yaya.. det is dr 'ne.. .. ..moei liedje !!

Track i finished 2002 for a compilation for the On/Off festival with Dstruct
i was experimenting allot with diffrent things at the time, this sums it up pretty well.
migrated from my myspace 'cause that site became shit

Confused and in control
Casting a pale blue glow
I’m not a fatalist
But there may be a hitch

In every cell between
Always watching in
The border is no more
Mutation is a bore

So many faces yawn
In the isolated dawn
They needed every node
That’s what the testing showed

All the same a pause
For taking open laws
The manual repair
Incorporating flare

I Will Cross Any Bridge

Fatalist

DPO Envy

May Day 2014

The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed video games industry. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt. 

The second single of the timeless wipE'out'' - The Zero Gravity Soundtrack presents two of the most iconic tunes of the score, the original intro track of the video game and the speedy 'DOH-T'. The package is completed with two masterful remixes by Planet Mu's founder μ-Ziq, aka Mike Paradinas (@mikep), and the braindance producer @wordcolour.

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General Blurb:

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.

wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.

wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka @coldstorage, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.

These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

wipE'out'' - The Zero Gravity Soundtrack

CoLD SToRAGE - WipE′out″ Intro (µ-Ziq Remix) / wipE'out'' - The Zero Gravity Soundtrack [LPS-PS14]

Nieder Nieder Nieder Nieder mit dem Faschopack.

Punka

It´s all about the bubbles and the beats.

NIFLHEIM ACID

I decided to share this live for  Wōđinaz Oz, all my friends and followers. I hope you'll enjoy it !

I tried to compose this event like a "dark shamanic trip" with violent change of state, very repetitive sequences to build an obsessive and oppressive atmosphere. I worked differently for this concert using Korg M3 drums kits for the rhythm sections in order to obtain a strange and massive texture.

Live @ Seppuku - 11-04-1998 - Dijon (France)

Track i finished 2002 for a compilation for the On/Off festival with Dstruct
i was experimenting allot with diffrent things at the time, this sums it up pretty well.
migrated from my myspace 'cause that site became shit

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