jazz

KEXP ~ PACIFIC NOTIONS - part 5

Nicholas Britell – If Beale Street Could Talk (Original Motion Picture Score)

T.Milly👑- Silhouette (Remix)

If Beale Street Could Talk (Original Motion Picture Score)

Agape

The Children of Our Age

Encomium

Eros

Eden (Harlem)

Really Love (Original Motion Picture Soundtrack)

Hang the Art

On our Own

The More You Know

How Do You Feel About Getting Married? Out Now - https://Dijon.lnk.to/Married

Jesse was late again, but I don’t mind I’ll wait for him
Jesse gets mean sometimes
But I don’t mind, he’s got a lot on his mind.
And dammit Jesse. It’s true. I do love you
And dammit Jesse. It’s true. I do trust you

Jesse’s a mess again
So I lie awake with him
And he’s holding on to something I can’t see
But it’s alright, I’m safe with him

And dammit Jesse. It’s true
I do, love you
And dammit Jesse. It’s true, I do trust you

And he could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.
He could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.

Facebook: bit.ly/2D6ueuQ
Twitter: bit.ly/2MVYUDL
Instagram: bit.ly/2D4GqMs
YouTube: bit.ly/2SbBY9e
Spotify: spoti.fi/2Tva0Sv
Apple Music: apple.co/2MPolGU

jesse

In the late 90’s, east-side LA was in the throws of a post-indie explosion; a network of stoned bands ranging from neo-psychedelia to pseudo-country overran Spaceland (our generation’s Troubadour) and the local Silverlake Lounge. I was playing freakbeat records twice a week in dive bars, half of Spacemen 3 was crashing at my house (my drop-out roommate was Sonic Boom’s tour drummer) and it was during this blur that I met Raymond Richards, a clean-cut all-American pedal steel guitarist playing in Mojave 3 (the country-tinged 4AD side project of shoegaze royalty, Slowdive). I was instantly swept off my feet, head over heels in love with Raymond's weeping tone — the most chill-inducing, emotionally responsive dialog I’d had with music since discovering Satie as a child — it was then and it is now, truly haunting. After a year of personnel trials, my roommate and I stole Raymond for our own band, and not only did he smother our songs with his enchanting steel, he was virtuosic with a variety of atypical instruments such as baritone guitar and theremin, he utilized them all. The band was short-lived — I split to jam with Ariel Pink, Raymond fled to Portland, then me subsequently to New York City — but in founding the ESP Institute years later, there was always a recurring mental note; "we must make Raymond’s pedal steel album." I had managed to wrangle his blessed performance on a remix for Project Club’s 'El Mar Y La Luna', but it took almost a decade until I once again wore the producer hat and we began working on 'The Lost Art Of Wandering', a title borrowed from Sam Shepard’s 'Stories'. Spiritually candid, expansive yet enveloping, this is the strung-out, visceral country music that simply radiates from Raymond. Each song is his set of coordinates in a vast open terrain, holding a sentimental familiarity, a truthful longing for the simple comforts that diffuse life’s complications, a place to get lost. —Lovefingers

Produced by Lovefingers
Cover image - Barbara and Michael Leisgen, Eintauchen [detail], 1972

[ESP070] The Lost Art Of Wandering

Buy from ESP

[ESP070] RAYMOND RICHARDS - B3 - Idaho Falls, Idaho - SNIPPET

Composer / Pianist / Producer  
@moonlightmov @bealestreet @theugrailroadtv @dontlookupfilm @succession