Kalimba, saxophone, bass clarinet, effects and looper. And some keyboards.

Astronaut

DJ and producer nobody knows.
A great and independent position that allows you to create and play the music you want, the way you want.

We have some nice, selfmade videos at YouTube. Check 'em out.

I call myself IQONOKLAAST , because the music I make is supposed to be genre fluid , that’s the trajectory.

www.tiktok.com/@iqonoklaast
www.instagram.com/@iqonoklaast
www.x.com/@iqonoklaast

One listen to SOHAR and you’ve opened yourself up to a dark disco, trip hop, synth drone, analogue-soaked experience that draws from intimate conversations between electronic duo Mark H Evans and Hannah Jones.

It’s a narrative in sound where each other’s musical influences have been filtered through Mark’s synthesisers and guitars to create SOHAR, an album of songs that speaks of the often dirty but ultimately beautiful human condition that makes us who we are… but with a beat.

Hannah and Mark have a long and diverse musical partnership and their friendship spans more than 30 years. From bedroom rock ‘n’ roll in a South Wales terraced house to two ethereal acoustic albums as Betty Black & The Sleeping Giants, they parted ways when the vagaries of being and family commitments took precedence.

Now reunited as Sonic Coins + Icons, they’ve joined forces to put everything they’ve learned, experienced, listened to and thought about when life got in the way to make something meaningful and melodically profound. 

That’s a big statement - but it’s a big album. 

Mark has been a member of two influential and highly regarded Welsh 90s bands (The March Hares and The Jonah Hex) and shared stages with the 60 Ft Dolls, Dub War, The Stereophonics, Shed 7, Pop Will Eat Itself, Gorky’s Zygotic Mynki, Captain Sensible and Nova Mob. 

He’s written soundtracks for film and TV and was shortlisted for a BAFTA Cymru for his work on BBC’s Codebreakers: Heroes of Bletchley Park. He also composed soundtracks to two short horror films this year (Reel Terror and End of Days).

Hannah’s a published author, broadcaster and journalist. But what she really loves doing more than anything else is be the first to hear Mark’s songs. Then be the only one to sing them.

SOHAR, their first album as a pair, was written and produced by Mark and supported by a cast of friends: Charlie Adlard (cover artwork), Joe Farr (mixing and mastering), Darryl Corner (photography and film) and Gary White (vocal recordings).

As to the album’s title? All we will say for now is that SOHAR is an acronym with clues to its meaning on the back of the album sleeve (due for vinyl release in November)… 

…and in every line of every song. 

All you have to do is listen.

Overwhelmed by electronic music since 1999 two decades ago, witnessed its development from narrow to the wide number of geners at current time, mixing tracks is telling a story, To me it’s way more than just music. It’s a whole philosophy, a unified language for the world, a way of life. A mission to provide people with the vibes needed in life journey

i am a simply man singing,play and do what i like to do with the Heart! grazie magnifiche persone per seguirci!siamo una band e anche delle magnifiche persone come lo siete voi d'altronde.
Grazie grazie thankfull for people who make music and produce the own sound and label.

Nothing born is silent.
In the beginning of life there is the spring brook and at the end there is the sea. Everything else happens in between. There is just water but you never step twice into the same. Continuous movement, like time: flowing, splashing, streaming, evaporating, seeping, dropping, freezing and melting. We can try to bottle it up but molecule by molecule it moves on. Movement sounds, listen. The proteus.union

Ni! is a composer and multi-instrumentalist based in Portugal.
Working with bass clarinet, saxophones, trumpet, kalimba, keys, and electronics, he builds immersive, emotionally charged soundscapes.

Combining woodwinds instruments with live looping and effects, Ni! explores themes of beauty, tension, sensuality, and solitude.
His music moves between improvisation and structure, always rooted in deep listening and a cinematic approach to sound.