Delicate, yet powerful. What a beautiful piece.

A wonderful creation of incredible depth. Poetry in both the lyrics and the music. Thanks for sharing, Nic. 💐💐💐💐💐

just heard your work with Classical Glass, lovely work!!

Victor Villamor.....Low Whistle
Guitarra y producción.......Javier Piñeira

Voyage Through Cassiopea

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

From the heartfelt original composition À Milli by Anastasiya Ihnatovich, included in our Piano Whispers 01 compilation with arrangements by Bruno Sanfilippo, we now present À Milli Reworked, delicately reinvented with real strings by composer Felipe Lima. The piece now carries a cinematic, melancholic beauty. Each note unfolds with grace, inviting the listener on a peaceful and pastoral journey. With this release, we warmly welcome two new talents to the ad21 family: Anastasiya Ihnatovich, a neoclassical pianist from Minsk, Belarus, whose music speaks with honesty and emotion. Felipe Lima, a Brazilian composer focused on film, series, and visual storytelling, bringing deep sensitivity and atmosphere. A luminous collaboration that celebrates subtlety, emotion, and the power of reinterpretation. ad21

À Milli Reworked

Listen

I'm very pleased that Debra Buesking's piece "I Wish" has been released. It's a very personal piece from Debra, and I'm honored that she let me arrange it.

Reflective

I Wish (Orchestral Version)

I Wish (Ft. Debra Buesking)

Music inspired by the realms of Avalon, from the album Between the Worlds.

In Memory of Lutz, Raven of Light, who made the world a better place through his music. Here is a link to a tribute to Lutz from The Psychedelic Muse ...

https://www.youtube.com/watch?v=pg3xD61LOFw

Between the Worlds

The Circle

Words & Music © Nic Evennett, 2019, 2025. 

For Helen 

Let me be water,
And feel with flowing arms,
Seeking the corners
Then flowing, flowing.
And evermore I'll float.
There, I will linger.
There, I'll find stillness.

I'll only keep moments
And a calm heart.
No one could hold me down -
Slip through tangled hand.
And I will sing their songs -
The voice of the coral,
The melody of the sands.

Be.
Beautifully dawning.

The words of a dreamer,
The messenger of the sea.

~

The Letter ~ For Helen

"Vesoul" is a 1968 French song by Belgian singer-songwriter Jacques Brel - whom we love :)

Guitar by Gideon
Special thanks to my daughter Teghan for her excellent French :).

We hope you'll enjoy our rendition!


English translation

You wanted to see Vierzon, and we saw Vierzon
You wanted to see Vesoul, and we saw Vesoul
You wanted to see Honfleur, and we saw Honfleur
You wanted to see Hamburg, and we saw Hamburg
I wanted to see Antwerp, we saw Hamburg again
I wanted to see your sister, and we saw your mother
As always

You no longer loved Vierzon, we left Vierzon
You no longer loved Vesoul, we left Vesoul
You no longer loved Honfleur, we left Honfleur
You no longer loved Hamburg, we left Hamburg
You wanted to see Antwerp, we only saw its suburbs
You no longer loved your mother, we left your sister
As always

But I tell you, I won't go any further
But I warn you, I won't go to Paris
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Paris, and we saw Paris
You wanted to see Dutronc, and we saw Dutronc
I wanted to see your sister, I saw Mont Valérien
You wanted to see Hortense, she was in Cantal
I wanted to see Byzantium, and we saw Pigalle
At Saint-Lazare station, I saw the Flowers of Evil
By chance

You no longer loved Paris, we left Paris
You no longer loved Dutronc, we left Dutronc
Now, I confuse your sister and Mont Valérien
From what I know of Hortense, I won't go to Cantal anymore
And too bad for Byzantium, since I saw Pigalle
And Saint-Lazare station, it's expensive, and it hurts
Randomly

But I tell you again (heat up, Marcel, heat up)
I won't go any further
But I warn you (quail, quail, quail)
The journey is over
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Vierzon, and we saw Vierzon
You wanted to see Vesoul, and we saw Vesoul
You wanted to see Honfleur, and we saw Honfleur
You wanted to see Hamburg, and we saw Hamburg
I wanted to see Antwerp, and we saw Hamburg again
I wanted to see your sister, and we saw your mother
As always

You no longer loved Vierzon, we left Vierzon 
You no longer loved Vesoul, we left Vesoul
You no longer loved Honfleur, we left Honfleur
You no longer loved Hamburg, we left Hamburg
You wanted to see Antwerp, we only saw its suburbs
You no longer loved your mother, we left her sister
As always 

But I tell you again
I won't go any further
But I warn you, I won't go to Paris
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Paris, and we saw Paris
You wanted to see Dutronc, and we saw Dutronc
I wanted to see your sister, I saw Mont Valérien
You wanted to see Hortense, she was in Cantal
I wanted to see Byzantium, and we saw Pigalle
At Saint-Lazare station, I saw the Flowers of Evil
By chance

Vesoul (Jaques Brel - Giddy and Rob Jam)

Sillage 
(SEE-yahz)
(n.) The lingering sense of someone's presence, like a perfume left in a room, evoking memory and absence.

Sillage

un trio un peu étrange : piano/cello/trompette bouchée, pour une ballade entre chat et loup; bref encore une rêverie, inspirée par un chat qui aime les livres

ce chat qui médite

stille ankomst

Terry had this one mostly written and when I first heard it, he had already added some really nice ambient guitar to it, so i went with some sound fx and developed some over the top ideas around his, as well as the acoustic picking.   During the process we both discovered we had a great admiration for the art and movies of David Lynch, so Terry had the idea to put it together with some elements that give a nod to him and his movies , given that David passed not long ago.

Listen to all our collabs on the Texas Tea playlist: soundcloud.com/texmex-shaman/sets/texas-tea-sea

Photo by Bdelisle at English Wikipedia, CC BY 3.0, commons.wikimedia.org/w/index.php?curid=15816231, edited for color and contrast by Terry

Tea R Sea - @tea_are_sea - composition , synth, beats ,  mix , ambient guitar, art
TexMex Shaman - guitar machines , final master, various sound fx

Got a Light?

Got a Light? - A Texas Tea Production

Independent singer-songwriter from Kent, UK. 
Little video introduction here: https://www.youtube.com/watch?v=MKMPLBJBK6M

'No Sheet Music' Artist. https://www.nosheetmusic.tv/artists/nic-evennett

"Evennett’s voice is a delicate mystery, warm and lustrous, yet fragile and crystalline – a bewitching blend of Kate Bush and Linda Perhacs, surrounded by dolorous, reverb-drenched piano and woven into broken-hearted balladry." Andee Connors, Pandora 

"Moving, delicate and introspective. As always, Nic Evennett's voice washes over the listener creating an incubated space I didn't want to leave."
Rapt.

Interview: 
https://cocamidemea.wordpress.com/2018/01/30/indieterria-meets-nic-evennett/

---

Part of duo Cellar Door. We're over here:
https://soundcloud.com/cdoor

The Letter ~ For Helen

Nic Evennett

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