Choices # #, Gene Jumper, George Jones, ( cover )

Choices,# #, Gene Jumper, George Jones, ( Cover)

same brain/scrambled/insane/these days/when?/ TV /different days

No Thanks Mates/B A  WalkN The Plank

Indiesyme Yogurtin

Fresca Butter Mix

Sunset

A small study with frequency modulation sounds of the TX81-Z synthesizer, created during the "Internationale Studienwoche für Zeitgenössische Musik" (March 18-25, 1989) in Lueneburg

Underscore    LP005

Glockenhaus-Studie

again an attempt to write and compose my own songs

kvinden på min vej

YOUTUBE CHANNEL: www.youtube.com/user/WrittenForGuitar
BANDCAMP: georgewanat.bandcamp.com/

In The Fullness Of Time

Floating (Free Download)

„Arctica“ (28.03.2023 )

Arctica ein längst verschollener Kontinent aus der frühen Erdgeschichte.

Die Menschheit ist nur ein Wimpernschlag auf diesem Planeten. 
Wer weiß ob die Spuren unseres Daseins verschollen sein werden wie dieser alte Kontinent „ARCTICA“

Der Name Arctica wurde 1996 von John J. W. Rogers vorgeschlagen.
Er wählte den Namen Arctica, weil sich zu einer wesentlich späteren Zeit der Arktische Ozean durch diesen hypothetischen Kontinent hindurch öffnete.

ARCTICA als erdgeschichtlicher Kontinent entstand vor etwas 2,5 Milliarden Jahren.
Arctica könnte damit aus dem nochtetwas älteren Kenorland durch Akkretion des Wyoming-Kratons und den zwei sibirschen Kratonen und den Rae- und Nain-Komplexen in Grönland entstanden sein.
Zitat / Quelle: Wikipedia

Diese zauberhafte Mystik dieses längst vergangene Kontinents hat mich dieser Komposition inspiriert. Reist mit mir musikalisch in die Vergangenheit zu dem Kontinent Arctica.


Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	: Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
SPITFIRE AUDIO:
ORIGINALSPECULATIVE MEMORIES VOCALS SARA FORS GRANULAR CLOUDS
Britisch Drama Toolkit
TUNDRA
¬¬¬¬¬¬¬¬___________________________________________________________________________

"Arctica" (03/28/2023 )

Arctica a long-lost continent from early Earth's history.

Humanity is just a blink of an eye on this planet.
Who knows if the traces of our existence will be lost like this old continent "ARCTICA"

The name Arctica was suggested by John J.W. Rogers in 1996.
He chose the name Arctica because at a much later time the Arctic Ocean opened through this hypothetical continent.

ARCTICA as a geological continent arose about 2.5 billion years ago.
Arctica could thus have formed from the somewhat older Kenorland by accretion of the Wyoming craton and the two Siberian cratons and the Rae and Nain complexes in Greenland.
Quote / Source: Wikipedia

The magical mysticism of this bygone continent inspired this composition. Travel with me musically into the past to the continent Arctica.


Thank you for your valued attention.
SOUND CLOUD: https://soundcloud.com/cloppenburg-music

Music : Björn Cloppenburg All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
SPITFIRE AUDIO:
ORIGINALSPECULATIVE MEMORIES VOCALS SARA FORS GRANULAR CLOUDS
British Drama Toolkit
TUNDRA
__________________________________________

Arctica

ARCTICA

KANNA

A faint breeze transforms into a gale; the sound of a million rustling blades of dry grass accompany it.  You open your eyes, and a landscape of golden hills—boundless as the sea—stretches before you.  The hills begin—slowly at ﬁrst—to churn in the wind, as if they really were waves upon a sea.  They roll, cascade, tumble, and swell, until they reach colossal heights, merging with the blue, marbled sky.

  Vision of a Flaxen Sea is a work for symphony orchestra that is inspired by numerous dreams, experiences, and works of art that concern the subject of hilled landscapes—particularly those that are swept by wind, and covered with dry grass or straw.  In my mind, these landscapes, dreams, and works of art have a very literal musical quality to them.  The aim of this work is to communicate that quality.

Performed by the San Francisco Conservatory Orchestra, conducted by Joseph Young; December 13th, 2019.

Vision of a Flaxen Sea

An ongoing aspiration of BMI Award-winning composer and cellist, Nicholas Denton Protsack, is to seek new connections between music and the natural world. Called a "(composer) to keep a close eye on" by the Canadian Music Centre, Nicholas' ecologically informed music includes composed works, studio albums, and experimental improvisations, and has been featured in a wide variety of concert settings across North America, Europe, and New Zealand. Recent accomplishments include two first prizes in the 2021 SOCAN Foundation Young Composers Awards and commissioned works for the Toronto Summer Music Festival and the American Prize-winning Ensemble for These Times (E4TT).

	As a cellist, Nicholas is an active freelance performer and advocate of new music—frequently involved in collaborative projects that range from traditional to highly experimental concert idioms. Although primarily a chamber musician, he has also appeared as a soloist with the Okanagan Symphony Orchestra and the San Francisco Conservatory Orchestra.

	Nicholas is currently undertaking a PhD in music at Victoria University of Wellington (NZ), studying with composers Michael Norris and Dugal McKinnon. His other major teachers have included David Garner (composition), Jean-Michel Fonteneau (cello), Jennifer Culp (cello), and Morna Howie (cello).