Sail through the mellow harmonies of "The Coffee Song," where the artistry of jazz fusion meets the soothing serenade of bossa nova. This auditory canvas is painted with the lush brushstrokes of romance and the vivid hues of heartbreak. Its verses, sung with the intimate touch of Romanian, dance delicately over a landscape of medium tempo. This tempo breathes with life's unpredictable cadence.

     In this sonic journey, every chord tells a story of love once radiant, now shadowed by loss, and each melody is a confession from the soul. As the narrative unfolds, you'll sway to the rhythm that gently fluctuates like the emotions of a heart in reminiscence. And when the dusk of the final verse descends, it whispers a farewell in the language of love - French, leaving you ensnared in the enchantment of a world where every goodbye is a prelude to a possible new encounter.

     Press play and let "The Coffee Song" transport you to a place where music transcends language and emotion becomes the universal dialect.

The Coffee Song

Dive into the emotional voyage of "Journey to Bachata Portuguese-Romanian", where the melancholic strums of an extended instrumental opening gradually give way to a vibrant tapestry of sounds. From the serene whispers of the sea to the exuberant pulse of bachata, this track is a masterful fusion of alternative rock's raw energy and the intimate vibes of Latin dance.

As you journey through verses that span oceans and emotions, each line in Portuguese and Romanian paints vivid imagery of seaside cafés, the caress of ocean breezes, and the timeless dance of waves under the moonlit sky. Feel the transition from reflective solitude to an energetic celebration of connection and rhythm. Let the dual narrative of longing and lively togetherness invite you to lose yourself in the dance, with melodies echoing the heart's deepest yearnings and most joyful peaks.

Embark on this musical odyssey, "Journey to Bachata Portuguese-Romanian", and let it remind you of love's power to transcend distances, unite souls, and transform the ordinary into the extraordinary. 🌊💃🎸 #MusicalJourney #BachataRock #EmotionalWaves

Journey to Bachata Portuguese-Romanian

The soul-stirring odyssey of 'Amore Senza Confini - Pokarekare Ana,' is a musical masterpiece that weaves together the delicate threads of longing, love, and an unbreakable bond that transcends oceans. This track is a symphony of emotions, blending Italian and Te Reo lyrical beauty to craft a narrative of love's power to overcome distance and time. Its soothing yet poignant melodies invite listeners into a heart-stirring voyage across starlit waters and shared dreams. 'Amore Senza Confini - Pokarekare Ana' is not just a song but a beacon of hope, illuminating the path for hearts seeking each other against all odds. Let it be your companion in moments of solitude, a gentle reminder that love knows no boundaries.

Modern Ancestry

Amore Senza Confini - Pokarekare Ana

Strumming up the heartstrings under the fiery canvas of a setting sun is the soulful flamenco guitar of 'Bailando en el Atardecer'. This instrumental serenade can be seen as an ode to the dance of dusk, where every note becomes a very private call into an embrace as intimate as twilight itself. As the sky puts on its clothes of different shades of amber and crimson, the melody starts weaving a spell of peace, asking for a silent dance on the shore where only shadows sway. When the soft pluck of strings against the hush of the evening tide becomes a rhythmic murmur, it bids the listener close their eyes and drift within the warmth of the vanishing day. The song is more than a tune. It's the sun's farewell kiss to earth, fiery passion cooling into peace, a reminder of how each ending holds a promise for a new dance, new dreams under the eternal ballet of stars.

Bailando En El Atardecer

"Metal of The East" is a unique rock-opera fusion track with Arabic influences, blending the intensity of metal rock with the intricate beauty of Arabic music. The song features dynamic rhythms, powerful melodies, and a combination of electric guitar and traditional Arabic instruments. This fusion creates an epic, dramatic soundscape that takes listeners on a musical journey where East meets West. The innovative composition and cultural blend make "Metal of The East" a captivating and unforgettable experience.

Metal Of The East

"Chaos in Harmony" is an instrumental track that blends Math Rock, trap slap, and jazz, offering a unique and eclectic auditory experience. With complex rhythms, innovative sounds, and a dynamic combination of electric guitar and violin, this melody captivates with its chaotic harmony, filled with energy and sophistication. Each note contributes to a vibrant musical journey, merging diverse genres in an artistic and compelling way.

Chaos In Harmony

Dive into a unique musical journey where Antonio Vivaldi’s timeless Baroque compositions merge with the futuristic pulse of AI. This neo-classical piece elegantly combines ambient, cinematic elements with classical music's rich, emotional depth, creating a soundtrack that goes beyond the time boundaries. Listen as the echoes of the past meet the innovations of tomorrow in this evocative and soul-stirring symphony.

Vivaldi's Lament

"The Thing With The Beast" is a deep and introspective song that explores themes of inner struggle and personal transformation. The lyrics are written by Emil Cioran, a Romanian philosopher and essayist, known for his pessimistic and often deeply philosophical writings on the human condition. 

His works have influenced many contemporary thinkers and continue to be a source of profound insight into the complexities of life. The English translation of the lyrics was entirely made by me.

Through this piece, I have strived to capture the melancholic and introspective essence of Cioran's words, blending an electro-pop musical style with reggae influences. The song's atmosphere is dreamy and contemplative, featuring C# major tones that alternate with its relative minor key, A# minor, adding depth to the emotional landscape.

Musically, the song has a medium pace, perfect for emphasizing reflection and melancholy. The instrumentation is predominantly electronic, with vocal presence featuring a Caribbean accent that provides a strong and immersive atmosphere. This adds emotional depth, amplifying the intensity of the lyrics and creating a unique dynamic that underscores the theme of duality: the man and the beast within. The song creates powerful images, such as the buffalo roaring inside the poet and performer, symbolizing the primal and crude forces within the human being.

All of this unfolds in a sad yet romantic atmosphere, evoking a sense of nostalgia and a longing for liberation.

The Thing With The Beast

Elysian Waves wraps you in a calm and meditative atmosphere, where electronic rhythms meet acoustic and ethereal nuances. This track blends the subtleties of Electronic music with influences from Downtempo, Nu Jazz, and Trip-Hop, offering a perfect sonic backdrop for moments of relaxation and contemplation.

With rich instrumentation, including acoustic guitar, electric piano, and synthesizers, I aimed to create a melody that captures attention through refined musical details, supported by a mysterious female voice. The sounds intertwine harmoniously, creating a sonic landscape designed to induce a state of tranquillity and introspection.

“Elysian Waves” is ideal for chillout playlists or for those moments when you need an auditory refuge, away from the daily hustle. Let yourself be carried by the rhythms of this piece and discover a corner of inner peace within an elegant and balanced sonic universe.

Echoes And Whispers

Elysian Waves

Співачка Ana Danch презентує пісню «Вітер надій». Ця пісня була написана у 2000 році відомим гітаристом, композитором, аранжувальником, лідер-вокалістом рок-групи «Галактика» Вʼячеславом Сінчуком для мене, для юної співачки Уляни Латик. Пісня про кохання, мрії, сподівання без яких неможливе людське життя. Пісня пролежала 24 роки у шафі і отримавши сучасне аранжування вийшла у цей Світ.

В моїм вікні сумний пейзаж забутих днів,
Де твоя тінь мерехтить у відблисках вогнів
В моїх руках всі не дописані листи,
Неначе ждуть у кінці останнього «прости»

За безглуздя слів, 
За моє пусте мовчання 
У країні снів,
Де панує лиш одне кохання 

Вітер надій, листям кружляючим 
Осінь журливу запросив 
Із-під небес, птахом страждаючим
Падав до ніг моїх немов без сил.

Минає день і з ним захмарений пейзаж,
А у очах наших зустрічей пʼянкий міраж 
Можливо ти в цю мить попід вікном стоїш 
І, як колись, подолавши біль мені простиш

Вітер надій, листям кружляючим 
Осінь журливу запросив 
Із-під небес, птахом страждаючим
Падав до ніг моїх немов без сил.

Вітер Надій

Сьогодні премʼєра дуже особливої пісні.
Пісні, котру для мене у 12-ти річному віці написали два генії.
Слова - Анатолій Фіглюк.
Музику - Сергій Петросян.
Тоді, в силу дуже юного віку, я не змогла передати всіх емоцій цієї глибокої пісні, хоча дуже старалась.
Сьогодні, вона нарешті звучить по-справжньому. 
Зараз я можу співати її, відчуваючи кожне слово і кожну ноту.

Дощ. Осінній знову дощ пішов
Дощ. І змовкла під дощем любов
Дощ. Нам не сховатись від дощу
В дощ, Тебе я з Богом відпущу.
Дощ. Сумна історія без слів
Дощ. Розлуки зовсім не хотів
Дощ. Такий зажурений в цю мить
В дощ самотньо розійдемось ми!

Ні в чім винити дощ не стану я,
На асфальті хай танцює
І краплинами коханого,
На прощання поцілує 

Ні в чім винити дощ не стану я,
На асфальті хай танцює
І краплинами коханого,
На прощання поцілує…

Дощ. На моє горе і біду
Дощ. І плачуть квіти у саду
Дощ. Вже відлетів кохання птах
В дощ, іди, холодна пустота
Дощ. Вже змовкла під дощем любов
Дощ. Тепла чекати довго знов
Дощ. І стелиться густий туман
В дощ, наш незакінчений роман.

Дощ

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.