When you hike in the Chugach Mountains, relationships between all things—some unfolding over thousands of years—can be readily observed everywhere you look. Nothing is inanimate. Everything seems to have a life and trajectory behind it; the massive glaciers propagate themselves from the ice field high in the peaks above, patiently sprawling across the valley for eons until they each find a spot that suits them. Their meltwater, like a vast circulatory system, feeds many streams and rivers, which in turn nourish the local marshes, fungi, plants, and animals. The mountains constantly make their motion known to you as well; several times a day, the unearthly rumble of distant rockslides punctuate the vast white noise of the wind and rivers. Even the force of gravity seems to have a mystical persona that hangs in the air. Everything is constantly drawn downward from the peaks to the valleys.

The calls of the Golden Crowned Sparrow seem to echo this state of being; though the melodies will vary slightly from place to place, they, too, always descend downward.

When I visited the Chugach Mountains, I spent much of my time transcribing the calls of the Golden Crowned Sparrows. Taking in their melodies, and the landscape around me, I had a bizarre, almost transcendental thought: A mountain must perceive a glacier similarly to the way I, or a sparrow, perceive a brook gurgling by our feet. Perhaps all forms of existence are just different sides of some cosmic coin. Perhaps through music, I can show how a sparrow's call can become a brook, and that brook can become a glacier...

Performed by Corvus Ensemble, March 2023 at Federal Hall, New York City.

A Sparrow is a Brook is a Glacier

motion

contact : 'xywave' on discord

banner : "Die Toteninsel" // A. Böcklin

An upcoming music producer/artist originally from Bangor, Wales but lived in Manchester England for the majority of my life. I am looking to mix tracks for free as practice and i am always open to collaborations.

Ben Morris is a composer whose music tells unconventional stories and crosses genre boundaries. He is Assistant Professor of Composition at Stephen F. Austin State University.

Please no offers for more followers, listeners or other advertising. I don't pay for advertising!

An ongoing aspiration of BMI Award-winning composer and cellist, Nicholas Denton Protsack, is to seek new connections between music and the natural world. Called a "(composer) to keep a close eye on" by the Canadian Music Centre, Nicholas' ecologically informed music includes composed works, studio albums, and experimental improvisations, and has been featured in a wide variety of concert settings across North America, Europe, and New Zealand. Recent accomplishments include two first prizes in the 2021 SOCAN Foundation Young Composers Awards and commissioned works for the Toronto Summer Music Festival and the American Prize-winning Ensemble for These Times (E4TT).

	As a cellist, Nicholas is an active freelance performer and advocate of new music—frequently involved in collaborative projects that range from traditional to highly experimental concert idioms. Although primarily a chamber musician, he has also appeared as a soloist with the Okanagan Symphony Orchestra and the San Francisco Conservatory Orchestra.

	Nicholas is currently undertaking a PhD in music at Victoria University of Wellington (NZ), studying with composers Michael Norris and Dugal McKinnon. His other major teachers have included David Garner (composition), Jean-Michel Fonteneau (cello), Jennifer Culp (cello), and Morna Howie (cello).

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

My music is written without the use of AI.

Hope you enjoy and thanks for visiting!

In addition to SC - tracks available on 
Spotify: http://bit.ly/3sGsCG8
iTunes: https://apple.co/2RAe9DU
Apple Music: https://apple.co/40TPePO
Youtube Music: https://bit.ly/40Uky0W
Amazon Music: https://amzn.to/3QZhU5C

Composing using PC, Cubase Pro, Reason and various orchestral libraries among others. Focused mainly on orchestral, atmospheric, cinematic soundtrack style.

For licensing queries and commision work contact Sturle on Sturlestrausscomposer@gmail.com

Composer of all things 'cinematic' – from lush and colourful orchestral textures to sweeping synth soundscapes, and everything in between. Striving to paint pictures through sound, with the ultimate goal of helping people to share their stories.

Composed, produced & performed Srouly Frank
Nothing liberates more than joy!
About: Pianist-composer. SACEM member.