Hiru No Yume - Hiroyuki Namba
With her - Banoffee
Love You Down (Too Damn Dope Regfant Rework) - Regular Fantasy
Original Man - Dave Angel
Less - Matthew.
OAF (Chord) - Voyage
Emotion In Motion (Thrillseekers Remix) - Witness of Wonder
Starlight - Niles Cooper
Particle Shower - The Martian
Kinetic (Rhythm Masters Melodic Mix) - Golden Girls
Acid Over (Tyree's Mix) - Tyree
Camargue - CJ Bolland
Spirit - Echomen
Missing (Todd Terry Club Mix) -  Everything but the girl
Rain - Madonna

Soft abyss

Anterograde Mix 10: Artemis / @artemis_424
April, 2021

Artwork and layout by Henry Pyne / @eek-horror
Mastering by Nick Arks

AnteroMix⏤10: Artemis

....token.

buy vinyl/digital nicemusiclabel.bandcamp.com

taken from Simon J Karis 'Tracce Non-Funzionale' NM047

NM PRESENTS SJK 'TRACCE NON-FUNZIONALE' THE ARTIST NOTES PLEASE NOTE THESE ARE NOT FOR YOU AND I AM THE ARTIST FIVE CUTS MAGNANIMOUSLY CHISELED INTO SHARP (ENOUGH) POINTS TO THROW ONE OFF KETAMINE FOR GOOD AND MISGUIDE WHATEVER IS LEFT OF A SPLINTERED DILETTANTE-DICTATED MARKETING SPHERE (FOR FOOLS HA(!)). NO FUTURE NO PAST NO TECHNO JUST DEAD ENDS, LIKE TRYING TO PULL ENDLESS COTTON WOOL SWABS OUT OF EARS WHILE EVERYONE PRETENDS TO HAVE FUN AROUND YOU AT A SOFT DRINK BRANDED DANCEFLOOR ON A HORRIBLE OVERCAST MARCH AFTERNOON. SCHADENFREUDE AND FOMO FERVENTLY JOSTLE TO HOLD THEIR SPACE HERE BUT I DO NOT PAY SERVICE TO SUCH FORCES I JUST DANCE. I DANCE LIKE A FUCKWIT AND I LAUGH AT YOUR LIFE THAT IS MY CROSS TO BEAR AND I THANK YOU FOR IT BE WARNED OF THE DISAPPOINTMENT AND CRY AT THE JOY AND TERROR OF REAL LIFE DANCING AND THE ARTLESS PITTANCE AFFORDED TO US BY GENRE MUSIC. MASTERED BY PATRICK TELFER FROM A COMFORTABLE AND EXPENSIVE FUCKING ARMCHAIR.

nicemusic047
Nice Music 2022
16 minutes

Tracce Non-Funzionale

Simon J Karis 'Important Deaths'

READ > inverted-audio.com/premiere-j-campbell-the-lighthouse

Following notable releases from Nina Buchanan, Butter Sessions affiliate Fia Fiell and bass player Joseph Franklin, Melbourne-based contemplative imprint Nice Music gears up the six-track 'Erosion Of Memory' EP - courtesy of New South Wales coastline dweller J. Campbell.

Erosion Of Memory

The Lighthouse

J. Campbell - The Lighthouse [Nice Music]

Introducing head honcho of "Louder Than Words" group, Marsh Long. Marsh has established herself as a formidable force in Melbourne's underground music scene, being a familiar name in the a myriad of local and International lineups, she is undoubtedly a well respected name in the industry.

Her set curates a collection of fast and hypnotic sound scapes, conjuring textural heavy hitters with ambient melodies, operating in the intersection between order and chaos. Her song selection draws on a diverse range of local and international artists, offering a glimpse into the extensive collection of Marsh's artillery. 

We hope you enjoy this high energy set from Marsh Long.

Kiss + Tell Invites: Marsh Long

buy LP/digital at nicemusiclabel.com & nicemusiclabel.bandcamp.com

You Can’t See Speed is a limited-edition vinyl accompanying the artist’s major solo exhibition at the Australian Centre for Contemporary Art. Attending to the interconnected and multisensory experience of film beyond vision, You Can’t See Speed features vocal resonances and spoken descriptions written and recorded in collaboration with participants from Stefanou’s film works, alongside music composed by the artist. A cacophony of lived experience, oral storytelling, and vocality.

The B-side centres a collaboration with blind motorbike mechanic and rider Matthew Cassar and composer Joseph Franklin. Anchored in ideals of trust and experimentation, the work traces Cassar’s journey through high-performance dirt bike riding as a surrealist voyage of adrenaline and self-actualisation. In his own voice, Cassar reflects on the layered worlds—both on screen and within—where ‘image meets experience’. Cinema becomes sensorium, as singing, thrumming, electronically mediated dirt bikes, outer-suburban field recordings, exhausted vocalities, hymns, trumpets, harmonics and grain converge in a rush of sonic and embodied image-making.

More about the main exhibit at ACCA Melbourne;

You Can’t See Speed contains an intense, immersive soundscape that is played throughout all of ACCA’s gallery spaces, bathrooms and foyer. Some audience members may find this uncomfortable.

Earmuffs and ear plugs are available for use in the space, and we encourage you to bring your own headphones for noise relief, if applicable.

ACCA is providing quiet sessions from 11am – 12pm daily for audiences with sensory sensitivities.

Australian Centre for Contemporary Art is pleased to present the first major solo exhibition by Tina Stefanou, a Greek-Australian artist who works with experimental forms of performance, film, sound-music, sculpture, ethnographic research and socially engaged practice.

Tina Stefanou: You Can’t See Speed attends to the interconnected and multisensory experience of film beyond vision. The exhibition continues Stefanou’s interest in the voice as medium, from spoken sonic soundscapes to vocal techniques such as humming. It also expands on her methodology of deep, long-term, co-creative collaboration and socially engaged practice involving interspecies-communal-performance making and breaking bread (or grain). Her diasporic, working-class ethic and approach to making challenges institutions of power and capitalistic logics, embedding the commons – from the planetary to the everyday – within her life and work.

The exhibition centres a collaborative new film commission with blind motorcycle mechanic and rider Matthew Cassar. Concerned with the ideals of collaboration and trust, coinciding with Cassar’s journey of riding dirt bikes in high performance contexts, the work follows Cassar along a surrealist voyage of adrenalin and self-actualisation. Accompanying the film is a large-scale, site-specific stunt ramp emblazoned with totemic, ritualistic symbols and sounds such as evil eyes, crystals, and melismatic singing. Designed to protect from and ward against threats, both imagined and tremendously real.

Alongside the new commission, Stefanou presents a modified configuration of cinematic performance works. Featuring rural and regional collaborators, the films form a complex ecology of multispecies and class realities, and rural poetics, from migrant, farmer, and youth perspectives. Multiple screens are scaffolded by a field of sculptural materials, from wax casted horse-hooves to found agri-materials, which trespass across the galleries shifting them into a metaphorical nervous system made up of all-too-human, animal and machine parts.

read more at nicemusiclabel.com and at the buy link above

You Can't See Speed

BUY/LISTEN

Tina Stefanou 'Untitled (Environments)'

VALE SEAN BAXTER 
1970-2020

We are crushed by the terrible news of Sean's passing. The Melbourne (and all over) experimental / improvised / noise scene took a huge blow just a few days before the start of the confinement, with the passing of legendary drummer, noise artist, curator, DIY stalwart, lover and enthusiast for all things strange, fukkd and brutal Sean Baxter.
I made a radio show of his music, with a few anecdotes, stories and quotes thrown in. If anyone is involved in radio, online or otherwise, and wants to get it aired please feel free to download to get the files.

1. ‘Almost Lucid Fairytale’ - from Bucketrider 'Guignol’s Band’ - 1998 - Dr Jims Records
2. ‘Safety Pod’ - From The Throwaways 'Angle Grinder' - 1991 - Au Go Go Records
3. ‘Rock and Roll’ - From The Throwaways 'Postmadonna Primadonna’ - 1994 - Dr Jims Records
4. ‘Nancarrow (For Conlon)’ - From Bucketrider 'Guignol’s Band’ = 1998 - Dr Jims Records
5. Excerpt from ‘Open Space’ - From Western Grey 'Glacial Erratic' - 2003 - Dr Jims Records
6. Excerpt from ‘1’ - From Lazy ‘Microsonics’ - 2002 - Dr Jims Records
7. ‘Metamorphics’ - from Pateras / Baxter / Brown - Ataxia - Synaesthesia Records - 2002/2003
8. ‘Bern 4’ - from Pateras / Baxter / Brown - ‘Bern - Melbourne - Milan’ - 2006 - Immediata 
9. ‘Inland 4’ - from Pateras / Baxter / Brown - ‘Bern - Melbourne - Milan’ - 2017 - Immediata 
10. ‘Plates’ - from Sean Baxter - Solo Drumkit Improvisations - 2011 - Bocian Records 
11. ‘Blood Meridian (Tempering Agent)’ - Embers - Slag-Welter - 2008 - Heathen Skulls
12. ‘Unreleased’ - Sean Baxter & Valerio Tricoli - Recorded in Berlin 2012
13. Sean Baxter Classic Intro - Make It Up Club - 2018
14. ‘Windchimes’ - from Sean Baxter - Solo Drumkit Improvisations - 2011 - Bocian Records 

Quotes from Anthony Pateras, Steve Heather, Judith Hamann, Clayton Thomas, Miles Brown, Dale Baxter, Scott Sinclair
Compiled by Annalee-Rose & Will Guthrie - April 2020
Thanks to Dave Brown, Anthony Pateras, Clare Cooper

Vale Sean Baxter - 1970-2020

Darren Cunningham talks karma and desire.

For more, visit Resident Advisor: https://www.residentadvisor.net/podcast-episode.aspx?exchange=532

RA Exchange

EX.532 Actress

That feeling when you walk into a 6-seater whisky bar in Tokyo and they are playing the best records you've never heard before.

Yamantaka // Sonic Titan (Hoshi Neko remix) - CFCF
Face to face - Yumi Murata
Demanding sleep - Bellevue
Prejudice - T’Bwana Posse
O Amor Inovou - Região Abissal
Solid Life - Frank Chickens
Kleenex - Kuruko
ねらわれた少女 - Chiemi Manabi
Thank you America - Cabaret Voltaire
Nisyan - Ahmed Fakroun
We’ve got tonight, boy - FRAGILE 
Os Pontos Nos Is - Ana Paula Reis
Tango japan - Al Onzo
Heartbeat - Colored Music
Romance - David Cassidy feat. Basia
Angulus Vista - Benedek

Secret bar in Shibuya-ku 渋谷

nicemusiclabel.com Naarm/Melbourne, Australia.

Tina Stefanou 'Untitled (Environments)'

Nice Music Label

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