When I composed "The Andalusian Echoes," I aimed to create a piece that bridges the past and present, blending tradition with modernity. I started with a flamenco guitar solo, which evokes the vast and serene landscapes of the Andalusian plains, rich with history and emotion. These plains are silent witnesses to countless stories that have unfolded over time—tales of passion, melancholy, but also of energy and vitality.

In the opening moments of the track, I sought to capture the essence of these plains through an acid and energetic acoustic guitar solo. I wanted the listener to feel the deep roots of Spanish tradition, yet also be surprised as I layered in modern, electronic sounds. Each new instrumental layer, whether it's a synthesizer, percussion, electric guitar, or trumpet, represents an exploration of the present, a reflection of how the past can be reinterpreted in the context of contemporary electronic music.

The energetic and pulsating rhythm of the percussion was designed to capture the vitality of the Andalusian plains under the scorching sun, where the constant movement of the wind and the vibrant colors of nature seem to dance to their own rhythm. This rhythm, though energetic, is not aggressive; rather, it is an invitation to active contemplation, a beat that allows you to lose yourself in the landscape while also rediscovering your inner energy.

Through "The Andalusian Echoes," I tried to convey to the listener a sense of transition, a journey between old and new, between contemplation and movement. I wanted the music to be more than just a background; I envisioned it as a soundscape that evokes images and emotions, transporting you to the endless plains of Andalusia, to the warm air and the soothing sound of nature, while the rhythm of the track invites your thoughts to dance along to the modern sounds of electronic music.

Echoes And Whispers

The Andalusian Echoes

Lamenta eleni silmë was born out of a desire to capture the fragility and beauty of an ephemeral moment, like the light of the stars on a deep night. When I composed this piece, I wanted to create a bridge between the past and the present, between ancient traditions and the modern soul. Each note and rhythm was carefully chosen to transport the listener into a state of deep tranquility, where time seems to stand still. At the same time, I intended for this piece to be a lament of sorrow, a cry of grief that brings comfort to those facing loss and sadness.

I chose Quenya over Sindarin or any other Elvish languages because Quenya is the language of the High Elves, those who lived in the blessed realm of Valinor, closest to the divine. It carries with it a sense of purity, timelessness, and a deep connection to the origins of Elven culture. Quenya’s lyrical and ancient beauty felt like the perfect medium to express the ethereal and almost sacred nature of this lament. Unlike Sindarin, which is more commonly spoken in Middle-earth and has a more earthly tone, Quenya evokes a world of fantasy, filled with mystery and nostalgia, adding a timeless dimension to this creation. The female voice, echoing as if from another world, is meant to soothe and provide solace, while the traditional instruments, such as the cithern, add an organic, almost ritualistic texture.

I wanted the listener to feel enveloped by an inner warmth, a light that guides them through a chaotic world. This piece is an invitation to introspection, a chance to lose oneself in thought and find a moment of peace amidst the tumult of daily life. Lamenta eleni silmë is more than a melody; it is a song of lament for those seeking inner light, a moment of breath in an ever-moving universe.

I am also offering the lyrics in Quenya, along with their approximate translation in English, for those who wish to delve deeper into the meaning behind the music.

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Nai eleni silmë ar sercë nárë
Lindë máya, nai almárë
Vëo narquelië lómë ya quetë
Quetë lá quessë ar morna lumna

Nai Anar ortane i lúmë túlë
Ai! Yé ná ilya vanwa
Órë nildë nauva sanwa lanta
Ilúvatar, hiruvalmë silmë ambar

Lírë vanwë nótë óla
Mi silma ar laurië naurë
Ára i cala, ára i lóte
Utaúya, utaúya nai lanta

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May the stars shine and the blood burn,
Sing, spirits, may your blessing be.
The shadow of departure whispers in the night,
Wordless whispers are the heavy burden of darkness.

May the Sun rise at the appointed hour,
Ah! All is lost,
The heart of the friend will find solace,
Ilúvatar, we shall find the light on Earth.

The lost song flows through memory,
Under the light of the stars and the golden flames,
I call the light, I call the flower,
Let them perish, let them perish, may they fall.

Echoes and Whispers

Lamenta eleni silmë - Lament of the Shining Stars

Lamenta Eleni Silmë - Lament Of The Shining Stars

I Dont Know You

CALL ME CRAZY by Barry Jay & David Scott Bartky

"Coconut and Castanets" blends the passionate rhythms of Andalusian flamenco with the gentle calm of Caribbean ocean breezes. This piece aims to take you to sunlit beaches, under swaying palm trees, where castanets dance alongside waves and whispers of salsa.

This piece is about contrasts that complement each other – the fire of flamenco dance meeting the serenity of ocean breezes. I wanted to capture the energy and pure joy that music can bring, transcending boundaries. It is a celebration of rhythm and the vibrant spirit of the moment.

If you listen to it, I hope you feel the same freedom and inspiration that guided me in creating it.

Coconuts And Castanets

Coconut And Castanets

Nyota za Upendo - Stars of Love is a song that perfectly captures the vibe of East Africa, where life pulses to the rhythm of the earth and love shines like the stars in the night sky. I created this piece inspired by breathtaking landscapes, people who live with joy in their hearts, and the deep connection between us and nature.

Every lyric and rhythm pays homage to the everyday beauty of this part of the world: the laughter of children, dancing under the baobabs, and the warm breeze of the ocean. I wanted each note to tell a story, with the vibrant and warm female voice as the soul of this creation, and the male voice adding a touch of depth.

The melodic line adds emotional depth, emphasizing the beauty and vulnerability of love, while the rhythmic percussion breathes life into a piece that invites you to move and feel. For me, Nyota za Upendo is about celebrating, love for places, people, and moments, and then about dancing with life, even when we are surrounded by its mysteries.

Nyota Za Upendo - Stars Of Love

QUESTiØNS

One More

Elizabeth Cotten's Freight Train  -

IN HOLE

AndrewzVee - The Void Calls (Original Mix)

Glass Skin

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.