Oriental by birth and Western by training, Tong 桐(he/they) is a Naarm/Melbourne-based DJ, vinyl enthusiast, and curator of sonic pleasure. Carrying the torch of Chicago house, New York glamour, and Detroit groove, his sets are invitations to sweat, flirt, and feel. With roots in Beijing’s underground and a deep reverence for the dancefloor as a sacred queer space, Tong blends deep house, disco, techno, soul, and acid into seamless, body-moving narratives.
Influenced by legends like Honey Dijon, Derrick Carter, and Danny Tenaglia, Tong’s sound honours Black and queer musical legacies while reimagining them through a diasporic lens. Beyond the booth, he is the mind behind Hell Yeah Chicago, a house series paying homage to the genre’s birthplace, and co-organiser of FADS, a party for diverse queers.
Whether stirring up queer raves or opening hearts in intimate rooms, Tong 桐 plays with purpose: to uplift, to connect, and to remind us that dance is both resistance and joy.

Tong 桐是一位来自中国、现居 Naarm/墨尔本 的酷儿 DJ。他的音乐深受 Chicago house、纽约 disco 和 Detroit techno 的影响，节奏灵动、情感丰富，常常在舞池里制造出既热烈又亲密的时刻。
起步于北京的地下俱乐部文化，Tong 喜欢用音乐去连接人、情绪和记忆。他擅长在现场采样、混合不同风格，带来细腻而有能量的聆听体验。受 Honey Dijon 和 Derrick Carter 的启发，他的声音致敬黑人和酷儿音乐文化，同时也透过自身的离散身份去重新想像和诠释这些传统。
他是 Hell Yeah Chicago 的主理人，也是酷儿派对 FADS 的共同策划者。对他来说，跳舞不仅是释放身体的方式，也是一种表达身份和彼此靠近的方式。

Ten years ago, ‘We Are Your Friends’ reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed,✝, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘D.A.N.C.E’, ‘Stress’ and ‘Phantom’, and its videos, allowed Justice to follow the 90’s French Touch and its filtered disco loop. 

Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. 


'TOO MANY HUMANS NOT ENOUGH SOULS' 

OUT NOW

https://sam-ob.ffm.to/tmhnes

fka Obey City

Co-Boss at @AstroNautico
1/2 of @ensembleentendu ,  @daveandsam

Records on: 
@LuckyMe 
@classic-music-company 
@bastardjazz

ALL INQUIRIES: johnny@moodswingmgmt.com

xoxoxo

Flower City Heartbreak Out Now - https://ovo-roywoods.ffm.to/fch
UTU • OVOSOUND

Nic Synott is following