Streaming at tratore.com.br/um_cd.php?id=28859

50% of the profits are going to the Yawalapti association ATIX Mulher. Depending on how much is raised, other indigenous ONGS will be included.

Memórias de Oneyda was produced during the RMX residency held by São Paulo's public cultural center CCSP in celebration of the 85 years of the sound library Oneyda Alvarenga. All percussion, beats, harmonic layers used in the EP were extracted from the vast collection of the Discotheque - Most of the vocals were taken from the mission of folkloric research, idealized by Mario de Andrade in the ’30s. The track's sonorities were adapted to the texture and quality from the oldest recording - seeking for an intersection between contemporary sound and a 30’s acetate disc. As if it was an old recording from a parallel reality.

Mestre Jandaraí

While @heronymuz-bos and @umaypower struck their first digital 
chords the clouds opened up after some heavy rainfall and let the 
warming sunray pass thru.
Their heartwarming set at the Festzelt marked kind of the OPENING 
for this years ANCIENT TRANCE FESTIVAL which turned out to be 
yet another marvellous festival experience. Divinely dive into the 
frequencies and the voices which guide us to a warm place in our hearts.
A—————HO!

HƐR◉NYṂUⱿ & GÜL UMAY @Ancient Trance Festival '21

“Barda - Naranja El Cielo (Feat. Aldo Benitez & Brawlio)”
Interpretes: Aldo Benítez, Brawlio, Cecilia Gebhard (Barda)
Instrumento: Voz (Aldo, Brawlio), sintetizadores (Cecilia y Aldo), guitarra (Cecilia)
Compositor Musica: Cecilia Gebhard (Barda), Aldo Benítez
Autor Letra: Cecilia Gebhard (Barda), Aldo Benítez

El sueño sobre el sueño

Buy / Comprar

Barda - Naranja El Cielo (feat. Aldo Benitez y Brawlio)

Humid, dusty, serene, strange: an exploration of tropic moods.

Album art by Dibin Thilakan (Cochin, India)

Download

Orchids

GPR008 - Elpeche - Mais Que o Chão [EP]
-
❰♥❱ @elpeche
❰♥❱ @cerverita

Mastered by: @pauze-rec

❯ Download & Stream ❮

Elpeche, Cerverita - Pássaros Migratórios

NIWABANASHI is a Japanese word that connects the word "garden" and "tale".

Music by O.R. 
Soundcloud : soundcloud.com/ohnoryuji and https://soundcloud.com/barriolindo

Free Download

The First Ants - Suna no Ue (Feat. Barrio Lindo)

@kundan

Produced by Kunsaf Halil
Mastered by Kassian Troyer at Dubplates & Mastering 
Art & Illustration by Dima Rabik
Layout by manekineko

Catalog Number YNFND 017
© + ℗ YNFND 2019

Download / Buy Vinyl

Kundan Lal "Ovo Rhaps" [YNFND017]

Quixosis - Especies Afines [FRE014]

In Especies Afines, Quixosis explores tempo duplicities, combining disparate species of rhythms into synchopated, polyrhytmic doublecounts, that are both slow and fast, that anchor down thick and fluctuating ambiences layered in tape feedback and games of time. With rhtyhmic elements of footwork, dub, ambient, breakbeats and DnB, Especies Afines are an uplifiting and energetic series of tracks, full of detail and bass heavy rhythms, and deeply enveloping ambient cushions that give off an energy that is both hot and calm like an bonfire, transparent and liquid, like a quicksilver prisma.

Listen to https://soundcloud.com/quixosis !

Especies Afines

Buy on Bandcamp!

Quixosis - Azul Liminal

https://soundcloud.com/elmagomusic
Video to Gígantes feat. Plastelini:  https://youtu.be/jWIyak3s9ks

Singer and producer El Mago debuts on YNFND with a 4 track gatefold LP entitled `Kanénas ́. 
Based half in Thessaloniki and half in Berlin, he ties between two identities as greek and german. 
Transfusing the roots of urban Greek music `Rembetiko ́ with modern electronica, he symbolises his personal journey with the connection of his two cultural identities. 

On entrance we start with `Gígantes ́, a fusion of vibrant humming, synthetic pops, crackles and the poetic voice of Plastelini. From the get-go we witness a vocal story written about the relationship with your demons, and how to live beside them. Interrupted by erratic gun- shots and bass-heavy shuffles, the message provokes a somewhat conflicting reaction. 

Stepping into what seems like a distorted cave, `Thálassa ́ takes us into tripped beats, off-time glitches and synthesised brush strokes. Swaying between looming hums and a pull and release of echo as it comes to it’s end. 

As we flip the record, a dissonant sample leads us into `Filakí ́, with what can be described as ancient bass. Vocal fragments shout but whisper as they are broken up by explosions. 
By the time the song reaches climax, you sense the origin of El Mago’s roots. 

The finale entitled `Potámi ́ boasts delicate guitar strings, followed by laid-back rhythms and El Mago himself on vocals. A bygone tale comes to mind as Potamós embraces Mago’s musical past as a performer in the more traditional sense, an ode to Rembetiko once again. 
You may think that `Potámi ́ marks the end of his musical odyssey, but in truth it is just the start. He is not Kanénas* yet. 

*translated as `Nobody ́ 

The release is accompanied by 4 tarot-themed cards depicting each track with poems written by Lina Rococco, alongside 1 secret track on vinyl only.

Download / Vinyl

El Mago - Gígantes feat. Plastelini

In Asimétrico, El Remolón presents its new sounds. Native acoustics in organic electronic spaces, successful collaborations, instrumental passages, meditative trance and invitation to movement.

After several years of introspection and studio silence, El Remolón is back with a premiere album. Searching within, in chance haphazard and error, the unfinished or simply imperfect sounds , El Remolón elaborates another sonic horizon that requires putting aside already rehearsed formulas, highlighted labels, closed categories. In this inquiry, the artist even abandons his own ways and closed shapes in Asimétrico. An album that maintains the contagious force of its danceable rhythms and at times delves into a more introspective universe, linked to contemplation.

With folkloric elements in minimalist mode and careful organic electronics, Asimétrico delivers ten crisp pieces that feature Andrés Oddone's master touch in the mix. Simple uses of guitars, legüeros bass drums and charangos are interspersed in criollos ( southamerican folk) riffs that are reminiscent of Atahualpa and, when combined with electronic textures, they generate a restorative, meditative and techno atmosphere at the same time. Between the experimental native and the global downtempo, the album features several songs that follow one another as emotional passages. This is where Asimétrico is enriched with the collaborations of Luvi Torres / Klik & Frik, Pol Nada, Lauphan, Nuriah and the revelation of the urban coplero Brawlio. Meanwhile, the collaborations with San Ignacio, Leo Silcan and Cuervo Cuervo  go deep into a more electronic and instrumental facet. The cover and photos are made by @ancherama.

El Remolón - Mover El Cuerpo

https://soundcloud.com/elmagomusic
Singer and producer El Mago debuts on YNFND with a 4 track gatefold LP entitled `Kanénas ́. 
Based half in Thessaloniki and half in Berlin, he ties between two identities as greek and german. 
Transfusing the roots of urban Greek music `Rembetiko ́ with modern electronica, he symbolises his personal journey with the connection of his two cultural identities.

On entrance we start with `Gígantes ́, a fusion of vibrant humming, synthetic pops, crackles and the poetic voice of Plastelini. From the get-go we witness a vocal story written about the relationship with your demons, and how to live beside them. Interrupted by erratic gun- shots and bass-heavy shuffles, the message provokes a somewhat conflicting reaction.

Stepping into what seems like a distorted cave, `Thálassa ́ takes us into tripped beats, off-time glitches and synthesised brush strokes. Swaying between looming hums and a pull and release of echo as it comes to it’s end.

As we flip the record, a dissonant sample leads us into `Filakí ́, with what can be described as ancient bass. Vocal fragments shout but whisper as they are broken up by explosions. 
By the time the song reaches climax, you sense the origin of El Mago’s roots.

The finale entitled `Potámi ́ boasts delicate guitar strings, followed by laid-back rhythms and El Mago himself on vocals. A bygone tale comes to mind as Potamós embraces Mago’s musical past as a performer in the more traditional sense, an ode to Rembetiko once again. 
You may think that `Potámi ́ marks the end of his musical odyssey, but in truth it is just the start. He is not Kanénas* yet.

*translated as `Nobody ́

The release is accompanied by 4 tarot-themed cards depicting each track with poems written by Lina Rococco, alongside 1 secret track on vinyl only.

Vinyl

El Mago - Milkshake (Hidden Track / Vinyl Only)[YNFND019]

transmedia composer and quite often curious 

Booking -> agenda@numagama.com
Mastering -> audio@numagama.com
Commissions ↑

Mestre Jandaraí

Numa Gama

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Iru waves

Leonardo Frettlöhr

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