În ritmuri de manea modernizate și pulsuri trance, 'Și-a luat Pussă-mea Ferarri' e un imn al extravaganței și libertății, presărat cu accente electrice ce te invită la dans. Povestea începe cu Puss, figura centrală a melodiei, care și-a cumpărat un Ferarri Pussosangue, marcând startul unei seri pline de culoare și energie. Pe fondul bătăilor de tobe și acordurilor vibrante de sintetizator, fiecare vers e o provocare de a te lăsa dus de valul unei nopți nebunești. E mai mult decât o melodie, e o celebrare a vieții cu tot ce are ea mai fastuos și nebunesc, o călătorie muzicală care îmbină farmecul tradițional românesc cu beat-uri care îți accelerează pulsul. Ascultă, dansează și lasă magia 'Și-a luat Pussă-mea Ferarri' să te transporte în inima unei petreceri pe care nu o vei uita prea curând!

Și-a luat Pussă-mea Ferarri - Dance

Nightdance

I composed 'Tango De Las Contradicciones' as a deeply emotional and passionate tango melody that delves into the complexities of human emotions through multiple languages. Each verse, written in French, English, Spanish, Portuguese, Italian, and Romanian, explores melancholy, passion, connection, disconnection, contradictions, and introspection themes. The song captures the essence of tango's dramatic and soulful nature, inviting listeners to reflect on the paradoxes of love and life. With its rich, melodic strains, 'Tango De Las Contradicciones' creates a captivating atmosphere, perfect for dance and introspection, displaying complex emotions and cultural influences.

Tango De Las Contradicciones

"Bouncy Bounty Bounce" is an electrifying fusion of Electro-House and Reggaeton, designed to make you move. This track bursts with vibrant energy, featuring dynamic beats, pulsating basslines, and catchy rhythms. Tropical elements blend seamlessly with electronic dance vibes, creating an infectious groove perfect for any party or festival. With its lively melodies and upbeat tempo, "Bouncy Bounty Bounce" guarantees to light up the dancefloor and keep the celebration going all night long. Dive into this sonic adventure and feel the rhythm take over!

The Pulse

Bouncy Bounty Bounce

When I created "The Chill Pulse," I envisioned soothing waves of sound that blend chilled vibes with a touch of sexiness and happiness. My goal was to craft an electronic dance track that serves as your perfect companion for both relaxing and dancing.

Picture yourself on a beach at sunset, with the sky painted in hues of blue and purple. I wanted the rhythm to gently pull you into a state of relaxation, while the underlying beat encourages you to move. It's the kind of track designed to make you sway gently with the waves, feeling the cool breeze on your skin.

"The Chill Pulse" was crafted for those laid-back moments when you want to unwind and let the music wash over you. Whether you're lounging by the pool, hosting a sunset gathering with friends, or taking a late-night drive through the city, I aimed for this track to set the perfect mood.

I incorporated warm synthesizers and gentle percussion to create an ambient soundscape. The subtle electronic drums provide a steady pulse, while the occasional bass and piano notes add depth and texture.

With a positive emotional profile and medium energy level, "The Chill Pulse" is versatile. I wanted it to be perfect for a chill beach day, a relaxed evening at home, or as the background to your creative projects. This track is more than just a song; it's an experience meant to capture the essence of electronic relaxation and dance.

The Chill Pulse

"The Thing With The Beast" is a deep and introspective song that explores themes of inner struggle and personal transformation. The lyrics are written by Emil Cioran, a Romanian philosopher and essayist, known for his pessimistic and often deeply philosophical writings on the human condition. 

His works have influenced many contemporary thinkers and continue to be a source of profound insight into the complexities of life. The English translation of the lyrics was entirely made by me.

Through this piece, I have strived to capture the melancholic and introspective essence of Cioran's words, blending an electro-pop musical style with reggae influences. The song's atmosphere is dreamy and contemplative, featuring C# major tones that alternate with its relative minor key, A# minor, adding depth to the emotional landscape.

Musically, the song has a medium pace, perfect for emphasizing reflection and melancholy. The instrumentation is predominantly electronic, with vocal presence featuring a Caribbean accent that provides a strong and immersive atmosphere. This adds emotional depth, amplifying the intensity of the lyrics and creating a unique dynamic that underscores the theme of duality: the man and the beast within. The song creates powerful images, such as the buffalo roaring inside the poet and performer, symbolizing the primal and crude forces within the human being.

All of this unfolds in a sad yet romantic atmosphere, evoking a sense of nostalgia and a longing for liberation.

The Thing With The Beast

In "Echoes Of The Mountains," I aimed to create a piece that blends natural and universal sounds with modern vibrations. At the beginning of the song, I chose to introduce a male voice chanting over an Ambient background, immediately establishing a primal, visceral connection with the listener. This voice, without words but full of emotion, symbolizes an initial call, like an echo from the depths of nature.

I then added female voices that complement this chant in a choral manner, alternating with the male voice. This alternation creates a sort of dialogue, but one based not on words, but on pure emotion. The vocalizations are meant to convey nuances of feeling, to shape a subtle interaction between masculine and feminine energy, like a dance between two entities seeking and completing each other.

I didn’t want to limit this conversation to ordinary language, so I chose to let the music and voices communicate in an abstract way, offering each listener the freedom to interpret the meaning of this dialogue. Without words, the chant takes on a universal dimension, accessible to anyone, regardless of language or culture.

Listener’s Perception:

As a listener, you will be drawn to the first notes of the male chant, which emerges like a deep murmur over a soothing Ambient background. This voice doesn’t tell you what to feel; instead, it opens the door to a world of sensations and emotions. When the female voices enter, you’ll perceive a harmonious interaction, almost like an unheard conversation between two complementary forces.

This alternation between the male and female chants might evoke images of ancient dialogues, perhaps even sacred rituals or natural ceremonies. The entire experience takes on a spiritual depth, even without words, inviting you to lose yourself in the delicate sonorities and interpret each vocal inflexion in your own way.

As the melody evolves, you’ll feel how these voices guide you further into the story, maintaining a balance between peace and intensity, between the familiar and the mysterious. The chant thus becomes a sonic guide through a world where language is unnecessary for understanding—only for feeling.

Echoes And Whispers

Echoes Of The Mountains (Chant)

Співачка Ana Danch презентує пісню «Вітер надій». Ця пісня була написана у 2000 році відомим гітаристом, композитором, аранжувальником, лідер-вокалістом рок-групи «Галактика» Вʼячеславом Сінчуком для мене, для юної співачки Уляни Латик. Пісня про кохання, мрії, сподівання без яких неможливе людське життя. Пісня пролежала 24 роки у шафі і отримавши сучасне аранжування вийшла у цей Світ.

В моїм вікні сумний пейзаж забутих днів,
Де твоя тінь мерехтить у відблисках вогнів
В моїх руках всі не дописані листи,
Неначе ждуть у кінці останнього «прости»

За безглуздя слів, 
За моє пусте мовчання 
У країні снів,
Де панує лиш одне кохання 

Вітер надій, листям кружляючим 
Осінь журливу запросив 
Із-під небес, птахом страждаючим
Падав до ніг моїх немов без сил.

Минає день і з ним захмарений пейзаж,
А у очах наших зустрічей пʼянкий міраж 
Можливо ти в цю мить попід вікном стоїш 
І, як колись, подолавши біль мені простиш

Вітер надій, листям кружляючим 
Осінь журливу запросив 
Із-під небес, птахом страждаючим
Падав до ніг моїх немов без сил.

Вітер Надій

Сьогодні премʼєра дуже особливої пісні.
Пісні, котру для мене у 12-ти річному віці написали два генії.
Слова - Анатолій Фіглюк.
Музику - Сергій Петросян.
Тоді, в силу дуже юного віку, я не змогла передати всіх емоцій цієї глибокої пісні, хоча дуже старалась.
Сьогодні, вона нарешті звучить по-справжньому. 
Зараз я можу співати її, відчуваючи кожне слово і кожну ноту.

Дощ. Осінній знову дощ пішов
Дощ. І змовкла під дощем любов
Дощ. Нам не сховатись від дощу
В дощ, Тебе я з Богом відпущу.
Дощ. Сумна історія без слів
Дощ. Розлуки зовсім не хотів
Дощ. Такий зажурений в цю мить
В дощ самотньо розійдемось ми!

Ні в чім винити дощ не стану я,
На асфальті хай танцює
І краплинами коханого,
На прощання поцілує 

Ні в чім винити дощ не стану я,
На асфальті хай танцює
І краплинами коханого,
На прощання поцілує…

Дощ. На моє горе і біду
Дощ. І плачуть квіти у саду
Дощ. Вже відлетів кохання птах
В дощ, іди, холодна пустота
Дощ. Вже змовкла під дощем любов
Дощ. Тепла чекати довго знов
Дощ. І стелиться густий туман
В дощ, наш незакінчений роман.

Дощ

Inductive Sound-Estepe [Dark Nature Concept]

I Need A Medic

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.