Singer/Songwriter/Producer/DJ
New Remix EP out now! https://ffm.to/whatsadiamondtoababyremixes
Original: https://ffm.to/wadtab
Epoch w/ @AlfaMIst https://fanlink.to/AlfaMistEmmavieEpoch
Honeymoon album  http://smarturl.it/EmmavieHoneymoon

Contact: hi@emmavie.co.uk
www.soulection.com/promise
www.emmaviesxf.bandcamp.com

Management
info@iamsza.com

Publicity
Nick Dierl
nick@wegetpress.com

New single Everything's Beautiful out now!

The name's Saba Abraha. 
Contact: TheSabaSound@gmail.com 

Musically, the multiplatinum GRAMMY® Award-nominated trio of Southern California sisters Este, Danielle, and Alana Haim trace a winding path through genres and musical eras—similar to how Ventura Boulevard paves its way through a myriad of Los Angeles suburbs and neighborhoods. Since 2012, the group have made a mark on their own terms with eclectic songcraft in the studio and electrifying performances on stages worldwide. With five career GRAMMY® nominations to date, they became the first all-female band nominated for “Best Rock Album” with 2025’s I quit, and previously made history as the first all-female rock group nominated for “Album of the Year” for 2020’s critically acclaimed Women In Music Pt. III. Prior, they released the gold-certified Days Are Gone [2013] and Something To Tell You [2017]. Over the course of a decade, they have also notched two #1 debuts on the UK Albums Chart and two Top 10 entries on the Billboard 200. Haim’s highly anticipated fourth studio album, I quit, was released in June 2025. The deluxe version of the album features three new songs, including “Tie you down” with Bon Iver.

New Single "Hit A Wall" available now.

Alex Vaughn’s evocative R&B songs are written with richness, honesty, and a desire to always keep evolving. An unquenchable thirst for growth is what’s powered the Maryland singer/songwriter as she’s released songs like her February single “Mirage,” a hypnotizing reflection on a toxic situationship, her first release since signing with LVRN/Interscope in 2021. Since then, she’s continued to push herself. Her new project, The Hurtbook, seamlessly juxtaposes her classically trained musicianship with the raw expression she’s developed as she digs deep. Vaughn’s trajectory was always going to include music. As a toddler, she’d often sprint from the bathtub to her grandmother’s piano and around age five or six, her parents enrolled her in classical and jazz piano lessons. Still, her heart was set on R&B. In 2017, Vaughn began posting covers to Instagram and Twitter, which led to performances at notable venues such as The Kennedy Center and The Fillmore, and opening on national tours for K. Michelle and Eric Bellinger. During the pandemic, Vaughn joined LVRN’s Instagram Live talent show. She caught the label’s attention, and the following year, they formalized their belief in her. Now, with The Hurtbook, she’s using her platform to show her fans how far self-belief can go. “My fans will always know that I am a human being, so I’m scared just like you are,” she says. “I’m nervous like you are. I’m excited. I feel what you feel. I’m doing the best that I can with what I got.”

d(M)v

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