jazzin' with waldo

Created from tracks found at @re-ex and others to relax too

All things relaxing

Nibriell

Stuff I like 19

Electronic 4

Heat

PREZI13 Litening Bangers on Fire 4

This playlist is a tribute to Nibriell, capturing the essence of diverse musical styles and providing a unique experience across moods and landscapes. From the rhythmic complexity of Fusion to the deep, pulsating beats of Techno and Trance, every track is carefully chosen to offer an immersive experience. Dive into the serene soundscapes of Ambient and the global influences of World music, all while enjoying the electronic textures of House and Soundtrack pieces that add a cinematic touch. Whether you're seeking energy, relaxation, or inspiration, this playlist has it all.

My Favourite Songs Of Nibriell

01 - De Tanto Mirarte

Written by Richie Hohenburger
Arranged by Lonnie Smith
Guitar solo by Richie Hohenburger

Album : Funk Reaction (2013 Re-issue CD, 1977 Original Vinyl)

Lonnie Smith "It's Changed" (1977)

#repostexchange #Rap #Virus #Rapper #RapGod #Coronavirus #Rapping #Instrumental #RapArtist #Xxxtentacion #Miami #SoundCloud #SoundCloudRap #SoundCloudRapper #FreestyleRap #RapGame #Beats #Wakanda #Freestyle #UnsignedArtist #Mixtape #FemaleRapper #TrapMusic #Youngthug #liluzivert  #wakandaforever #eternalatake #miamiheat #future #erinko

ŠW£RVįÑ (FÚTÙR€ T¥PĖ BĘÆT) 🏂

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Ṯ̷͇̪̬̆h̵̻̠̝̓͛̌͝͝i̷̢̡͇͓͌̉̈́̄́s̵̺̞̦̦̘͑̋͘ ̸̬̖͒i̷̖̮̔̀͜͜ș̵̟͆̆̿̚ ̶̨̤̟̥͍͌̚m̶̡̢͕͓̲͆̓̈́̈́ȳ̷͕̞͉͎ ̶̫̈̎̿̓͝ȍ̴̹̦̥̓̅̀͘w̶̹̹͙̮̑͛͝n̷͙͙̹̄͆͆̒ ̷̙̪̙̀̑ṭ̷̰̿̋̓͘̚ͅh̶̻̠̻̿͒e̷̘̭͊̽͝m̵̠̪̮̥͔͌͒̓e̶̱͙̰̩͋̄!̸̙̎ 🎉😋

Stream\Download : https://www.submithub.com/link/axetta

Axetta

Ωx|Edge 🤝 Ev⅃LewD - Axetta

bRAgadino - MUSIC IS MY HOBBY

Belfast Confetti by Ciaran Carson
Never again

Belfast Confetti - Reprise

"La Ultima Vuelta" is a captivating fusion of Latin, Kizomba, and Ambient music that transports listeners to a world of smooth, rhythmic beats and soothing melodies. This track combines the passionate dance rhythms of Kizomba with the tranquil vibes of ambient music, creating a unique listening experience that is both relaxing and invigorating. Perfect for a romantic dance or a chill evening, "La Ultima Vuelta" captures the essence of Latin charm and ambient groove.

La Ultima Vuelta

Klangoebel-Soundtracks, Vol. 2: Stranger Atmospheres

Wetlands

On all platforms now - Find this song on Spotify & More - https://ffm.bio/altspacebeats

All Is Aglow

With "Sunset Serenity," I wanted to create a musical experience that offers listeners a refuge of tranquility and introspection, akin to the sensation of watching a peaceful sunset. I was inspired by moments of peace I find in nature, especially during those magical times when day meets night.

I used a rich harmonic structure and variable dynamics to reflect the complexity of human emotions. The minor chord progressions and the key of G# minor add a touch of melancholy, while the diverse instruments contribute to a complex sonic texture. My intention was to create a musical narrative arc that guides the listener through an emotional journey from calm and introspection to intensity and, ultimately, to peace and reconnection.

At the end of the creative process, I felt that "Sunset Serenity" managed to capture the essence of the transitional and reflective moment I wanted to convey. The piece not only offers a space for relaxation and introspection but also succeeds in touching the listener's soul with its emotional depth and harmonic beauty. It is an auditory experience meant to bring inner peace and reconnection with oneself, a serenity at sunset.

Echoes And Whispers

Sunset Serenity

When I composed this piece, I aimed to evoke the essence of our shared humanity, reflected in the tribal traditions that connect us to the earth, to nature, and to a simpler, deeper way of life. "Echoes of the Tribes" is a tribute to the ancient civilizations, the sounds, and the rhythms that, over millennia, have shaped human culture and spirituality.

By blending ethnic elements with modern ones, I sought to create both a contrast and a harmony between the old and the new. The powerful percussion and flute conjure images of ritualistic dances and sacred ceremonies, while the synthesizers introduce a contemporary layer, suggesting that these tribal roots still live on in our collective subconscious.

The listener should experience this melody as both a personal and universal journey. It is an invitation to reflection and introspection, a reminder of our connection to the past and to our cultural roots. I want those who listen to feel a return to origins, to sense the earth's pulse, and to become aware of the constant rhythm of life that binds us all.

Moreover, I intended for the melody to be a source of peace and comfort, offering moments of calm and relaxation in a world that is often hectic. With every note, with every beat of the drum, I hope the listener will be carried away by the wave of emotions, allowing themselves to feel the simple joy and purity that exists in the essence of each of us.

In conclusion, "Echoes of the Tribes" is a piece that speaks of connection, both with ourselves and with all of humanity. It is an echo of the past, reverberating in the present, reminding us that, regardless of technological or cultural evolution, we are all part of the same eternal story.

Echoes Of The Tribes

what'chu know *v2*

In "Echoes Of The Mountains," I aimed to create a piece that blends natural and universal sounds with modern vibrations. At the beginning of the song, I chose to introduce a male voice chanting over an Ambient background, immediately establishing a primal, visceral connection with the listener. This voice, without words but full of emotion, symbolizes an initial call, like an echo from the depths of nature.

I then added female voices that complement this chant in a choral manner, alternating with the male voice. This alternation creates a sort of dialogue, but one based not on words, but on pure emotion. The vocalizations are meant to convey nuances of feeling, to shape a subtle interaction between masculine and feminine energy, like a dance between two entities seeking and completing each other.

I didn’t want to limit this conversation to ordinary language, so I chose to let the music and voices communicate in an abstract way, offering each listener the freedom to interpret the meaning of this dialogue. Without words, the chant takes on a universal dimension, accessible to anyone, regardless of language or culture.

Listener’s Perception:

As a listener, you will be drawn to the first notes of the male chant, which emerges like a deep murmur over a soothing Ambient background. This voice doesn’t tell you what to feel; instead, it opens the door to a world of sensations and emotions. When the female voices enter, you’ll perceive a harmonious interaction, almost like an unheard conversation between two complementary forces.

This alternation between the male and female chants might evoke images of ancient dialogues, perhaps even sacred rituals or natural ceremonies. The entire experience takes on a spiritual depth, even without words, inviting you to lose yourself in the delicate sonorities and interpret each vocal inflexion in your own way.

As the melody evolves, you’ll feel how these voices guide you further into the story, maintaining a balance between peace and intensity, between the familiar and the mysterious. The chant thus becomes a sonic guide through a world where language is unnecessary for understanding—only for feeling.

Echoes Of The Mountains (Chant)

Don’t Ever Come Around feat Zahir

GLOAMING
Music by Alpha Crater
Musical Arrangement by Overdrive

Check out the IG promo video:
https://www.instagram.com/p/C_l8esMsElC/

Gloaming is the time right after the sun goes down, when big things can happen.

I'd like to say that this track is mine, but this fantastic song came entirely from the insane mind of Alpha Crater. The only thing I did was to enhance the incredible qualities it already had -- I added a bass line à la The Police, synths that were reminiscent of 80s music, more new wave drums and things like that. So my work here was basically perfumery, as I wanted to stay as faithful as possible to the original material.  😄

When Charlie showed me the demo track, I was impressed by the vocals and how the whole song took me back to the sound I used to record on cassette tapes in the 80s to listen to on my walkman. Hence the cover image, which is a tribute to this habit so popular among young people at the time.

Alpha Crater is an English synthpop artist with a love of fun, horror and the 80s. Check out his great music on his Soundcloud page:
https://soundcloud.com/alphacrater

The amazing cover illustration is an image available on Pinterest. I haven't yet found out who the author is, in order to give him/her due credit, but I suspect it's Rita Saraiva, a Portuguese artist of immense talent.

Hope you enjoy the song. 🙂

LYRICS
GLOAMING

soporific on a sixteen death dream
honorific or a kicked out coke fiend
doesn't matter doesn’t count what you mean
chipolata ship a late one in between

thought I reckon thought I read you residue
never knowing never need to beckon you
ballerina bachanal black beige blue
saying anything but the thing that eats you

gotta do it gotta do that thing right
nothing to it if you hold on hold tight
sayonara son step into the half light

it's like floating
high upon that gloaming
when will I stop this roaming?

wander wither whether 1234
took a ticket to the techno seesaw
sentimental seen a micmac make more
mother moving seashells on the seashell shore

sever leverage until you need more
never pay a penny on that oath swore
winner wonga whatta you do that for
wonder if we'll ever see the day they fought for

never break if you believe what they say
better never roll a die come what may
mother said i'd be a bigshot one day
mother know best mother please mother don't say
gotta wrestle gotta reconcile you
nothing ever gonna be good for you
saying nothing but the thing that eats you

it's like floating
high upon that gloaming
when will I stop this roaming?

Gloaming

"Echoes Of The Ancient Tribes" is a composition that blends tradition with modernity, capturing the essence of a musical experience that traverses diverse cultural influences and sonic styles. At the heart of this piece lies a captivating fusion of tribal and African house, amplified by the subtle and modern rhythms of reggaeton. Reggaeton does not manifest as a standalone style but elegantly intertwines with tribal and African house, adding depth and a contemporary texture that updates these traditional influences.

The percussive rhythms, which continuously evolve throughout the piece, offer a fluid dynamic that keeps the listener engaged from start to finish. Techno-trance adds a subtle yet distinct nuance that doesn’t dominate but completes the ensemble, offering moments of electronic reverie that enrich the auditory experience.

The female voice, vocalizing throughout the piece, serves as a guiding thread, conveying a wide range of emotions—from meditative and contemplative moments to more uplifting and slightly melancholic states. This voice adds a human and evocative dimension, balancing the rhythmic energy of the piece and deepening the listener's connection to the narrated story.

"Echoes Of The Ancient Tribes" is more than just a musical piece; it is a sonic reflection of the meeting between past and present. In a globalized world where traditions and modernity intersect, this piece perfectly captures the spirit of our time, bringing to the forefront a musical narrative that draws its strength from ancestral roots while being firmly anchored in contemporaneity.

Through this composition, I aimed to create a dialogue between tribal rhythms and sounds that have withstood the test of time and modern musical expressions, offering the listener an experience that is both introspective and liberating, traditional and innovative. "Echoes Of The Ancient Tribes" is, in essence, a celebration of cultural continuity and evolution, a piece that speaks to our shared heritage and our collective future.

Echoes Of The Ancient Tribes

Echoes  Of The Ancient Tribes

When I composed "The Andalusian Echoes," I aimed to create a piece that bridges the past and present, blending tradition with modernity. I started with a flamenco guitar solo, which evokes the vast and serene landscapes of the Andalusian plains, rich with history and emotion. These plains are silent witnesses to countless stories that have unfolded over time—tales of passion, melancholy, but also of energy and vitality.

In the opening moments of the track, I sought to capture the essence of these plains through an acid and energetic acoustic guitar solo. I wanted the listener to feel the deep roots of Spanish tradition, yet also be surprised as I layered in modern, electronic sounds. Each new instrumental layer, whether it's a synthesizer, percussion, electric guitar, or trumpet, represents an exploration of the present, a reflection of how the past can be reinterpreted in the context of contemporary electronic music.

The energetic and pulsating rhythm of the percussion was designed to capture the vitality of the Andalusian plains under the scorching sun, where the constant movement of the wind and the vibrant colors of nature seem to dance to their own rhythm. This rhythm, though energetic, is not aggressive; rather, it is an invitation to active contemplation, a beat that allows you to lose yourself in the landscape while also rediscovering your inner energy.

Through "The Andalusian Echoes," I tried to convey to the listener a sense of transition, a journey between old and new, between contemplation and movement. I wanted the music to be more than just a background; I envisioned it as a soundscape that evokes images and emotions, transporting you to the endless plains of Andalusia, to the warm air and the soothing sound of nature, while the rhythm of the track invites your thoughts to dance along to the modern sounds of electronic music.

The Andalusian Echoes

Lamenta eleni silmë was born out of a desire to capture the fragility and beauty of an ephemeral moment, like the light of the stars on a deep night. When I composed this piece, I wanted to create a bridge between the past and the present, between ancient traditions and the modern soul. Each note and rhythm was carefully chosen to transport the listener into a state of deep tranquility, where time seems to stand still. At the same time, I intended for this piece to be a lament of sorrow, a cry of grief that brings comfort to those facing loss and sadness.

I chose Quenya over Sindarin or any other Elvish languages because Quenya is the language of the High Elves, those who lived in the blessed realm of Valinor, closest to the divine. It carries with it a sense of purity, timelessness, and a deep connection to the origins of Elven culture. Quenya’s lyrical and ancient beauty felt like the perfect medium to express the ethereal and almost sacred nature of this lament. Unlike Sindarin, which is more commonly spoken in Middle-earth and has a more earthly tone, Quenya evokes a world of fantasy, filled with mystery and nostalgia, adding a timeless dimension to this creation. The female voice, echoing as if from another world, is meant to soothe and provide solace, while the traditional instruments, such as the cithern, add an organic, almost ritualistic texture.

I wanted the listener to feel enveloped by an inner warmth, a light that guides them through a chaotic world. This piece is an invitation to introspection, a chance to lose oneself in thought and find a moment of peace amidst the tumult of daily life. Lamenta eleni silmë is more than a melody; it is a song of lament for those seeking inner light, a moment of breath in an ever-moving universe.

I am also offering the lyrics in Quenya, along with their approximate translation in English, for those who wish to delve deeper into the meaning behind the music.

___________________________________________________________________________________

Nai eleni silmë ar sercë nárë
Lindë máya, nai almárë
Vëo narquelië lómë ya quetë
Quetë lá quessë ar morna lumna

Nai Anar ortane i lúmë túlë
Ai! Yé ná ilya vanwa
Órë nildë nauva sanwa lanta
Ilúvatar, hiruvalmë silmë ambar

Lírë vanwë nótë óla
Mi silma ar laurië naurë
Ára i cala, ára i lóte
Utaúya, utaúya nai lanta

___________________________________________________________________________________

May the stars shine and the blood burn,
Sing, spirits, may your blessing be.
The shadow of departure whispers in the night,
Wordless whispers are the heavy burden of darkness.

May the Sun rise at the appointed hour,
Ah! All is lost,
The heart of the friend will find solace,
Ilúvatar, we shall find the light on Earth.

The lost song flows through memory,
Under the light of the stars and the golden flames,
I call the light, I call the flower,
Let them perish, let them perish, may they fall.

Echoes and Whispers

Lamenta eleni silmë - Lament of the Shining Stars

Lamenta Eleni Silmë - Lament Of The Shining Stars

Munch

𝓗𝓸𝔀 𝓓𝓲𝓭 𝓨𝓸𝓾?

pico

Download

https://thestrandedalien.bandcamp.com/

https://www.youtube.com/@theNTT.StrandedAlien

Blue Space

GhostKiiD - Streets Cold

"Amore Mio" is a composition born out of a desire to pay homage to the African continent and the rich culture that inspired it. With this song, I aimed to create a musical dialogue between African tradition and modern influences, blending styles like Afro House, Pop, and R&B. Every musical and lyrical element was carefully chosen to convey a warm, romantic, and sensual atmosphere that accompanies the central theme of the song: love.

The structure of the lyrics is a journey through various African languages, symbolizing the unity and diversity of this continent. In the first verse, written in Swahili, I wanted to capture the solar energy and vibrant spirit of East Africa, inviting listeners on a journey filled with light and love. The second verse, in Xhosa, brings dance and movement, evoking the power and grace of South African culture, with a vibe that celebrates life. The third verse, in Zulu, continues this energy, delivering a message of joy and unity, reflecting the communal spirit that defines African life.

The repetitive chorus, “Amore Mio,” serves as a leitmotif, a universal declaration of love, connecting the song's heart with a sense of passion and romance. Whether it's love for a person or for Africa itself, this simple and catchy refrain carries a deep message: love transcends boundaries and is expressed through the universal language of music.

Instrumentally, I chose a combination of acoustic guitar and percussion, which are present throughout the composition, maintaining an organic and authentic sound, close to African roots. Adding synthesizers, electronic drums, and modern R&B and Pop influences brings a contemporary touch, creating a perfect balance between tradition and modernity. 

The overall mood of the song is chill, relaxing, and positive, with a romantic energy, designed to evoke a sense of well-being, peace, and joy. I wanted listeners to feel transported to a warm and welcoming world, one where love and African culture blend seamlessly.

Through this composition, "Amore Mio" becomes an ode to African culture, a celebration of this extraordinary continent's beauty, diversity, and emotional richness. Africa is my source of inspiration, and through this music, I want to pay tribute to its places, languages, and vibrant soul.

Verse 1 (Swahili)

Jua linawaka, twende pamoja
The sun is shining, let’s go together

Sauti ya muziki, furaha ya moyo
The sound of music, joy of the heart

Verse 2 (Xhosa)

Ukukhanya kwelanga, masidanse
The light of the sun, let’s dance

Intliziyo yam iyaphakama, siyathanda
My heart is rising, we are in love

Verse 3 (Zulu)

Siyajabula, hamba nami
We are happy, walk with me

Ingoma yethu, siyathandana
Our song, we love each other

Amore Mio

Struggle

Yellow Room (play)

The Persian Chessboard

This is my first track to be released and shared on Soundcloud for 2025. And this is the first in a series of Upbeat instrumentals or songs that I will share here. The songs in this series are using non-commercial loops in a hybrid fashion with my own studio instruments though but I really enjoy sharing these pieces with my Soundcloud listeners. 'Let's Sail Together' is a good beginning for this series and represents well this spirit of the many new songs that I will bring to this series. And for this coming year I will say to you, have a happy new year and may I continue to bring peace and comfort to all my good listeners! ;)

Let's Sail Together

Mark Kostora

Breathe

Sublime Strings

White Room (wellness)

Umrandungen, Vol. 1

Umrandungen-01-08 (Remastered 2025)

John Cameron - Liquid Sunshine - KPM Music 1973

The Legacy of Disco

Could Heaven Ever Be Like This

The Best Of Bobbi Humphrey

Chicago, Damn

Afro-Harping

Come Live With Me

Una noche, frente al mar y bajo la luna llena, me tocó una melodía que me recordó a ese viejo tema mío. Me miró, sonrió y susurró: '¿Por qué no lo compartes con el mundo?' Así nació 'Arpeggio'.

Arpeggio

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.