The third installment of Patchable coincidentally aligns with the beginning of Fall, the third season of the year. To celebrate fall, your challenge is to compose a track that primarily use threes.  This means 3, 6, 9 or 12 step sequences.  Triads, tritones and triplets are encouraged. Three chord progressions are welcomed.  Three oscillator synths are adored. 

 In NYMS usual fashion, you are not restricted from other tactics, strategies or equipment.  However, modular synths must be used.  The use of threes should be obvious to the listener.

Patchable-0003

My entry for the NYMS Patchable 0003
nyms.love/2019/09/18/patchable-0003/

"The third installment of Patchable coincidentally aligns with the beginning of Fall, the third season of the year. To celebrate fall, your challenge is to compose a track that primarily use threes.  This means 3, 6, 9 or 12 step sequences.  Triads, tritones and triplets are encouraged. Three chord progressions are welcomed.  Three oscillator synths are adored. "

Patch notes:

For this patch I decided on the following threes:

- 3 modules (telharmonic, lxd and mimeophon)
- triads from the telharmonic (major, minor and diminished)
- three voices from the telharmonic (noise, H-out and P-out, where P-out uses 3 sine waves)
- I manuually modified 3 settings on the telharmonic (degree, centroid and flux)
- I had three control voltages in to the lxd (two strikes and one CV)
- There were transitions in the piece.
- It utilized three octaves.

I patched the clock out from the mimeophon to the d-gate on the telharmonic and one of the strikes on the lxd. I patched the gate out on the telharmonic to the other strike on the lxd. 

I patched the H-out to the strike that only was hit when the degree changed. I patched the P-out to drone. Both of those were then patches through the mimeophon. I seemed to get some ceiling noise here.

The N-out was was patched to the other part of the lxd and the clock of the mimeophon would strike it. The CV of this lxd out was patched back on itself to draw out the strike.

The degree, flux and centroid were manually played on the telharmonic. The rate on the mimeophon was adjusted near the end to change the rate. The mimeophon was then set to feedback on itself at the end followed by a hold which was then repeated in zone 1 so it repeated at near audible rates.

thr33 - PATCHABLE-0003

Submission for Patchable-0003.  All 3 melodic parts (lead, chords, bass) were made using different patches on the 0-coast by Make Noise.  The drums were sequenced in 6 and 12 steps via VCV Rack.  Leveraged a 3 chord progression.

AUTUMNAL EQUINOX

The third installment of Patchable coincidentally aligns with the beginning of Fall, the third season of the year. To celebrate fall, your challenge is to compose a track that primarily use threes.  This means 3, 6, 9 or 12 step sequences.  Triads, tritones and triplets are encouraged. Three chord progressions are welcomed.  Three oscillator synths are adored. 

In NYMS usual fashion, you are not restricted from other tactics, strategies or equipment.  However, modular synths must be used.  The use of threes should be obvious to the listener.

Patchable-0003

New York Modular Society