassettes, each one by hand !  During the following years I managed to sell 500 pieces during my first gigs and concerts and was enormously proud of it.
;-) 
Listen to all tracks of this production at http://soundcloud.com/fhgitarre/sets/affettuoso-assai-old-archive

recorded in puzzlepie studio Munich/Türkenfeld ('85)
(restored from an analog tape)
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same piece in a much faster concert recording: 
http://soundcloud.com/fhgitarre/sevilla-by-isaac-albeniz
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photo source: http://commons.wikimedia.org/wiki/File%3AIsaac_Alb%C3%A9niz_%26_Enrique_Fern%C3%A1ndez_Arb%C3%B3s.jpg

"Sevilla" by Isaac Albéniz [studio version/old archive]

Composed by F. Tarrega. Played by www.StanLeonard.com
Follow me on Spotify: https://open.spotify.com/artist/2G3gYHbQ46UPckIS7nrjk4?si=cG1_GQ-xSkaeS2BFt1dbSA

Written by Francisco Tarrega (21 November 1852 – 15 December 1909). Played and recorded by myself. 
(Wiki) Tarrega was an influential Spanish composer and guitarist of the Romantic period.
Francisco Tárrega's music and style of guitar playing became strongly influential in the twentieth century. He was central to reviving the guitar as a solo instrument in recital and concerts. His output was modest, having composed only 78 original scores and 120 transcriptions - mostly for his own use. Among his most popular works for the guitar are Recuerdos de la Alhambra, Capricho Árabe and Danza Mora.

He is also the composer of what has been claimed to be "probably the world's most heard tune": the Nokia ringtone, Nokia tune, or simply Nokia, also used in advertising spots, is based on Tárrega's Gran Vals. His music also inspired Mike Oldfield to arrange Tárrega's tremolo study Recuerdos de la Alhambra for the soundtrack of the film "The Killing Fields".

Capricho Arabe

Johann Heinrich Schmelzer
Sacro Profanus
Ensemble Masques

ZZT 334

Buy here: http://www.outhere-music.com/en/albums/sacro-profanus-zzt-334

Johann Heinrich Schmelzer - Sonata IV a sei (Sacro-Profanus) - Ensemble Masques (Olivier Fortin)

Dedicated to re-engaging modern audiences in historically informed performance, the Chicago-based ensemble @NewCommaBaroque features violinist Matthew C. Cataldi, flutist @Leighann-Daihl Ragusa, gambist @PhillipWSerna, harpsichordist Emily J. Katayama and a variety of other collaborators celebrating cultural diversity through our rich musical heritage in the concert hall and beyond. Advocating a strong sense of cultural context as well as community and educational outreach, New Comma Baroque works in close conjunction with Illinois’ first period-instrument public school Baroque orchestra at Adlai E. Stevenson High School in Lincolnshire, IL as well as other programs. Please join us in a vibrant and new way of experiencing Baroque music.